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post #46 of 49
Thread Starter 

Though the real meat of their work would be considered part of the Canterbury scene of British progressive rock (with tremendous jazz inflection), Caravan's first album is a slightly tenuous thing, and has lots of psychedelic touches...

 

It's good.  But Caravan only got better as they moved away from psych and more into pastoral, jazz inflected rock...

 

4988005580306.jpg

post #47 of 49
Thread Starter 

The Open Mind - The Open Mind

 

openmind.jpg

 

From Allmusic:

 

As a defining point of the U.K. psychedelic/progressive rock crossover, the Open Mind's sole album is the perfect specimen. With a singing style rooted in the freakbeat era, rather than the operatic tenor screams hard rock ushered in, and acidic duel guitars, heavier than those of a typical psychedelic act, The Open Mind filled the gap between the beginning of one era and the end of another. "Magic Potion" is unarguably their greatest moment. Its monotonous rhythm guitar anticipates the stoner rock of Hawkind while double bass drum fills and doom-laden fuzz guitar ragas combine bombastic rock power with Eastern-influenced psychedelia. Magnificent! "Girl, I'm So Alone" — a remake of early Open Mind lineup, mod band the Drag Set's "Get out of My Way" — harks back to a 1967 feel, as do a number of other songs that show the band being not quite as progressive as they intended. However, both the heavier and mod styles work well, but where they fall down is on some rather laborious numbers that just don't take off. Unfortunately, "Magic Potion" is the benchmark that everything they wrote is compared to, and when a song is that good, nothing else measures up. Still, as a whole, this album is a solid product of the time. It might not merit the "classic" status dealers apply to it, but it won't disappoint either.

post #48 of 49

Modern British psych

 

post #49 of 49


 

Quote:
Originally Posted by TheWuss View Post

 

Small Faces - Ogden's Nut Gone Flake

 

Not just The Small Face's best work, but one of the shining moments of Brit psych.

The album's packaging resembled a tobacco tin, with the design lifted from a can of Ogden's Nut Brown Flake tobacco.

The word brown cleverly changed to gone, a very psychedelic word.  

 

It's really something to listen to this, and then to hear the direction the band would take (as The Faces) after Marriott's departure...  quite something.

 

Ogden%27s.jpg


That album has amazing stereo effects and sound mad on the AKG K280 Parabolic headphones.

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