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Tell me two of your favorite headphones with extremely different sound

post #1 of 33
Thread Starter 

I love both of my  Triplefi 10 and grado sr125i but they sound so different. I know i can't compare IEMs with almost full-size  headphones but they're just not normal differences between in-ear and open back headphones. Their signature sounds were like cyclops and batman.

According to my ears, sr125i has tons of upper mid-range and treble while  Triplefi 10 have tons of lower mid-range and bass. Sr125i's sound was soft, but full of energy (doesn't make any sense lol), warm and sweet. Sr125i blow a "soul" to guitar, violin make their sounds easy to raise my emotion and shake my heart. Also Sr125i gives a lot of treble details. The Triplefi 10 is really fast when it comes to low freq. Listen to the drum solo in " Hot for teacher" was amazing, you can hear every single separated sounds. Triplefi 10 sound is more emphasis and strong compare to Sr125i. Triplefi is really good with  thrash instruments, which sounds kind of bad and blur with Sr125i. The Triplefi 10 does have a good treble but the Sr 125i has way more. Actually i think the Triplefi 10 body sound is fuller

So, Sr125i is for Eric Clapton, Lynyrd Skynyrd, Tenacious D...., while Triplefi 10 is for Rage Against The Machine, Pantera, Muse, Paramore......

Tell me if you love two pairs of headphones that sound extremely different

 

 

 

I know this topic is quite stupid but this is what i really think in my head

I am a 17 Vietnamese boy, so my English is really bad. I think music lovers won't care where i'm from.

I just knew about audiophile world about 1 year ago and i'm trying to to go close to that door. In my community, it's very hard to share the passion for "real" music.

 

I use creative USB Sound Blaster Xfi HD as a source

 

            

 

 

 


Edited by VietCong - 8/12/11 at 1:41am

Gear mentioned in this thread:

post #2 of 33

Heya,

 

I've been spamming this I think at this point, but right now, it's the Shure SRH940 and the Ultrasone Pro 900. I can't even look at my other headphones right now. These two just do what I want. The SRH940 has everything covered in a headphone in this category, except the one thing the PRO900 does better, and that's absolute pure bass drop, and it's the sole reason I keep the PRO900's. The SRH940 has been doing vocals and acoustic for me, as well as jazz, indie, folk, even metal, better than anything I've had, even movies. It's so comfortable, closed for isolation so I can use as a portable or desktop headphone, so forward with mids and highs, not veiled or held back at all, with no sibilance which is exceptional in a bright headphone. It's a Grado that is closed and has bass that extends to 5hz. It's crazy how good this headphone is for it's tier group. I literally just bought a Hifiman HE-500 just to see if the SRH940 competes with it or not. That's how crazy I'm talking. Mean while, I keep the Ultrasone Pro 900 for it's visceral bowel rattling bass for my electronic cravings where bass is mandatory and I'm talking for Dance, Trance and Dub (that sounds good doesn't it? haha). It gives you the bass-pounding that leaves you satisfying when you build up anticipation and then receive the drop that makes you want to headbutt yourself it's so frigg'n good. I mean, out of control good. Hands down, the most enjoyable listen I've had yet and I've listened to a lot of headphones (and have a lot of headphones. they're not even all listed in my sig because there's no room). These two headphones are night and day. But both are good enough to have over the other for their application, but I will say, the balance is not equal, most of the weight is carried by the SRH940. Most music is all about the mids. Most movies are all about the mids. Most sound you enjoy is a mid-frequency. So the SRH940 is the main one for me. But when I need that bass drop that rustles my jimmies, it's the PRO900.

 

"With Leonard Nimoy, kicking out the jams!"

 

940_900Pro.jpg

 

Very best,


Edited by MalVeauX - 8/12/11 at 1:56am
post #3 of 33

Denon D7000 and Hifiman HE-6

 

Perfect balance of eachother .....

post #4 of 33

I'll give you 3, in 2 pairs.

 

Sennheiser IE8 and Sennheiser HD25-1.

IE8 is famous for bass and soundstage, and mediocre isolation for in-ears. The HD25-1 is not bassy, and its sound is "forward"--it's not concerned with having a big soundstage. HD25-1 also isolates extremely well for on-ears, and I think it isolates better than the IE8.

 

Sennheiser IE8 and Beyerdynamic DT880.

Again, bass for the IE8, and its bass is not said to be the most accurate, a bit "boomy". DT880 is not known for its strong bass, being a bit "bright" but it can reproduce accurate-sounding bass when needed.

post #5 of 33

SR-007 - Stalker mode, because it's got a relaxed sound signature.

 

SR-202 - Pervert mode, because it's bright and detailed.

 

Simple really. tongue.gif

post #6 of 33

LCD-2 and ED8...my favorite duo to date. 

post #7 of 33

AD2000s and Pro 900s. Pretty different signatures (plus open vs closed). The ATs are absolutely perfect for most of my listening tastes, and the Ultrasones are mind-blowingly incredible with Dolby Headphone for both movies and games. I absolutely could not live without either.

 

-Daniel

post #8 of 33

Huge contrast there with the AD2K and the Pro900.

 

Mine are:

 

LCD2 and the K701

Well the successor of the HD650 + K701 dynamic duo is the LCD2 and the HD800. I don't have the HD800 and don't plan on it, so the LCD2 + K701 is my combo. One covers my everyday home listening and as everyone knows is great for anything with its warm sound, tight bass, rich mids and pleasant highs.  But if I need something more cleaner with bright highs, better separated with great airy soundstage, the K701 picks up the slack.

 

 

Another funny combo is XB1000 and MS300, for closed cans. One is the uber bass airy and laidback can. The MS300 is the portable bro with forward sound, aggressive mids and bright highs. 

 

And on the IEM end we have the Turbine Golds and the TF10, one is smooth, bassy and euphonic, the other sweet, trebly and bassy.  When I get my Merlins that'll be an awesome combo with the UE MF220 -- one is practically disposable and the other is like gold. Hahah!


Edited by Mochan - 8/12/11 at 3:51am
post #9 of 33

The Grado RS1i is warm(Grado soundsignature), bright, forward and detailed in mids n highs with good bass extention and it's amazing for Rock, Jazz, Indie and Instrumental POP. The T1 is neutral, highely detailed across all frequency spectrum, wide, open and offers clean, detailed bass.

post #10 of 33

AKG-Q701 and Beyer DT-990 250ohm.

 

Going from one to the other requires about a half-hour adjustment period where I think "these have no bass, what the heck?" for the Q701, or "man, these have way too much bass" for the DT-990 250ohm; but I've come to really love their sound signatures, across genres. They both have great sound stage; the Q701 is wider, but the DT-990 has very impressive spacial imaging as well. My HD-650s are still my favorite headphones but they just straight up lose to the Q701 and DT-990 when it comes to soundstage and require some degree of crossfeed in order to make up for their tendency to be "left, right, or center" as far as placement goes. It's not THAT bad, they still have world-class sound quality, but a direct comparison places the two currently under comparison much better for sound stage, each in their own way.

 

The Q701 have a snappy feel to them, the DT-990 have a more measured presentation. Q701 remind me somewhat of Grados and Sonys except I can listen to the Q701 all day long while I've never heard a Grado or Sony headphone I could stand for more than an hour without getting severely fatigued from the prominent treble. The DT-990 are a lot more like the HD-650s; they are by no means "slow," that would be a pretty silly thing to say considering that even the most expensive loudspeakers can't compete with the slowest extension/reflex drivers at this size, but they don't have the "snap" of the AKGs.

 

The Q701 are overall a brighter headphone with a more analytic sound signature, while the DT-990 are more even but without sacrificing treble clarity. I do not find the DT-990 to be booming headphones, they're pretty much true to input. The Q701 are true to input as well but can starve the impact of low notes in a way that is initially offputting.

 

Finally, I am not a burn-in believer for drivers (I feel they arrive at their nominal state within a few hours of normal use, and past that it's just expected wear on the driver that occurs over a period of years, not hundred hour marks), but I definitely believe that ear pads (especially gigantic ones using foam of variable density...) have to wear in to accomplish a truer acoustic seal to your head. The DT-990 have sounded exactly the same ever since I got them, because the clamping force and the unbelievably comfortable and plush earpads have been comfortable since day one with no significant changes. By way of comparison, the Q701 earpads were uncomfortable for the first week or so, and became more comfortable and form-fitting over the course of a couple weeks after that until they have now more or less "broken in" to my head shape, providing superior coupling with less leakage and (and far more comfort - it was painful to wear them after a couple hours initially, now I can wear them for 5-8 hours no problem).

 

Other differences are largely aesthetic, but that matters too. The Beyers have a much more conservative appearance. They're headphones, they're well built, they're traditional in construction and offer what you need. The Q701 look like some crap out of the original Star Trek. I don't care for the bumps on the headband though they are no longer painful to wear; still, whoever came up with that as a design in the original K701 did a bad job in my opinion. I don't like the thin elastic tension "springs," they seem destined to fail eventually. Luckily I've got a pretty big head so when they do it'll just be business as usual as far as my head and ears are concerned. The modern dual flexible bar thingy, I'm agnostic toward. I don't feel it offers substantial improvements over a well-made normal headband, but I also don't think it's a big deal. It does make storing them a bit more of a challenge, though, I feel uncomfortable leaning them on anything whereas the Beyers' spring steel headband seems like it should take whatever I throw at it gracefully. Definitely more rugged, with less gimmicky stuff and more tried and true construction.

 

That's my favorite dichotomy at the moment and as a result, even though I prefer the HD-650, and very much enjoy the ATH-A900 and DT-770, nonetheless I've been swapping out the AKG Q701 and the Beyer DT-990 as my main cans lately. beyersmile.png + k701smile.gif = beerchug.gif

 

 

post #11 of 33

Grado PS1000 and Shure SRH-940. Others I like are Beyerdynamic DT880 Pro, Ultrasone Edition 8, Ultrasone Edition 10. Match pairs per your wish. :D

post #12 of 33

Maybe HE90/O2mk1.  HE90 for classical and acoustic stuff, O2mk1 for rock, etc.

post #13 of 33

Cool thread.

 

My favorites are Stax O2 mk1 and Yuin PK1 (currently). I'm still checking out other ear buds.

post #14 of 33

My two current favourites couldn't be further apart.  First is my HD-650 when I want to relax, sit back and enjoy the details.  Second is my Beats Pro when I don't care about listening to how the music sounds, I want the music itself to be FUN.  And trust me they are fun regardless of what the haters say.

post #15 of 33

LCD-2 and K702

 

 K702 even after 400 hours of burn in i find them slightly too harsh, bass is ok but not good enough for drum & bass, hip-hop, house music, mids are ok.  soundstage is always unnaturally big. I don't listen to music with them but i use them for gaming.

 

LCD-2 i've never had any trouble with treble (lol), bass is amazing, stays true to recording and yet it still can rattle your skull, mids are magical, the "C" word comes to mind (frequent posters in LCD-2 thread will now what i'm about :D) soundstage changes with each recording.

 

 

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