Quote:
Originally Posted by
ljokerl 
Quote:
Originally Posted by
Trysaeder 
I have ZERO idea how people actually like the IE8 yet can still bash the monster beats.
I'm confused by this statement. Are you suggesting that the overall balance is the only point of differentiation between different headphones and earphones? The IE8 and Beats both have exaggerated bass but if you EQ out the mid-bass hump of the IE8 (for argument's sake) you get an earphone with top-tier detail and clarity, a good headstage, and excellent presence across the range. If you EQ out the bass hump of the Beats you get a flat-sounding mess with no semblance of separation and detail around the level of a Koss PortaPro or PX100.
I guess you're right. That didn't come out as I meant it.
The main point is that I would pick a car that does not need its tires changed before I can use it over a very similar car which does.
Quote:
Originally Posted by
jleewach 
Are you high? You're ramblings make absolutely no sense.
You're funny.
In a bad way. Biased and irrational people usually are.
I'll start you off (with correct grammar included):
"The IE8s are very much a last-generation iem from a time when technology in most earphones was pretty bad. Back then they were great, but I really think technology has caught up with them and they're no longer a "top-tier" iem in my book, whatever "top-tier" means."
1 - audiophile technology crawls like a snail. 20 year old headphones are able to hold their ground today. The ER-4 is around 15 years old and is still one of the most neutral and transparent earphones ever. The IE8s themselves have accumulated reasonable age. The difference between them and the SE530 is insignificant.
2 - burn in is not equivalent of caterpillar to butterfly. I've compared my veteran ie8 with my friend's brand new one and it is not an argument to rely on when you're defending it.
3 - The IE8's mids are 'equal' to the SE530's in the same way that the SE530's soundstage is 'better' than the IE8. There are different tastes, and some people don't like an enormous tube soundstage accompanied by a phat midbass encroaching on the mids; it feels like swimming in molasses and chocolate.