When I first inserted the phones in my ear canals I noticed that the housings would prevent a normal IEM to be deeply inserted, but I forgot that the microdrivers are long! OK, you cannot insert the CC51 right into your brain as I like, but they won't fall easily. I had to reinsert them sometimes, but given the humongous amount of hours I've been using them, I wouldn't even mention it, really. They fitted OK, much better than I though.
The tips provided are not an amazing set, as you can find on the M11+, but just 3 pairs of single flanges and a pair of bi-flanges. Since the drivers are 6 mm, the bi-flanges were just useless for me, I just couldn't put them into my ears. I finally used the single flanges, mid size, which were very comfortable. Homemade foamies work, too, and doesn't affect sound at all.
Surprisingly enough, they can be worn with the cable over-the-ear. They look weird and they are not extremely comfortable, but you can use them like that if you want. I preferred to wear them straight down, but I tried some hours with them over the ear and, except for the amazed looks of some people around me, no problem at all.
When worn over the ear or using the shirt clip, microphonics are non-existent. But when wearing them straight down without the shirt clip, they catch some friction noise. Less than other similarly cabled models, but more than other Meelec models. I wore the cable under my t-shirt most of the time, and then there weren't any microphonics, period.
Contrary to ljokerl, I didn't have any driver flex problem when inserting or removing them.
I didn't felt asleep with them on, but not because they are not comfortable: I was quite afraid my kitten would eat the cable if I slept with them on. I haven't been specially careful with them, but I wasn't careless, either. I gave them a normal use but keeping an eye on avoiding damage because these are not cheap!
Last but not least, they are very easy to put and remove. Unfortunately, the 6mm drivers are not the best idea for people with very small ear canals. They can be inserted, but are not very comfortable. A couple of friends I have with extremely small ear canals really enjoyed the sound but couldn't use the CC51 for more than 15 minutes without having a bit of ear sore. For average (even small) ear canals, the comfort is more than enough. I don't have big ear canals, in fact I would say they are small rather than average, and I didn't have any problem wearing them for more than 6 hours in a row, so don't worry too much. My record was wearing them for 11 hours in a row, with no ear sore.
Noise isolation, sound. Again, out and about into the wild territories of evaluating sound...
This time, the territories are wilder. For a start, I don't have any other similar or better phone in my collection, so I couldn't compare. These are the best phones I've had. I've tested much more expensive phones, but only for minutes, so I couldn't compare with these. The more similar I have are the A151, but the sound signature is different so there is no point in comparing them now. Moreove, I haven't tested the A151 yet!
Thing is, I felt in love with the sound from the very beginning. I must confess I love clarity and detail in phones, but I'm not a fan of clarity-based sound signatures, because I want the sound to have body and colour, I just prefer non-neutral basses. This means that I had some prejudices about the sound, because I thought I wouldn't love much a clarity-oriented sound signature. I gave for granted that basses would be weak at best.
I was wrong. Utterly wrong. The basses are there, and although I wouldn't give these to a basshead, a friend of mine that loves when the basses push out his eyes out of his skull told me that these were "la h*stia". Sorry, I cannot translate the profanity.
As I say, basses are there, not "in your face", but controlled; tight, but punchy; deep and fast. I want to insist on the last point: fast. ljokerl talked about it in his great review, too. Some phones which provide deep and impactful basses lack speed, giving unnatural attack and decay times, and the basses end up eating sounds that are near them in time, not in frequency. Most of the phones I like suffer from this, and usually is not a big deal, unless you always hear bass-centric music. But in that case you probably like fake attack and decay times because you like the basses to be the protagonists. The CC51 is not like that. IMHO, microdrivers are good at delivering fast basses and providing correct decay times (which usually worry me more than the attack time), separating the basses from surrounding sounds, and the CC51 is the perfect example of this.
The mids are fantastic. The clarity and detail give natural voices, clear and detailed of course, but also warm. They don't sound harsh at all, and although warm they're not recessed. It's a bit embarrassing, but I almost cried listening to Kellswater, by Loreena McKennit. It was like having her singing in front of me, almost whispering, but being able to pick every detail in her voice. Fantastic.
Since clarity and detail are advertised as the main characteristics of the CC51, I was at first afraid of harshness. The JVC HA-FXC50, the other microdrivers I've used, where at times very uncomfortable when playing isolated guitars, for example, or fast paced electric guitars. I just couldn't listen to AC/DC with them, as they screeched from time to time. I was almost sure the CC51 would suffer from the same problem, so I prepared an AC/DC session! No screeching at all. The CC51 doesn't have a cold sound signature, but more a warm and smooth sound. This leads to a perfect balance, in my very humble opinion: you have clarity, detail, but you don't have harshness and screeches! Well, to be sincere I managed to make them screech with carefully chosen pieces where the mids sounded distorted, but even them the CC51 gave a reasonably clean sound.
The highs are not harsh, I've already told that. They sound clean, extremely clean, to the point of being revealing. This is not good if your source gear is crappy. Even if it is not crappy, these phones may reveal limitations you never noticed. For example, my Sansa Clip+ makes some weird noises, almost inaudible, when you are playing with the menus and no music is sounding, or when pausing and resuming, and I never heard them until now. They are very low volume but extremely clear! So, beware if you use a crappy player.
When all ranges combine, you get a very detailed sound, where you can mentally isolate every instrument, where you can tell if some violin player has sinusitis from how he breaths. You get impactful basses, warm and detailed voices and clear highs without harshness.
To test how the phones behaved with big dynamic ranges and a crowded spectrum I used the finale of "Tubular bells III", by Mike Oldfield, the part where the little girls stops talking and the tubular bells enter. Most of my phones sound weak at that point, or distort some part, or can cope with the change in volume, etc. The CC51 performed perfectly. So perfectly that I'm afraid I won't enjoy that piece anymore unless I listen to it with the CC51 or better. Darn. I listened this part again using a simple FiiO E5 headamp and when the tubular bells started to sound I could feel my brain crunched. That may account for some of the things I've said in this review



Even in that high volume maelstrom, I could pick perfectly the instruments that sound on the background, the chorus (almost inaudible in any other phone I've tried), and I think this is the best sample of the sound signature that I can provide.
They don't need amping, in my humble opinion, but when amped they don't suffer from much hissing and the basses extend a bit, enough to give the sound "body" even at very low volumes. I wouldn't amp them, anyway.
The soundstage size is adequate. Given the clarity they provide, a bigger soundstage would sound a bit far. That's my opinion, of course, and maybe the CC51 could use a little bigger soundstage because presentation is intimate (I think like ljokerl), but I don't feel this is a drawback. For live music, though, the soundstage falls a bit shorter than I want.
Instrument positioning is average. Nothing that will surprise you, but the CC51 does its duty.
About isolation, it is average to my ears. I managed to put a pair of old triflanges I had around, which barely fit the 6mm drivers, and the increased insertion depth changed isolation a lot. Anyway, isolation using the included tips is enough to use them while commuting at a reasonably low volume (about 50% of my not volume limited Sansa Clip+), so for me is enough, although to be sincere I would love more isolation.
The housings are advertised as being sound-inert. Given that these are microdrivers, I don't think the housings affect sound at all, so I can't tell if the ceramic body is really sound inert or not. I don't care, anyway, because the ceramic housings are incredibly cool

Summing up.
If you want to go near the clarity and accuracy of a balanced armature but with very good basses, these are your phones. OK, they're not as clear and accurate as a balanced armature (even cheap ones), but I think that for most people they would pass the test without problems. A certain friend believed me when I told him these were armatures...
These are very near to be my perfect phones. If they had a bigger set of silicone tips, or even better, foamies, tactile feedback on the housing stems or strain reliefs, and a more sturdy cable, they would be my perfect phones. They already are in sound, but seeing them with the cable of the Meelec A151 and with some good triflanges is a kind of wet-ears dream to me.
At the price tag, which is about 80USD at the time of writing this, they are much better than other phones I've used in the 100-120USD range, and weren't because I haven't used more expensive phones for a reasonable time, I would dare to say that even near-200USD would have a hard time against the CC51. I'm trying to get my hand in more expensive phones just to compare.
Remember that even though clarity and detail (together with great basses) are the flagship features, the sound signature is warm and smooth, not cold and analytical. There is some sound colouring which to my musical tastes is even desirable, but some of you may think otherwise.
For the retail price, you can't go wrong with these amazingly good looking phones, where sound meets style. Right now, if you ask me, the best phone you can buy from Meelec.
If you have any question about the review or the CC51, feel free to ask me!