
I have heard the cowon s9. The sound was great but the fact remains what happens when you try to drive some 300-600ohm low efficiency headphones that need incredible power and you have no lineout. The cowons are good for sensitive iems and low impedance full size but even in those cases an external amp just does wonders to improve sound quality.
Also cowon have such a low storage capacity
What headphones do you own that have 300 ohms of impedance??? Certainly nothing that's supposed to be portable. Anyway, the whole point of high impedance headphones is that in a studio you can plug lots of high impedance headphones into the same amp without degrading the sound or damaging the amp by consuming dangerous amounts of current. Power = IR*R, so when you halve R you have to increase I by 4. Using 300 ohm headphones might make sense in a studio (but only one still using analog tech?*) but worrying about this for a PMP is insane.
Even if it so happens that the only of decent phones you have are 600ohm vintage monsters, this still isn't a sane reason to spend the extra over the cost of a Cowon on a pod + dac combo. It's cheaper to buy a pair of Grados, Sony V6s or Superlux 668Bs - what are these in the US, $50?
I'm not even convinced that any reasonably standard portable dac/amp will drive a 600ohm headphone - they're designed to drive portable headphones afterall, and these have exactly the opposite needs to high impedance sets. Designing them to drive a pair of vintage AKG240s optimally will inevitably mean degrading their performance (for a given cost and size) with IEMs and even modern high-current studio monitors.
*Look how many modern classic studio monitors have impedance in the 30 to 70 ohm range - Sony V6s, M50s - all the things people actually buy. Even current model AKG240s!
Edited by scuttle - 8/15/11 at 5:44am







