Great singles remind me of AM radio, Top 40, fluff, "barely scratch the surface" type of music. In looking at one band for example...."Mama's Gotta Squeeze Box" (Who By Numbers) and "Pinball Wizard" (Tommy) were played all over radio but don't even remotely begin to the depth of the conception of those releases. So much is missing.
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Death of Liner Notes - Page 2
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- bigshot
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The "concept album" didn't exist until Frank Sinatra's Songs For Swinging Lovers. By that time there had already been half a century of recorded music... all on singles. Even long after Sinatra, many forms of music, primarily those aimed at radio (Do Wop, Rock n Roll, Pop Music, Ethnic, Country Western, etc) were based on the single, not the LP. It wasn't until the 70s when singles began to fall out of favor.
You are assuming that all recorded music is like the small amount of music that you're familiar with.
Edited by bigshot - 12/21/10 at 6:58pm
- tru blu
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RE: Frame of reference…comparing singles that changed the world before there were actually long-playing albums with those from later eras skews the argument a bit, doesn't it? Not only were those tracks made for radio or whatever, but because there was no album format the singles of that time are pretty much all that were available to consumers. As Spyro suggested, by the time the Who started recording the marketplace was different and singles only scratched the surface of what was available on LP. With all due respect, bigshot, it sounds more like the assumptions/desires are yours…different periods in the music industry's history can't be accurately assessed based on the one you're most happy with…it's simply apples and oranges…
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I also like the album concept. The current trend to release singles only is utterly disappointing. I also like to read the liner notes.
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I believe the death of liner notes actually came many years ago when some lazy record executive twit decided it was too much effort to write a short explanation of the band's latest activities, the making of the album, what cool musician sat in to play piano on track 5, etc., and just filled up the space with a copy of the lyrics to every song. I'd much rather read about Eric Clapton and Duane Allman meeting, than someone explaining to me what I just heard was, Layla, you've got me on my knees, Layla, I'm begging, darlin' please.
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