The combination that has done it for me is a rig that I think is objectively really good and subjectively great. The result gives me what I really want to hear – something very convincing. I don’t care how a system measures or what other listeners think of it. I do care if it convinces me I am listening to music as I would hope to experience it first hand.
That is not necessarily the same as reproducing the original performance. If the recording process and the reproduction of it give me a better seat than I could ever have had at the performance, that would be even better. Recording “live” or close miked and isolated, I don’t care. Whatever works.
No question that the good newer stuff is better than the good old stuff. Until I got away from vintage gear and tried contemporary exemplary, it was always a matter of being used to what I had. All of which was fine until I heard something better, of course. Now I am satisfied. I never listen to the equipment anymore, not even for a moment. The music transports me to my happy place unless the music sucks, so these days I am picky about what I listen to.
But gear isn’t that important. If the music is good enough it excites me from a car radio. It is all about the music and the listener.
Did it cost much? By some standards, yes. But the journey was not endless, and wisdom and luck kept it reasonable. I think swapping around endless gear is nice for hobbyists but useless and counterproductive for enjoying music. Just never mind what others think and trust your ears. If you think something sounds wonderful until someone else pronounces it crap, then you are not music oriented enough yet to get this to work for you. It is still too much about the gear. That mindset WILL make the journey endless, frustrating and unsatisfying.
Edited by Clarkmc2 - 4/5/11 at 9:07pm