Thanks for confirming... I thought I was going deaf in one ear or something...
It's not that big of an issue for me because its the volume is very low when it kicks in... It's gone by the time i reach my normal listening volume so I'm a happy chappy 
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Thanks for confirming... I thought I was going deaf in one ear or something...
It's not that big of an issue for me because its the volume is very low when it kicks in... It's gone by the time i reach my normal listening volume so I'm a happy chappy 
Lucky! My normal listening levels are right at where the imbalance is.. But that's just because my UE4's are really sensitive. I don't have that issue with my Ety ER4S.
... btw: If you guys have a pair of ER4S, or can get your hands on some, I'd advise you to try them out with the C421. IMO, they pair up really really well.

Lucky! My normal listening levels are right at where the imbalance is.. But that's just because my UE4's are really sensitive. I don't have that issue with my Ety ER4S.
... btw: If you guys have a pair of ER4S, or can get your hands on some, I'd advise you to try them out with the C421. IMO, they pair up really really well.
We're reducing low gain in the final batch, which should lessen this imbalance. Gain of 3.5x was a bit much for the sensitive pot when combined with high sensitivity IEM's.
I'm sure it will be asked: The gain resistors are very expensive and time consuming to replace by hand (not free, sorry).


Lucky! My normal listening levels are right at where the imbalance is.. But that's just because my UE4's are really sensitive. I don't have that issue with my Ety ER4S.
... btw: If you guys have a pair of ER4S, or can get your hands on some, I'd advise you to try them out with the C421. IMO, they pair up really really well.
We're reducing low gain in the final batch, which should lessen this imbalance. Gain of 3.5x was a bit much for the sensitive pot when combined with high sensitivity IEM's.
I'm sure it will be asked: The gain resistors are very expensive and time consuming to replace by hand (not free, sorry).
About how much will it run? If this is possible, it may still be worth it for me.
+1
Would be keen to have this performed if the price is reasonable.... as I will be getting some sensitive IEMs that will probably benefit from this procedure...
Thanks for responding to this thread too John! It's nice to see companies stand by and provide support for their products :)
Looking forward to buying this AMP ....
So do we know when the first batch will be ready if I order one right now?
Our fabricators are on track to deliver by the end of this month (28-29th). We'll ship within 24 hours.
Parts, labor, and return shipping for gain modification would total about $15. Note that going from 3.5x to 2.5x is about a -3dB change, which is fairly small. I point this out because we're seeing similar concerns from our O2 customers, and the default gain is already 2.5 there.
I didn't want to move from an analog to a digital pot in c421, but the trend over the past few years has been towards lower impedance, higher sensitivity headphones and these increasingly do not pair well with analog pots assuming low listening levels. To achieve excellent channel balance in such setups, one must either must forgo line-level input (i.e., reduce source volume), use a large potentiometer or stepped attenuator (not portable friendly), or go for a device with a digital pot (usually lower fidelity).
Venturing off topic. Lowering gain will help slightly, but forgoing an LOD is the best fix *if* the headphone output of your source isn't too bad. Again, this is a non-issue with larger cans.

Our fabricators are on track to deliver by the end of this month (28-29th). We'll ship within 24 hours.
Parts, labor, and return shipping for gain modification would total about $15. Note that going from 3.5x to 2.5x is about a -3dB change, which is fairly small. I point this out because we're seeing similar concerns from our O2 customers, and the default gain is already 2.5 there.
I didn't want to move from an analog to a digital pot in c421, but the trend over the past few years has been towards lower impedance, higher sensitivity headphones and these increasingly do not pair well with analog pots assuming low listening levels. To achieve excellent channel balance in such setups, one must either must forgo line-level input (i.e., reduce source volume), use a large potentiometer or stepped attenuator (not portable friendly), or go for a device with a digital pot (usually lower fidelity).
Venturing off topic. Lowering gain will help slightly, but forgoing an LOD is the best fix *if* the headphone output of your source isn't too bad. Again, this is a non-issue with larger cans.
Oh, so even if I have this done, it still might not help me..? :(
Is there any chance of an impedance switch in the future (like the Practical Devices XM6.) That was the only thing that made the amp usable for me, because without it, I had a similar issue that I'm having now.

Oh, so even if I have this done, it still might not help me..? :(
Is there any chance of an impedance switch in the future (like the Practical Devices XM6.) That was the only thing that made the amp usable for me, because without it, I had a similar issue that I'm having now.
It might help, it might not. Depends on how far away your ears want to be from the "bad" spot at the start of the potentiometer.
No impedance switch will be added. Adjusting input or output impedance dramatically alters signal behavior.
EDIT: Listening to c421 right now with the new 2.5x gain through 16 ohm, 108 dB/mW IEM's. Balance at low volumes is excellent, in my opinion. Better than many RK097's we've shipped! I'll probably regret this, but anyone who has a c421 in a temporary case may send their amp in for a complete v1.01 upgrade (new case + gain change).
Jseaber -
I know this might be a difficult question, but between the 2 Amps, O2 and your own c421, what are the biggest differences when it comes to the sound they give out.
On reading various thoughts around the internet, it seems they have similar sounds but the C421 is an ultra portable compared to the O2. The few comparisons are that the O2 may have the edge (ever so slightly) on sound. You do gain the bass boost feature with the C421 which is nice if you like filling out the lows with a particular set of really bright phones that you like. If your handy and understand electronics, there is mods to ADD a bassboost setup to an O2 which has been posted on DIY audio.
I'll let you know when I finish my O2. I have the enclosure and all internal parts sitting on the bench but am missing the PCB and faceplate (Seemingly lost in mail purgatory as my friend who orders his after me go his earlier this week! Really hoping it shows up next week.)
Hi guys,
I noticed some of are interested in purchasing this amp, but don't want to wait for shipping to begin.
I am welling to sell mine if any1 is interested? I have hardly used it and selling because I need money :/
Any takers? Send me a PM :)
I am in EU though
Might be tempting were you not in the EU.
PS: I think it's important for people listing theirs for sale (or giving their impressions) to also mention which opamp they ordered their amp with.
JDS store now says orders will ship between Feb 29th and March 9th. I hope mine ships on the earlier end of that range!