Quote:
Originally Posted by
porthillsbomber 
Well I've got about 10 results now and they're fairly consistent so I'll tell you what I did. I have added 5% harmonic distortion in the different harmonics from 2nd to 5th plus there is the original. The general consensus so far in best to worst sounding is
original -> 3rd -> 2nd -> 5th -> 4th
(snip)
So far the results seem to indicate that the odd harmonics are favoured to even ones isn't that the opposite of what we're told?
To answer your comment/question on the odd/vs even harmonics: Kind of sort of yes no :p
The general guideline is that LOWER order harmonics are preferable to higher order. Your test agrees with this, with BOTH 3rd & 2nd better than 5&4. There was a "weighted" distortion scale proposed in the (I want to say late 1950's, but I may be wrong) that reflected the way humans percieve distortion in the published distortion number VS the simple measurement technique that EVERYTHING can pass. Obviously the weighted scales got rejected... Its funny to think about this weighted scale when looking at the distortion spectra of a power amp that NEVER drops into the noise floor.
Anyways, after that even harmonics are generally perceived as being on the softer side, where odd harmonics can actually be perceived as being more detailed! at 5% THD added there is no doubt that they are audible...
I wonder how the test would go at 0.5 to 1%THD, with "pure" harmonics added like this. 1% is still audible, and 0.5% may be (it certainly is in tones, Im not as sure about music). In any case, VERY few people listening to headphones run an amp hard enough to even get to 0.5%. Not even "open loop" tube guys, as much as the scope jockeys love to rag on them.
FWIW, the past few times I have tried (and others have tried too) the threshold of hearing THD in an ABx test on tones is 0.5% for a VAST majority of people. We did this at a NJ head-fi meet a few years back, it was quite fun.