Since you need a computer to use the uDac, and computers make up-sampling real easy, basic logic is that it should have been tested at 24/96. I up-sample via a Foobar plugin.
Just sayin'
Edited by cheapskateaudio - 10/27/11 at 1:50am
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Since you need a computer to use the uDac, and computers make up-sampling real easy, basic logic is that it should have been tested at 24/96. I up-sample via a Foobar plugin.
Just sayin'
If the uDAC cannot do music encoded at standard sample rates justice, it isn't going to suddenly improve with 24/96.
@bcg27
Shike reproduced NwAvGuy's crosstalk results with RMAA. Unsurprisingly, he got the same results as AMB right up until the point he fixed his dummy load!
No, it doesn't make any sense. Up-sampling is a lossy process, and you are degrading the audio. 
Why would it be lossy? It's a computer working with 1's and 0's, there is no loss that I can think of.

If the uDAC cannot do music encoded at standard sample rates justice, it isn't going to suddenly improve with 24/96.
@bcg27
Shike reproduced NwAvGuy's crosstalk results with RMAA. Unsurprisingly, he got the same results as AMB right up until the point he fixed his dummy load!
So now assumptions are common practice in objective thinking? This is the problem all objective folks run into, they start to think they *know*, based on previous experience. It should have been measured at it's best capability to provide a true picture of what it is capable of. Especially if it was going to be slammed like that!
The unnamed has a listening test posted on his site wherein the uDac 2 posted second place results after the much more expensive Benchmark Dac.
The DACs that supposedly throttled the uDac on price/performance were in fact shamefully outperformed when it came to *hearing*.
He even admits as much, stating that sometimes superior measurements != superior sound.
It's like re-encoding a low bit rate mp3 at a higher bit rate - nothing can be gained, you just degrade the sound in the process.
Ok, hold on, hold your horses there bud! Those are two different applications aren't they? One of them is a modification of the digital file, the other is a modification of the digital output. There is a difference isn't there? There is data on a disk (MP3, FLAC), and then there is data being processed into music, the latter is where up-sampling occurs.

Ok, hold on, hold your horses there bud! Those are two different applications aren't they? One of them is a modification of the digital file, the other is a modification of the digital output. There is a difference isn't there? There is data on a disk (MP3, FLAC), and then there is data being processed into music, the latter is where up-sampling occurs.
It's just an analogy.
You should consider a career in politics.
Quote:

So now assumptions are common practice in objective thinking? This is the problem all objective folks run into, they start to think they *know*, based on previous experience. It should have been measured at it's best capability to provide a true picture of what it is capable of. Especially if it was going to be slammed like that!
The unnamed has a listening test posted on his site wherein the uDac 2 posted second place results after the much more expensive Benchmark Dac.
The DACs that supposedly throttled the uDac on price/performance were in fact shamefully outperformed when it came to *hearing*.
He even admits as much, stating that sometimes superior measurements != superior sound.
Superior sound =yes for those who are say, students studying music who need a good dac for their course? not at all. And for those who buy this without an amp, say IEMs and low impedance headphones? the Behringer outperforms the uDac 2 by a mile on the headphone outs.
Anyways its a fact that upsampling does not provide any real benefit to resolution in music, yes it may make your music more "musical" but does not make it clearer and that is why 44.1khz is used instead of 24/96. Using 24/96 is only probably useful with native 24/96 tracks.