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Final Audio Design Impressions and Discussion Thread - Page 270

post #4036 of 4531

Ah! Thanks. Excellent info to have. 

 

Might help if I were well-versed in Japanese. :p

post #4037 of 4531
Quote:
Originally Posted by SoundFreaq View Post

Ah! Thanks. Excellent info to have. 

Might help if I were well-versed in Japanese. tongue.gif

Or had the super secret password to access the super secret FAD English site wink.gif :



Hi SF biggrin.gif
Edited by vwinter - 6/8/14 at 2:48pm
post #4038 of 4531
Demerits? What is this? Elementary school?
post #4039 of 4531
Quote:
Originally Posted by Idsynchrono_24 View Post

Demerits? What is this? Elementary school?

Ahh the good old days.
post #4040 of 4531

It shouldn't be "merit." It should be a little gold star.

 

post #4041 of 4531
Quote:
Originally Posted by vwinter View Post  If you read this Tom, and this appears to be the case, would you know the likely benefits to running this configuration?

 

In a similar vein, running two AD797s in parallel lowers THD. A similar thing happens here. It's not half as much distortion, or twice as loud, because none of that addition is perfect, but it helps. You get twice the back volume but the same type of bass signature, with slightly faster transients because each diaphragm travels with less amplitude. If we remember Mr. Gustav Kirchoff, the current traveling across each receiver is halved. Total DC resistance is halved.

 

 

This is a comparison between a 2600 (navy blue) and 2800 (aquamarine).

 

As you can see, the bass sensitivity is increased about +9 dB.

 

Less obvious is that you can see that the resonance peaks and nulls are sharper and better defined on the 2800, which I attribute to a tighter acoustic response overall.

post #4042 of 4531
I bought the adaigo 3.. And I hate to say this but it is the worst iems I have ever listened to. Hollow bloated bass, weak mids and sibilant recessed highs. Sounds like listening to music in a deep well. Might be good for those who likes a darker signature with loads of bass. It's the only final audio product I have tried so I'm not bashing the brand here. I think they have many interesting products bit the adaigo 3 was a big let down for me.
post #4043 of 4531
Quote:
Originally Posted by Arvan View Post  I bought the adaigo 3.. And I hate to say this but it is the worst iems I have ever listened to. Hollow bloated bass, weak mids and sibilant recessed highs. Sounds like listening to music in a deep well. Might be good for those who likes a darker signature with loads of bass. It's the only final audio product I have tried so I'm not bashing the brand here. I think they have many interesting products bit the adaigo 3 was a big let down for me.

 

The Adagio V or Heaven II might be better for you. The Adagio II and III are cheaply made too.

post #4044 of 4531

The same thing can be said for the Piano Fortes too, if you're using the conventional benchmark.

post #4045 of 4531

Just stopping by to say...

 

R.I.P. Kanemori Takai

 

His unconventional genius will be missed.

Final Audio Design will never be the same, but he has left behind a legacy of amazing products.

post #4046 of 4531

RIP Takai-san, I thoroughly enjoyed the Heaven Series of IEMs, and to this day remain my favourite BA IEMs. 

 

May his legacy live on, he will be missed dearly.

post #4047 of 4531

RIP Takai-san.

post #4048 of 4531

RIP Takai-san. His commitment to excellence and quality was a huge inspiration for us at Astell&Kern. He will be truly missed by all. :(

post #4049 of 4531

Aw man. That legit bums me out, I was so in love with the Hope VI I was stoked to see what he'd come up with later. :(

 

Speaking of, as a man who loves his Hope VI, is there an IEM that they make that would be basically an in-ear version of that? 

post #4050 of 4531

R.I.P., Mr. Takai. Met the guy twice over at the two Mook festival last years. I am not the biggest fan of his IEM, but I do enjoy his full size.

 

D1-22.jpg

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