Anyone have pics or impressions to post?
Man, I wish I could have driven down for this one.
Anyone have pics or impressions to post?
Man, I wish I could have driven down for this one.
My 60-second review:
Senn HD800 coupled with the Cavalli Liquid Fire amp was my favorite cost-no-object combination. Vast, holographic soundstaging with gobs of detail and a sprinkle of lush tubey sparkle on top. Drawback? Price. Serious ouch. But very nice.
Stax SR-202 didn't move enough air for me. The overall sensation was too cerebral. Quick and accurate, but lacking in visceral slam. Keep in mind that aside from the Orpheus I have yet to audition an electrostat headphone that I'd consider buying.
I was pleased with the stubbornly good price/performance ratio of the Mapletree Ear HD+ and Grado SR225. Lightning-fast transient SNAP at certain frequencies were unequalled by any other headphone. However, typical of Grado was a comparative lack of presence in the lower bass frequencies. Regardless, it remains a rockin' pair for the money.
The Hifiman HE-500/Schiit Lyr combo was a nice surprise (my first listen). The HE-500 attempts a middle balance between the Grado/Senn camps and somehow does justice to each. More head-snapping immediacy than the Grado? No. More vast than the HD800's incredible soundstaging? No. However, the "best of both worlds" approach left me intrigued to hear more. In fact, I just placed an order for a custom Decware Zen Taboo amp. If the Lyr can make the HE-500 sing, the Taboo should make it soar. We shall see...


Well, no secret military tech/magic glowing wires or anything this time. It will be a standard build w/custom headphone jack and a few tubes to roll. I'm curious to hear what the "lucid" enhancement conveys. Apparently Steve & his team liked it so much it is now the standard Taboo build for all orders. My goal is to verify whether a HE-500 setup favorably spans the price/performance curve from the Mapletree+Grado to your top-tier rig.
Thanks again for coming up & bringing the gear... you guys are a fun couple.
Maxvla... I've hit page refresh too many times. We want your 2c buddy! :)


Nice write up as always Maxvla. The bryston sounds a lot like what I was after when I settled on the phonitor, I hope to hear it soon! Would fall be too early to start planning another large Texas meet? :) Spring sounds so far away.
I'd rather not make it semi-annual as eventually it'd just be too much to handle twice a year.
We started planning in November(?) last year and I'll probably look at starting the proper thread around October to get the ball rolling. We'll have to get a bigger place this year and maybe charge a 'cover' if we have to actually rent a space.
As for the amp comparison. I did a small write up and posted it in the HD800 thread already. Here it is. It seems we differed on what we heard in a few places, but mostly agree.
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DAC: Calyx 24/192 (LF = SE, Bryston = Balanced)
Source: MBP w/ Audirvana + (Playing mostly ALAC or AIFF. Some 24/96 as well)
We had Maxvla's pair (in that sexy all black), and mine. We decided to just run them side by side and go from one phone to the other. No cable swapping. Both in high gain mode. I'll just give a few notes on each first.
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Bryston: So much power. On high gain in balanced mode you couldn't go past 9 o'clock without damaging your ears (vs about 10 on the LF [Revised]). Razor sharp (in good and bad ways).
LF: Liquid is definitely the right word. I never realized how much of a 'tubey' sound the LF had until now (B22 was warmer than I thought after listening to the Bryston). A 'listeners' amp (as described by Maxvla).
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Head to head I preferred the LF. The more musical and more laid back sound is really just what I needed for the HD800 to be my favorite headphone...but the Bryston was impressive. Listening to some track with great positional cues (BT's These Hopeful Machines) I came to the conclusion that while the LF has wider soundstage, the center image is slightly blurred compared to the Bryston. When something would 'sweep' the Bryston would get that center exactly while the LF would struggle a little to keep the ball rolling right on the line. Because of the wider soundstage I felt the LF overall had superior positioning, too. Detail was actually better on the Bryston (only slightly better at reasonable listening levels but at low levels the Bryston pulled away a little more). I wasn't too surprised by that one though. The kicker that I ran into was this though...I found the Bryston to be almost unlistenable with a few tracks. It gave the HD800s that sharp edge that I just can't handle having younger ears (which I do my best to take care of). The Bryston had a lot more 'air' to the sound, but in turn also sounded a little more thin.
Overall considering their price points the Bryston is impressive. It'd be my choice for a more 'critical' amp, but I felt the LF bested it in the ways that count for me, and the more laid back sound is exactly what the HD800 needs (IMO). It takes that sharp edge that I had never really heard before (having only used the HD800 out of the LF in my home) and just plunges into the music.
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Both Maxvla and I came out preferring our amps and we came to the conclusion that we'd both found what we were looking for in the HD800 + Our amps. He can handle the SS sound with the HD800, but I just couldn't get into it like I could the LF. Another member that also did some comparisons with the 2 came to the same conclusion I did (picking the LF over the Bryston), but the price difference is a bit daunting.
Thanks for the detailed write-up and photos, Maxvla! Per your advice I should have spent more time auditioning gear instead of chatting & grazing on guacamole. Twas a good time anyway. :)
Morbid, I was considering making this a "roughly" twice annual event. The use of my community room requires no additional fee, so there would be no cost to attendees. Furthermore, the attached full kitchen makes it easy to provide food and drinks, and seating/expandable table space is adequate for at least 15 folks with gear. Of course, the meetups would be scheduled so as not to overlap with the Austin/RMAF/holidays/etc. PM me and we can discuss in more detail.
Decware is currently building a Taboo for me, which is ideal for driving the LCD/HE-500 type orthos. I'd like to bring it to a future meet. Perhaps sometime in October...?
Summer is when a lot of people buy new gear so it might be a good plan to do one around this time and one around October each year.
I meant that I didn't want to make the big meet a twice a year thing. Mini meets are much easier to do twice a year. I think it's a good idea especially since the space is free and nice.
I'd always try to make it.

Thanks for the detailed write-up and photos, Maxvla! Per your advice I should have spent more time auditioning gear instead of chatting & grazing on guacamole. Twas a good time anyway. :)
Morbid, I was considering making this a "roughly" twice annual event. The use of my community room requires no additional fee, so there would be no cost to attendees. Furthermore, the attached full kitchen makes it easy to provide food and drinks, and seating/expandable table space is adequate for at least 15 folks with gear. Of course, the meetups would be scheduled so as not to overlap with the Austin/RMAF/holidays/etc. PM me and we can discuss in more detail.
Decware is currently building a Taboo for me, which is ideal for driving the LCD/HE-500 type orthos. I'd like to bring it to a future meet. Perhaps sometime in October...?
From the old Travis:
"A marble (or something like it) effect used on a BT recording tracked left to right and right to left precisely on the Bryston, where there was some slight gap in the middle on the Liquid Fire. I think the Fire did better with meshing images in front of the listener, though, and with it's smaller soundstage brings sound sources together and blends them nicely with it's creamier presentation."
Hey, Maxvla:
Thanks for the all the descriptions (and thanks to the young Travis as well) and your excellent photos.
I'm a little confused about the description quoted above. I guess meshing and slight gap got my attention. I have no dog in this fight so just some clarification if you have the time.
Thanks also for letting me listen to your WA6 in Pflugerville this spring. Now, I'm loving what mine does with the two Grado's I have.
BTW, I've spent many hours at PrestonTowers waay back in the day when my Dad and stepmother lived there. I don't think it was quite as upscale then as it is now.
Too bad the Metroplex is a little too far for me now. A hundred miles is about my comfortable limit, you know, San Antone, Austin, Houston. I'm sure that sounds wussed out to you since you come from OKC but so be it. I'm looking forward to the next central TX meet. Hint, hint.
Till we meet (sorry!) again.
Best
Looking forward to planning the next big meet later this year. Bigger and better than before. Might actually contact some more vendors if we get as much interest as we did last year. You know Alex will be there. :D
To put it a little more bluntly (from what I could gather when we talked about it at the meet)...The center image on the LF is better, but if something sounds really 'big' (spacious, soundstaging, etc.) the middle gets a little 'lost'.
Visual:
Bryston (Left-----[--]-----Right)
LF (Left-----[ ]-----Right)
Brackets represent the center image. The line doesn't blue on the Bryston where as it blurs a bit on LF.
At least I think that's what he means.

From the old Travis:
"A marble (or something like it) effect used on a BT recording tracked left to right and right to left precisely on the Bryston, where there was some slight gap in the middle on the Liquid Fire. I think the Fire did better with meshing images in front of the listener, though, and with it's smaller soundstage brings sound sources together and blends them nicely with it's creamier presentation."
Hey, Maxvla:
Thanks for the all the descriptions (and thanks to the young Travis as well) and your excellent photos.
I'm a little confused about the description quoted above. I guess meshing and slight gap got my attention. I have no dog in this fight so just some clarification if you have the time.
Thanks also for letting me listen to your WA6 in Pflugerville this spring. Now, I'm loving what mine does with the two Grado's I have.
BTW, I've spent many hours at PrestonTowers waay back in the day when my Dad and stepmother lived there. I don't think it was quite as upscale then as it is now.
Too bad the Metroplex is a little too far for me now. A hundred miles is about my comfortable limit, you know, San Antone, Austin, Houston. I'm sure that sounds wussed out to you since you come from OKC but so be it. I'm looking forward to the next central TX meet. Hint, hint.
Till we meet (sorry!) again.
Best
Wow, not sure I would have noticed such a thing. Thanks.
Keep us posted on the meet doings, please.
Meet impressions, grain of salt, etc.
Also, I'll be doing the same thing I did this year (PMing people from the last 2 years to get them in on it). Don't worry, I've got you guys covered. ;)








