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Asian music (Chinese, Japanese, Korean) - Page 107

post #1591 of 1600

Zaza speaks a little about Kazakhstan and Kazakhs.

 

 

 

 

post #1592 of 1600

 

Just finished watching Last Friends and this song is stuck in my head again. Definitely one of the best J-dramas I've seen. 

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post #1594 of 1600

Love this HA:TFELT (Yeeun from Wonder Girls) debiut album.

 

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India ( state Nagaland)

 

 

 

 

Alobo Naga & The Band

 

 

 

 

India ( state Mizoram)

 

 

 


Edited by mutabor - 8/6/14 at 3:21pm
post #1596 of 1600

Im  not sure of modern songs they sound to generic  globally alike with no personality  at last how I see personally,

 but when i listen to classical/ folk Chinese/ Jap etc they sound stunning pure art from instruments collaboration to the rest.

 

 

 

 


Edited by lupusromanus - 8/9/14 at 12:30pm
post #1597 of 1600

Agony- by Kotoko

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Charisma.com

 

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Quote:
Originally Posted by lupusromanus View Post
 

Im  not sure of modern songs they sound to generic  globally alike with no personality  at last how I see personally,

 but when i listen to classical/ folk Chinese/ Jap etc they sound stunning pure art from instruments collaboration to the rest. 

Unfortunately, in any of the Chinese-speaking countries/communities, that type of music is shunned by anyone who's not considered old (generally speaking). It's sort of like in the west, it's hard to find anyone who's not old and listening to music from generations ago (other than classical/jazz). In the eyes/ears/minds of the non-elderly population, that type of Chinese music is considered ultra-conservative, embarrassingly mawkish, cheesy, cliched, boring, and devoid of any relevance to modern ideas of society, romance, family, etc, as if the songs and singers are perpetually stuck in the 19th Century rural areas. 

 

I posted Daiqing Tana & Haya Band before -- I don't know if you saw the post. It's an intriguing modern take on the whole traditional sensibility (though it's technically Mongolian, not Chinese), blending modern musical ideas with traditional sentiments, while focusing on emotional honesty and avoiding the mawkish cheesiness that people usually associate with the willfully traditional sound:

 

 

post #1600 of 1600

From Park Ju-Won's third album, Captain.

I'll have to get Fiesta of Sorrows, to complete the collection. Time of the Gypsies was very good.

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