I was just talking about ability to drive them, not sound quality. I didn't mean to come off as saying the M-Stage sounds better, I just meant there was no need to drop big bucks to power something. Especially when most of the time people suspect cheaper amps can not drive top tier cans well. It's, what's the way to word this, misinformation.
Of course the more expensive you go the better the sound will be but IMO anything past $1,000 is past the realm of diminishing returns. There's only so far you can go with SQ. I think that most super expensive amps don't improve the sound much after a point. You do pay for coloration though. The Liquid-Fire is colored but IMO, not all worth it's retail price. I would value it under $1,500, probably closer to $1,000. A lot of people buy amps for the HD800 trying to match them to tame the treble, aka coloration of the amp. So fit he amp has rolled off treble it is a coloration.
I don't think I will be getting any new amps for a while as my current line up can drive just about anything short of demanding orthos. I like the B22 amps but could never justify the money for one. Not worth it to me.
Quote:
Originally Posted by
ac500 
> I would guesstimate that the HD800 at least needs 20V P-P and a minimum output power of 200mW at 300Ohms. This is a rough estimate based on my experience with the headphone and my amps. I would think 30V P-P with 400mW of power would sound better but the different in power is tiny. IMO The more voltage the amp can swing an the more power it can output is preferably better. Also you get extra headroom with the added power and voltage, from my experience that is. I could be wrong but having power in reserve is a good thing.
So the $250 NFB12 is 28V P-P, and delivers 300mW at 300 ohms. Does this mean that upgrading to a Beta22 or something would not really improve sound quality aside from different coloration? If there's no more quality beyond that point, then buying something like a Beta22 is an awful lot of money to pay just for coloration.