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HiFiman HE-500 (HE as in High End) Proving to be an enjoyable experience in listening. . - Page 871

post #13051 of 14165

There's no yube like an old yube.

post #13052 of 14165
Quote:
Originally Posted by BobJS View Post
 

There's no yube like an old yube.

 

Yube got that right.

post #13053 of 14165

for anyone interested..i started a first impressions thread on my new rig (after some requests for it)...check it out..its my first real review so bare with me ;)

tomorrow i will include the listening impressions...it was more work then anticipated..and u know me..i dont like half work :D

 

http://www.head-fi.org/t/710504/blue-circle-pag-custom-headphone-amp


Edited by hifimanrookie - 3/16/14 at 5:43pm
post #13054 of 14165

For those on a budget:

 

I just got the Mini-X and although it is good in comparison to just the AGD 15.32, I find the Topping TP60 better in everyway with the HE500s. The bass on the Mini-X extends a little further but the bass control of the Topping is better. The Topping sounds more transparent and spacious and more details come through. The mids sound less congested and have more zing on the Topping. I'm kind of a little disappointed with the Mini-X in comparison to the TP60. These are only initial impressions. I'll have the Mini-X as my main setup for a little while

post #13055 of 14165
Quote:
Originally Posted by jerg View Post
 

There's always frequency-specific imbalances with HFM drivers, just typically they are minor (maybe 0.5-1 dB difference, over a small section like say 2700 Hz - 3000 Hz). If you want to drive your OCD insane, use Sinegen and do a slow frequency sweep from 15 Hz to 20000 Hz and find out all the little imbalances and FR fluctuations of your headphones.


I've been playing with test tones on sinegen and I found out that the problem is my ears. I have "hearing imbalance" issues. I'd rather it was my equipment :( 

 

Does anyone know how to fix it? :D:(


Edited by Okamoto - 3/17/14 at 8:37am
post #13056 of 14165
Quote:
Originally Posted by Okamoto View Post
 


I've been playing with test tones on sinegen and I found out that the problem is my ears. I have "hearing imbalance" issues. I'd rather it was my equipment :( 

 

Does anyone know how to fix it? :D:(

Tried clearing out your ear canals with hydrogen peroxide / earpick?

post #13057 of 14165
Quote:
Originally Posted by jerg View Post
 

Tried clearing out your ear canals with hydrogen peroxide / earpick?


Not yet. I'll try it out and see if it works.

 

By the way, I'm wondering, could wind noise from a ventilator cause hearing loss? I have a ventilator here in my room that's always on to my right and stays pointed to my head. Maybe that's what is impacting my hearing?


Edited by Okamoto - 3/17/14 at 9:29am
post #13058 of 14165
Quote:
Originally Posted by Okamoto View Post
 


Not yet. I'll try it out and see if it works.

 

By the way, I'm wondering, could wind noise from a ventilator cause hearing loss? I have a ventilator here in my room that's always on to my right and stays pointed to my head. Maybe that's what is impacting my hearing?

It won't cause hearing loss if the decibels aren't too high, I doubt it is otherwise how would you even tolerate listening to open headphones near it.

 

However if it is always on, even when you were testing SineGen, it may have affected the perceived channel / hearing balance. Try SineGen again but with the thing turned off.

post #13059 of 14165
Quote:
Originally Posted by jerg View Post
 

It won't cause hearing loss if the decibels aren't too high, I doubt it is otherwise how would you even tolerate listening to open headphones near it.

 

However if it is always on, even when you were testing SineGen, it may have affected the perceived channel / hearing balance. Try SineGen again but with the thing turned off.


I turned it off to perform the test.

 

You're probably right. I doubt the wind from my ventilator has anything to do with this. I was just trying to figure out the cause and tossed the first thing that came to mind.

 

If it happens not to be earwax, I probably damaged it listening to music too loud. Oh well...
 

post #13060 of 14165

Hey all, here with another album recommendation, this one gives a pretty impressive sound stage, more so than my other recordings of the same track, I highly recommend it, I was able to find it at Fry's for $3 in the classical section.

 

Dvorak New World Symphony(no.9) and Slavonic Dances, Bratislava Radio Symphony Orchestra. Incidentally I like this version much more than it's near sister version recorded in the same space by the Slovak Philharmonic, and the mastering is superior still to my previous favorite recording by the Berlin Philharmonic, though I still very much enjoy that version. As it pertains to this recording, the sound stage is immense in depth and nearly there in width, I think the space was quite large, reverberations are clearly recorded, the instrument separation is the best of any of my classical recordings, it's truly a marvel, I want to shake the hand of whoever the sound engineer was responsible for this piece.

 

As far as the music, Dvorak no. 9 is constantly a treat provided they don't play it unnecessarily melodic, like a symphony who I won't mention(Houston), here the melody is tempered with aggression when the piece calls for it, it carries the weight and power that, at least in my opinion, it should have. Cheers.

 

Edit: Keep in mind you are going to want a pretty strong amp here, I'm just getting to comfortable listening levels at 12" on the MJ.


Edited by Ultramus - 3/17/14 at 7:00pm
post #13061 of 14165
Quote:
Originally Posted by Ultramus View Post
 

Hey all, here with another album recommendation, this one gives a pretty impressive sound stage, more so than my other recordings of the same track, I highly recommend it, I was able to find it at Fry's for $3 in the classical section.

 

Dvorak New World Symphony(no.9) and Slavonic Dances, Bratislava Radio Symphony Orchestra. Incidentally I like this version much more than it's near sister version recorded in the same space by the Slovak Philharmonic, and the mastering is superior still to my previous favorite recording by the Berlin Philharmonic, though I still very much enjoy that version. As it pertains to this recording, the sound stage is immense in depth and nearly there in width, I think the space was quite large, reverberations are clearly recorded, the instrument separation is the best of any of my classical recordings, it's truly a marvel, I want to shake the hand of whoever the sound engineer was responsible for this piece.

 

As far as the music, Dvorak no. 9 is constantly a treat provided they don't play it unnecessarily melodic, like a symphony who I won't mention(Houston), here the melody is tempered with aggression when the piece calls for it, it carries the weight and power that, at least in my opinion, it should have. Cheers.

 

Edit: Keep in mind you are going to want a pretty strong amp here, I'm just getting to comfortable listening levels at 12" on the MJ.

am looking for it now..thanks! looks like the right music for my new amp... thanks!

post #13062 of 14165

I'm mostly an electronic guy, but there are few albums that are just so good. I just have to suggest this one:

 

 

 

It's well produced and sounds like music. Both music & audiophiles can enjoy this one.;) 

post #13063 of 14165

so i've heard the abyss and the he6 smokes it in large out of head soundstage.  the abyss almost sounds more like speakers the way it produces a stereo image but it's not a bad thing. 

the biggest difference is how absolutely real life the abyss sounds. scary real actually.

I've never heard stats before but i imagine thats what the hype is all about.  Is that something any of you guys prefer or do you like

a headphone that gives emotion to any recording?

I personally felt the best thing to listen out of the abyss was orchestral and jazz.

The reason why is because its every day i can hear good vocals or bass, whether it be a smooth headphone or very transparent, but

it takes an amazing headphone to be able to produce the large spectrum that is treble and make them sound truly real life. There's so many instruments

that base themselves or dig into the treble region and i think good highs are underrated sometimes.

I didn't get to hear the he6 for too long but it seemed to have just great frequency extension in the highs without many dips and sounded close to the abyss

very impressive.

im hoping the 560 will continue this great attribute

post #13064 of 14165

Actually, according to measurements, the Abyss has a lot of dips and peaks on the mid-treble/low treble region: not very smooth. But the subjective impressions is that it is not that grainy or harsh in the treble and does have a very open sounding(atleast the ones I've read). Very interesting.

 

http://www.innerfidelity.com/images/JPSLabsAbyssAB1266.pdf

 


Edited by Okamoto - 3/18/14 at 7:54am
post #13065 of 14165
Stats are known for the exceptional and true to life treble performance. IMO pretty much any headphone sound unreal, tinny, harsh, flat, lacking in dimension or something like that compared to what a good stat can produce in the treble region. Of course there'll likely be many exceptions to the rule, both with stats and non-stats.
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