Comparo – Digital Interface and External Power Supply
Packaging
Both Audio-gd’s Digital Interface (DI) and External Power Supply (EPS) arrived in a sturdy plain cardboard box. The trip to AUS had taken five days. Inside the box, the products were protected from shock by a plastic foam cradle. There is no purpose-made packaging nor was there an instruction manual. “Extras” incl. power lead & usb cable.
Build quality
Build quality of DI and EPS are good. The EPS especially has some heft. The hardware looks good: nice gold fittings and functional plastic switches. I am not in a position to measure it, but hopefully the BNC socket is true 75ohm. The omission of rubber feet is a pity since the units are meant to stack (one on top the other). I opened up the DI to look inside; everything is neat and tidy. I have not opened the EPS. Aesthetically, I would have preferred the USB/COAX switch on the front panel (of Version A) to have been on the rear panel instead. One niggle is the stock USB cable seems a bit oversize so that it requires a bit of force to get it in/out.
Format
Why do we need separates? True, it allows some flexibility but it is a nuisance in that additional cabling is required as well as valuable shelf space. Why not incorporate the DI into the DAC itself? Perhaps Kingwa can answer..
What kind of product is this?
Where does the DI fit in the world of DIs? It is not asynchronous, it does not require specialist drivers; it is a reclocker with DSP.
My set up
My system is listed in my sig. it has some strengths and weaknesses. I am not into cans. Maybe one day.
DAC-19DSP settings: PLL inactive; All other settings: Default
I like a “near field” listening experience. If I go to a concert I want to be in the front row. Same with music playback. I know that PLL inactive brings things forward a little. I have gone to some trouble to push the noise floor down (undervolting + linear PS) on my computer. All these things allow me to hear details. This is my preference.
USB cables (a short diversion): The stock USB cable shipped with the DI is fairly good (sound wise). There are audiophile USB cables out there but this is an area that I have not ventured since I am of the opinion that USB is an inherently flawed interface that is nevertheless convenient. I once read a post by Gordon Rankin (of Wavelength Audio) where he states that the number of errors over USB is proportional to cable length. I have conducted my own listening tests with generic USB cables over various lengths and can confirm his finding: less is more. The best sounding USB cable I have is a humble 12in cable that was shipped with my Musiland. I compared this to the stock 60in DI cable; I found the 12in to sound better. No surprise.
I play music exclusively from music files stored on my hard disk. My music files are created from CD using EAC. I rip one CD to create one .WAV. I don’t use any form of compression because I don’t want my undervolted CPU to do anything it doesn’t have to during playback. My objective is to keep RF as low as possible.
Comparo
I began the comparo with the USB input on the DAC19-DSP (Tenor TE7022 USB input chip). My impression of this interface is that it is not particularly good. It is not dynamic and voices are not distinct. Soundstage is restricted. The general sense I have is that everything is reduced to less than it could be (compared to other, more revealing interfaces). Read on..
My Musiland 01USD has been modified with Vampire 75ohm BNC and linear PS. I run the Musiland with 1.0.8.4 driver (not the latest) which I think sounds best.
The Musiland tends to overemphasise the upper mids to the point of being trebly. I also find the bass isn’t as tight as it should be. There is a sense of detail and dynamics (which is good) but vocals are not weighted properly and backgrounds are not as black as they could be (which is bad). This last point is something I attribute in part to its power supply. The Musiland takes its power from the USB 5V line. As a mod, I have snipped the 5V USB line and power the Musiland with an external linear PS. This has quietened things down a bit.
In sum, the Musiland has some good attributes and some bad. Soundstage is good. However, there is a sense of overemphasis and the feeling that things are a little jigged and “enhanced”. But still and all, for the money, it is pretty good with the mods that I have made.
Empirical Audio (EA) Freeway2 (USD640). My impression of this unit is that it has a very clean and neutral sound that borders slightly on the clinical. To its credit, vocals are distinct and bass is tight. To the contra, emotional involvement can be a bit low. BTW, though the Freeway2 is now discontinued, it is somewhat equivalent (if price is any indicator) to the newer Off-Ramp (USD699). Of course, EA would probably say that the current Off-Ramps have been improved. For this reason, I wanted to include in this review a comparo with an EA Off-Ramp with Superclock (USD999). (Superclock is a USD300 option for the Off-Ramp.)
I found the DI sans external EPS to be a little slow. Whereas the Musiland moves along with tizzed up highs, the DI seems to move along in a bit of a plodding, bass-centric fashion. The music is rhythmic and reasonably dynamic with nice highs and a passable if lazy bass. Also, instruments are not as authentic as the Freeway2. This being said, I think the DI is a satisfying listen which is to say that I don’t think it is inhibited in its ability to convey the essential character of the music. The addition of EPS to the DI improves the sound. Things are tightened up a notch for sure but the unit still lacks speed and authenticity.
In sum, I think the DI is a good listen that is improved by the EPS. It has a good soundstage. However, I think it feigns a “natural” sound by its skew toward the lower registers. I think it is ahead of the Musiland but not at the level of the Freeway2. As confirmation of this finding, I took the DI over to a friend’s place for a comparo with his EA Off-Ramp + Superclock. (His system, BTW, is stellar: Playback Designs DAC, EMM Labs Pre, Pass Labs mono blocks..) The result here was the same except that four ears now confirmed the DI’s shortcomings.
A note: As I say, I am not a “can man”. However, I do have an A-gd DAC-19 + C-2 combo. And, hidden away in the back of my toy-box is a pair of Senn HD490s. (Sorry if the thought of this offends anyone out there!) Anyhow, I did have a listen through these “pseudo-cans” and report that I could no longer hear a difference between DI with/without EPS. Take whatever you want from this.
What was not tested
I have not tested the upsampling function on the DI.
I have not tested the S/PDIF input on the DI.
Issues
USB cable connector is a bit oversize so that it requires a bit of force to get it in/out of the DI.
Tenor TE7022 USB input chip does not support 88.2kHz. This is going to be an issue if, for example, you use 88.2 hi-rez material.
Also, when the computer fires up, the TE7022 sets it self at half volume which is its default setting. For me, this is a nuisance because it means that I have to always go into the Control Panel to reset the level to max (as this is the level I like to run the unit at).
Is the DI bit-perfect? Had I a DTS receiver I would have done a test. But I do not.
Conclusion. Do I keep the DI?
What has this comparo shown? Not very much to be truthful! I have compared the DI to.the USB input of my DAC-19DSP and my modded Musiland and thought the DI was better. I have compared the DI to an EA Freeway2 and Off-Ramp + Superclock and thought the DI lost that contest. At no stage did I compare the DI to something near its price point. Also, I have not experimented with DIP settings nor I2S connection to DAC. So, there may be more performance to wring out of the DI yet! I do think the DI is a good listen and will be keeping it. I just don’t think it is amongst the best devices of its type in the marketplace.