Quote:
Originally Posted by
arnaud 
First, I want to say the highlight of this event was simply to be able to hang around with cool people / head-fiers. We had a lot of fun in day and evening time and everybody is pretty burned out by now ;) Will take a couple of days to recover at least...
I don't have pics to share as I knew Mkubota1 got that covered. Looks like crumpler is also running for the first place with the largest number of pics ;). As a matter of fact, I don't have so many listening impressions either as I did not sample much gear (one issue with being spoiled by an SR009 at home...). But basically, my experience resumes itself as being pleasantly surprised where I expected the least. I will list my impressions chronologically below. I won't be writing everything, esp. some things that sounded weird or meh, which I already forgot the name...
V-Moda M-80:
- This prototype was brought by Val Kolton, the man behind V-Moda (info here: http://shop.v-moda.com/p-195-crossfade-m-80-on-ear.aspx )
- I always thought this brand was just for wannabes looking for cool looking headphones without regard to how good or bad they sound
- I could briefly listen to it a couple of times out of my iPhone 4 (no amp) before and after the meet as we hanged out all together
- The fact that Val gave me 500 bucks to say good things about his new headphone might influence these impressions but basically, I liked what I listened to as I could not immediately detect any major fault and the tonal balance was very pleasing (emphasis on bass but not bloaty).
- Joke aside (Val is actually not very generous and didn't even buy me a beer ;), the headphone is named after some kind of explosive and I have to admit it fits well as it was simply a foot-tapping experience for me.
- I listened quickly to a direct competitor, the Sennheiser HD-25 "original" ( http://www.sennheiserusa.com/music-dj-headphones-hifi-stereo-adidas-sennheiser_504260 ) with same iPhone player and it was nowhere near as good. In particular, the Sennheiser had some unnatural mid-highs which I noticed right away
- Only drawback I could see is that it gets sweaty rather quickly and the clamping force is significant which may be getting uncomfortable over long time. I suspect this strong clamping force is part of the reason why it sounds good as the seal / distance to the driver apparently has huge influence on the response.
- I'd say, it's probably a good choice for someone who likes a fun sound with punchy / forward bass (but not bloated). It's probably also good in a noisy environment as the isolation is significant and the tonal balance will cover up low frequency background noise leaking through the headphone.
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I'm going to use arnaud's post as a starting point as I could literally just say "What he said" with both V-Moda and Sony.
V-MODA

One of the front-desk girls poses with a pair of Crossfade LPs. The V-MODA table can be seen in the background.
I thought exactly the same thing as arnaud about V-Moda until I met Val. He puts the attention to detail into his products in a similar manner that Apple do, from the excellent plug through to the way the headphones come apart in stages if dropped or abused. While $200 cans with a "club sound" aren't my usual cup of tea, I do get what Val has aimed for with them and am now keen to give them a serious listen. A quick run through my recent favourites suggested they do a lot more right and and a lot less wrong than many headphones I've tried. They are designed for people who listen loud (Val used to be a DJ), a factor very much overlooked when people evaluate headphones.
Overall tone was, of course, with quite a bit of bass, but not too overbearing. Mids with vocals were very pleasing for cans in that price range. The treble was down a bit, but Val explained that many DJs who use headphones that have the usual 8-10k peak end up losing their hearing in that range quickly. What impressed me was that going from the larger LPs to the M-80s (I think it was) that the feeling of a more congested soundstage from the on-ears didn't last very long. The LPs certainly sound, as described, like a (night)club on your ears.
Fujiya Avic Shop
Our first stop, a day before the show, was the Fujiya Avic shop in Nakano. Those of you used to seeing high-end gear only on expensive racks with equally very expensive speakers and whatnot would be surprised to find a shop with cabinets and racks like these:

Before you ask, "Is that really a ..." I will tell you, yes, what you think you are seeing you really are, and I haven't even photographed the speakers or headphones. The front desk had the top JH, Westone and other custom IEMs (in universal versions) available for demo too.