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HiFiman HE-500 (HE as in High End) Proving to be an enjoyable experience in listening. . - Page 624

post #9346 of 16541

Congrats Textfeud!! 

 

I will be very eager to hear your thoughts on the Soloist SL/Bifrost/HE-500 pairing. I am looking for something solid state and this is on my radar, along with the regular Soloist. 

post #9347 of 16541
Quote:
Originally Posted by Tony1110 View Post

I'm curious about the sound you're describing, but I think my next step up will be the HE-6 running off a speaker amp. Did you buy the Emotiva?

 

i heard the emotiva and it sounded great but a little lacking in resolution, not sure if putting it with my dac would of helped. anyway its more than capable but u might be better off just getting he-500.

 

anyways umm i ended up buying a forte 1a speaker amp (its the same as the threshold t50 basically, so musicman59 recommended it to me). it should arrive tomorrow or friday..

 

 

if i don't like it, i'll simply sell it back since i do have to pay for some major car repairs 

post #9348 of 16541

Thanks guys! I will put my impressions on here when I have them. Unfortunately I can't compare the Burson Soloist SL vs a other Amp (except for the Aune T1 and Fiio E10 which are different leagues). Wish I could listen to them with the Lyr to compare :wink:

post #9349 of 16541
Quote:
Originally Posted by Austin Morrow View Post

I encourage everyone here (even if you're into trance) to check out Cryptex's Isolated Incidents in FLAC, specifically the song Ambient Sounds. Best mixed electronic music I've heard and the HE-500 pulls every last bit of Cryptex's mixes, with room to spare.

It was bouncing around in my head like a ping pong ball lol :D

 

Great track! 

post #9350 of 16541
Quote:
Originally Posted by Dubstep Girl View Post
 

 

i heard the emotiva and it sounded great but a little lacking in resolution, not sure if putting it with my dac would of helped. anyway its more than capable but u might be better off just getting he-500.

 

anyways umm i ended up buying a forte 1a speaker amp (its the same as the threshold t50 basically, so musicman59 recommended it to me). it should arrive tomorrow or friday..

 

 

if i don't like it, i'll simply sell it back since i do have to pay for some major car repairs 

DG, I found that DAC does make a huge difference in both resolution and smoothness for the Emotiva.  I had the little Fiio E17 DAC before.  When I went to the TEAC DSD 501 DAC, the SQ was beyond in all terms.  The new/hot idea is to put a tube amp/preamp in front of the Emotiva (double amping) has gotten very positive feedback as well.  I haven't tried putting my WA22 => Emotiva just yet but I will.  If I like what I hear, I will probably send the WA22 back to Jack to put in a preamp out if possible.

post #9351 of 16541
^ I think the WA2 is the preamp one. Purists would say preamps don't use output transformers. It only adds unnecessary color to the signal path. If you can get them to mod your WA22 to bypass the transformer for the preamp then that would be cool.
post #9352 of 16541
Quote:
Originally Posted by koiloco View Post
 

DG, I found that DAC does make a huge difference in both resolution and smoothness for the Emotiva.  I had the little Fiio E17 DAC before.  When I went to the TEAC DSD 501 DAC, the SQ was beyond in all terms.  The new/hot idea is to put a tube amp/preamp in front of the Emotiva (double amping) has gotten very positive feedback as well.  I haven't tried putting my WA22 => Emotiva just yet but I will.  If I like what I hear, I will probably send the WA22 back to Jack to put in a preamp out if possible.

I think you will like what you hear. I have a tube amp in the chain (that has a line out) to the Emotiva and it sounds fantastic as compared to DAC--Emotiva. The tubes add some warm coloration and low end.

post #9353 of 16541

Hello all;

Received my HE-500's today and plugged them into what I have at the moment- Asgard/Bifrost and the big thing to hit me is the bass, the rest... hmmm. I guess I need to let her burn in for a few days and try again. Maybe the 1w out of the Asgard is lacking as well. While I squirrel away my spare shekels for a WA6 SE, or Taboo, or F3 I may need to acquire a Lyr as a stop gap measure? I may be just getting old and the hearing is fading quicker than I want to admit.

(sigh)

post #9354 of 16541
Quote:
Originally Posted by jamc View Post
 

Hello all;

Received my HE-500's today and plugged them into what I have at the moment- Asgard/Bifrost and the big thing to hit me is the bass, the rest... hmmm. I guess I need to let her burn in for a few days and try again. Maybe the 1w out of the Asgard is lacking as well. While I squirrel away my spare shekels for a WA6 SE, or Taboo, or F3 I may need to acquire a Lyr as a stop gap measure? I may be just getting old and the hearing is fading quicker than I want to admit.

(sigh)

If you have to have tube then yes, Lyr.  If you don't, another excellent stop gap option would be Emotiva.

Personally for me, I don't even look at my Emotiva as a stop gap at all.  To me and my opinion, it's that good (even after having the WA22).  Your standards/ears might vary.

post #9355 of 16541

Has anyone here ever experienced driver failure on the HE-500? I could swear that my right side sounds louder than the left and I did some left right tests and it definitely seems like the left side is a bit quieter. Is it even possible for one driver to be only "semi" failing and just producing a bit less sound than the other side?

post #9356 of 16541
Quote:
Originally Posted by Ethereal Sound View Post
 

Has anyone here ever experienced driver failure on the HE-500? I could swear that my right side sounds louder than the left and I did some left right tests and it definitely seems like the left side is a bit quieter. Is it even possible for one driver to be only "semi" failing and just producing a bit less sound than the other side?

How did you test to determine driver difference?  Audio test track? or just general music?

post #9357 of 16541
Quote:
Originally Posted by koiloco View Post
 

How did you test to determine driver difference?  Audio test track? or just general music?

 

I believe I used an audio test track. http://www.youtube.com/watch?v=hTvJoYnpeRQ would this be considered an audio test track? If not, is there any more reliable way that I can test it?

post #9358 of 16541
Quote:
Originally Posted by Ethereal Sound View Post
 

 

I believe I used an audio test track. http://www.youtube.com/watch?v=hTvJoYnpeRQ would this be considered an audio test track? If not, is there any more reliable way that I can test it?

Use

 

http://www.tucows.com/preview/502787

 

Sinewave sweeps for definitive (and precise) pinpointing of driver imbalances.

 

Note that <2 dB imbalances are negligible unless they spread over a wide section of the frequency range.

post #9359 of 16541
Quote:
Originally Posted by jerg View Post
 

Use

 

http://www.tucows.com/preview/502787

 

Sinewave sweeps for definitive (and precise) pinpointing of driver imbalances.

 

Note that <2 dB imbalances are negligible unless they spread over a wide section of the frequency range.

 

Well, I downloaded and installed the program. Unfortunately, that's as far as I go in terms of knowing what to do. How would I go about checking for driver imbalances? By the way, you are a life saver.


Edited by Ethereal Sound - 11/20/13 at 10:54pm
post #9360 of 16541
Quote:
Originally Posted by Ethereal Sound View Post
 

 

Well, I downloaded and installed the program. Unfortunately, that's as far as I go in terms of knowing what to do. How would I go about checking for driver imbalances? By the way, you are a life saver.

Open the SineGen program, "Power" button = start playing a sinewave tone. The adjustable vertical scale to the left is frequency (ranging from 20 ~ 20,000 Hz) of the tone. Level -dB adjustment area is for tone loudness and L/R tone balance.

 

Just toggle "Power", and then start sweeping from 20 Hz up to 20k Hz while listening for the balance matching.

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