Quote:
Originally Posted by
obobskivich 
I get what you're saying. I would suggest, if you can, an MDR-F1 audition (if you haven't already). It *might* (*might*) be what you're looking for here. Less bass, but I certainly would agree with that "sweetness" or "tonal balance" bit - the F1 has it spades. It just swings. The SA5000 does a lot better, but it feels more technical about it too. Again, at least worth a try. Otherwise, tweak away! Your posts thus far have been very interesting!

Actually, almost all my tweaks have also been trying to increase the bass, which is the area I find they are most deficient in... though I'm curious about the F1!
Quote:
Originally Posted by
RexAeterna 
a_recording, you could of probably used some plain craft foam instead around the baffle. i think it would be cleaner and simpler approach. i got some of that stuff yesterday i ordered cause i was gonna use it for my sa5000 and i used it for pair of stax sr-202 with little strips i cut to distance the pads a bit from the ears. i worked on the stax but not the sa5000 yet. never really found the sa5000 resonate,metallic or loose stock with simple cotton underneath the pads i used to distance the pads a bit. highs was never too much bothersome either since they were super smooth. just some tracks they had little edge to them but that was cause of the recording.
Yeah, its hard to say. I don't exactly think they sound harsh stock... just... something about their balance.
Nvm though - I think I've found a solution I'm happy with, though I've layered all sorts of stuff on.
With the HiFiMan pads, the mids become sweeter - kind of like how I remember the AD2000's sounding. One issue though is that they get a little sibilant, not sure exactly why.
Following on from the idea of the "acoustic lens" in the MA900, and this suggestion from Nevod in this post:

Nevod's photo, not mine, but the idea is the same.
Quote:
"This is a bass lens applied to an HE-6 earpad to reduce their brightness. The idea is simple - layer of dampening material with an opening. Reduces high frequency content coming from driver's edges while passing lows through and at the same time not interfering with the high frequency content coming from under the opening, thus not mudding the sound. May be used in various shapes, I actually now use an kind of reverse lens on my T20s - a felt square at the center of the driver with edges open."
I tried cutting a similar sort of felt ring for the MA900. So the result is that I have more bass punch like the M50 pads, though with sweeter mids, and a better soundstage as the the velour pads are harder and increase the distance from the ear. Still retain that lightning fast sound and detail, though of course the treble is attenuated. One concern is that the pads naturally will be more stuffy and hot, but I'll see how it goes.
My advice is if you want to try this: use white felt, so that it's easier to see if the felt disc has been positioned correctly over the driver. I tried to cut a diameter of hole to exclude the outer ring of the driver.