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Recent Reviews
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Bought these on whim, for your basic train ride to work I don't mind. But its far from being the best I have own.
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First, I should note that I auditioned these both straight out of the box, without any break-in time and then later after 53 hours of break-in. Recent scientific studies have shown definite...
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A very all-round headphone for me. Just the right one to take on the go or on holiday. Also as a DJ, nice noice isolation. Very durable so you don't have to wonder if it will break if you throw...
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This quick review is done after a few hours of listening. I bought them from B&H for the decent sum of 150$. If you've done your research you'll find out that Ultrasone HPs are known for their...
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I auditioned the SRH-1840 straight out of the box, and was unsatisfied with the sound, so I decided to give them a period of break-in. Recent scientific studies have shown definite differences...
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- headphonatic
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- Chris_Himself
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Grado SR-225 or SR-325, whichever one you are more comfortable with spending.
Later you can buy the Symphones Magnum upgrade for them too and they're pretty much just drop-in and solder and it turns them into flagship level headphones
- Gwarmi
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All 3 are good rock headphones depending on one's taste, the HD600 and DT880 will be the neutral
contenders whilst the D2000 is slightly more lush sounding with a more robust bottom end in terms
of bass.
325i was suggested by Chris and I'd agree it's a winner from the group if you don't have the cash
or the will to spend on an amplifier.
The HD600 and DT880-600ohm will need dedicated desktop amplification ~ the 325i and Denon
can be run from a laptop with an E10 olr uDAc2 if cash is tight for the time being.
- headphonatic
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Edit; I have the Brianwavz Hm5's right now, so I got use to fast Headphones, so that takes out the hd600, and to much bass gets boring after a while so there goes the denons, so I was curious about the Grado's, I heard they are not mainly used for studio recording, more of enjoying, right? But I'm still very skeptical, I'm a like full sized cans, but will sacrifice for sound. Also clarity is extremely important, but nothing to cold, and one more thing, I do listen to a little electronic and dub step.
Edited by headphonatic - 1/14/12 at 9:16am
- Gwarmi
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Edit; I have the Brianwavz Hm5's right now, so I got use to fast Headphones, so that takes out the hd600, and to much bass gets boring after a while so there goes the denons, so I was curious about the Grado's, I heard they are not mainly used for studio recording, more of enjoying, right? But I'm still very skeptical, I'm a like full sized cans, but will sacrifice for sound. Also clarity is extremely important, but nothing to cold, and one more thing, I do listen to a little electronic and dub step.
Ahhh not so, try telling famed mastering engineer Bob Ludwig to stop using these Grado's as his number
one tool in the studio
He even turned down a set of HD800's ~ it's in the Grado thread
somewhere as he followed it up with a letter to Joe and John Grado.
But yes, Grado's are generally colored fun cans - you either love it
or hate it. Clarity is my number one criteria when it comes to cans,
hence why I'm a DT880 fan too (generally like Beyers all round)
but the Grado sound is more involving to my ears. They're certainly
not cold and sterile sounding.
My recommendation would be to pick up a second hand RS1i
- can't go wrong.
- headphonatic
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- Gwarmi
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225i generally has the reputation as being the 'bang for you buck' child in the Grado family, being plastic encased it is also light enough to
be considered portable in the extreme sense. The 325i on the other hand shares a very similar FR response to the RS1i, and many including
myself consider it to be one heck of a raw power headphone for metal, saxophone and other genres.
Having said that, if you're treble shy or not keen on upper mid range brightness then the 225i is the more docile choice.
Poor value? I still remember buying mine from my local Grado concessionaire here in Melbourne, I originally wanted the RS2i and he would not
sell it to me, he insisted on me getting the 325i and if after a month or so, I was not happy then he would exchange it.
I never did take him up on the offer.
Edited by Gwarmi - 1/14/12 at 9:07pm
- SanjiWatsuki
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To be fair, the HP1000 is not a typical Grado like the SR series.

Ahhh not so, try telling famed mastering engineer Bob Ludwig to stop using these Grado's as his number
one tool in the studio
He even turned down a set of HD800's ~ it's in the Grado thread
somewhere as he followed it up with a letter to Joe and John Grado.
But yes, Grado's are generally colored fun cans - you either love it
or hate it. Clarity is my number one criteria when it comes to cans,
hence why I'm a DT880 fan too (generally like Beyers all round)
but the Grado sound is more involving to my ears. They're certainly
not cold and sterile sounding.
My recommendation would be to pick up a second hand RS1i
- can't go wrong.
- headphonatic
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- Chris_Himself
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Problem is I don't live anywhere near an audio shop, the closest to me is guitar center, and I'm pretty sure they don't allow customers to audition their products, but I do need a more clear and colored treble, and a boost in midrange wouldn't hurt, but how does the sr325 work with classical? Man I really need to stop asking and just try them
They used to carry Ultrasone, Shure, AKG, and even Grado in some of them. Now mine just has Beats...
- headphonatic
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Edit: I also listen to Beck, how will the grado's fare.
Edited by headphonatic - 1/15/12 at 11:26am
- Chris_Himself
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Edit: I also listen to Beck, how will the grado's fare.
The DT880's are going to sound kinda meh unless you are into nice headphone amps and DAC's. Build quality is awesome though
The SR325is are pimp with just an iphone. Plus $250 and you have a Magnum SR-325is and some SR-325is factory drivers to sell which isn't always a bad thing. Cable is also kinda heavy but manageable.
I hope you like treble because you're gonna get a lot of it out of both of those! :)
- What should I choose?
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