Yep I read about the S1 upgrade on the korean speaking official forum you mentioned earlier and they seem to be adding an extra PSU board of some sort?
Anyway, I've been forced to finetune my crossfeed and EQ settings but today with fresh ears, yes the new drivers indeed seem to allow hearing even further *into* the recordings...most impressive! I used to both love and hate(sometimes simultaneously, sometimes one day and the other) that "sweet" sound of the DP1 that was very forgiving and focused on playing music instead of making tiny defects audible..but the new software is definitely setting the bar a whole notch higher to my ears, centered vocals sound sooo true-to-life that you could almost tell what microphone/preamp/tube combo was used 
I've been listening to my DP1 on a daily basis for +1 year so I guess my brain would also need to adjust and I often read that J..... can add musicality when OTOH pretty much eliminating it could make the music (too) analytic and sterile sounding. You can't find progress anyway and there is no such thing as a sound that is too "tight"(which is really how it feels as the sound seems more focused/less blurry and to suffer from a lot less random "time based" distortion). I often heard deep funk lovers stating that pretty much only JB was truly tight as a swiss clock and I gotta say that his music has gotten even more amazing. Too bad a lot of sub-par recordings are barely listenable now, and lossy audio is a huge no-no...time to chase for more HD sounding material I guess but I thoroughly enjoy my new DP1 on steroids fosho.
Hopefully the new software will yield the same astounding effect on the U3 
PS: the amazing sounding 13 volumes "Mojo Club - Dancefloor Jazz" serie is really up for it!
Edited by leeperry - 1/27/13 at 6:59am