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Where did I get all these “Best of” cd’s?

post #1 of 18
Thread Starter 

As I was thumbing through my music library, I realized I had a ton of ‘Best of’ albums.

I thought, “where did I get all of these? I don’t ever buy best of’s. Real music lovers buy the real thing”

As I looked them over, I realized they fell into 5 categories:

 

  I got the cd for my birthday or whatnot from somebody else*

  I bought it myself ‘cause I don’t like the group enough to own all their albums

  I bought it to check out the band and bought their other albums

  I bought it for 1 song ‘cause I didn’t want to get the whole cd.*

  It was in the el cheapo bin and I was curious or whatever

* Maybe I only ripped 1 of the songs, but the album shows as best of

 

So anyway, I’m ashamed to admit it, but I have all of these “Best of’s”-

 

.38 Special

ABBA

Smooth Jazz

Bob Dylan

Bob Marley

Buffalo Springfield

Pitchfork 200 best singles of the 60’s

David & Diane Arkenstone

Best of Bowie

Sultans of Swing

Best of the Doors

Era

Clapton Chronicles

Her Best – Etta James

Foreigner

Joe Cocker

John Mellancamp

Kansas

Loggins & Messina

Mamas & Papas

Manfred Mann

Moby

Pat Benatar

Roxy Music

Sade

Spirit

Sting

Styx

Supertramp

3 Dog Night

U2

Van Halen

War

Wilson Pickett

Yazoo

Heavy Metal

 

I can’t believe it. Is this normal? Has anyone else had this happen to their collection?

.

post #2 of 18

 

"best of" collections are very nice of you want only the hits of a certain artists,ot want to get to know his music.    you certainly have a pretty large number of them though..

there are some bands/artists i consider as "best of" collections band.  those are bands that have only one or two good songs in each album,so their best album is their best of collection.

post #3 of 18

I will add another reason I have bought greatest hit comps - the dreaded previously unreleased tracks. Back before downloads, that was an easy way to milk the completist fans. Repackage some hits, then include a new track or two on there, maybe a popular remix, or some well regarded live performance. 

post #4 of 18

It's good to know you eventually bought albums, though. Some things on the list I understand (WAR, ABBA, Buffalo Springfield, Mamas and the Papas, Etta James), others not so much (Bob Dylan, Roxy Music and Moby have made several discs worth owning, but I'm sure you know that).

 

But then there are things like Bob Marley's Legend and David Bowie's Changes One, which are so good they do a service to the very idea of "best-ofs". I'd even recommend them to folks who have all the albums. Others I'd put on that list are All Of This and Nothing by the Psychedelic Furs, The Essential Leonard Cohen, Parliament's Greatest Hits: Uncut Funk…The Bomb and Substance by New Order.


Edited by tru blu - 6/13/10 at 7:19am
post #5 of 18
Thread Starter 
Quote:
Originally Posted by tru blu View Post

It's good to know you eventually bought albums, though. Some things on the list I understand (WAR, ABBA, Buffalo Springfield, Mamas and the Papas, Etta James), others not so much (Bob Dylan, Roxy Music and Moby have made several discs worth owning, but I'm sure you know that).

 

But then there are things like Bob Marley's Legend and David Bowie's Changes One, which are so good they do a service to the very idea of "best-ofs". I'd even recommend them to folks who have all the albums. Others I'd put on that list are All Of This and Nothing by the Psychedelic Furs, The Essential Leonard Cohen, Parliament's Greatest Hits: Uncut Funk…The Bomb and Substance by New Order.


Bob Dylan is an example of someone who doesn't know me that well trying to buy me a birthday gift. Otherwise, The sad truth is that since I've been visiting Head-Fi, I've found out how much music is out there that I don't have or never even heard of; and I thought I was pretty tuned in. Out of the piles of cd's I have I realize I don't have a single one by R.E.M. Where do you start? A best of seems better than buying all 10 or 12 especially when there's all those last missing ones to get from the artists you really love. I'm screwed. And I thought the phones and amps were gonna be the big expense. It's like that first razor Gillette gave everyone in college. Little did I know I'd be buying blades forever.

post #6 of 18

I find myself buying more and more of these lately. I'm listening to Carpenters Gold as I type this. It's an easy way catch up on artists you've just discovered or didn't come to appreciate until later in their careers.

post #7 of 18

Am I the only person who feels most of the Carpenters songs are so incredibly sad?  Whenever I hear "Superstar" I'm moved to tears.  Karen's voice is sweet and haunting.

Free Mp3 Download

post #8 of 18
Quote:
Originally Posted by Justin Uthadude View Post

Out of the piles of cd's I have I realize I don't have a single one by R.E.M. Where do you start?


You could start with "Eponymous" which is... a collection of singles from their first five albums.  :)

Eponymous was where I first started listening to R.E.M.

 

Unfortunately their early albums aren't mastered very well.  Light on the bass and treble can be piercing.  MFSL did remasters of their first two albums "Murmur" and "Reckoning".  The MFSL remasters are good.  Balanced sound.  There is actually bass, treble is much more reasonable, overall an amazing improvement.  If you get the R.E.M. bug the MFSL masters are worth it.

 

I like to use some of the songs from Eponymous as a quickie headphone test.  If the headphone is thin on bass you will notice it quickly.  If a headphone has good bass extension you'll know as well.  My D2000 do well.  My RS325is let me know that they're rolling off in the bass too soon.  If you need a D2000 just to notice that there is bass in the music then something is wonky with the mastering.  Maybe they were mastered on full range speakers and never tested on speakers that roll off the bass?

 

Their last two albums "R.E.M. Live" and "Accelerate" are victims of the loudness war.  Avoid them.  Sonic garbage.

post #9 of 18

dude.  i totally get it.

i mean, how else are you gonna get survivor's "eye of the tiger", right? 

post #10 of 18
Thread Starter 

Wuss-

You crack me up !

I maintain my library on a laptop with a fatty extra drive, but I keep my wife's tunes on a desktop system in the house.

Guess what's the first song on it?

516N7Q6JE8L._SS500_.jpg

 

Ham Sandwich-

Think I'll take your advice (again)  =^)

 

P.S.  Now that I think of it, right now I'm listening to a 'best of' in a way. I'm listening to tunes that I ripped out of a DVD of James Taylor and Carol King playing live at the Troubadour in Hollywood to celebrate the Troubadour's 50th anniversary. Bunch of both of their best hits.

.

post #11 of 18

I know after my cd collection was ripped off a few times I ended up buying a lot of best of cds. Just didnt make sense to buy all the cds for an artist again. The best of cds at least get me the essentials.

post #12 of 18

After getting what was available at the CBS & BMG CD clubs in the 80s, I started getting the best of from groups just to build variety in my collection. Most of the 60s pop artists in particular weren't worth buying their CDs for one or two songs but you could get their decent songs this way. Owning a CD for collection purposes wasn't my goal. You get the best of CD from an artist and if they were good, you could then start selecting individual CDs. 

post #13 of 18

i can only really think of a few artists whose hits album i liked, but i didn't like individual records more...

 

queen, maybe.  i consider them a "singles act".  there's not a single album of theirs that i like all the way through.

 

it's fun to think back on some of my favorites, having been introduced to them by a cheap hits cd or something of that sort.

 

blue oyster cult started out as a 9 dollar hits cd.  cuz i just had to have "(don't fear) the reaper."  hahaha.

 

and years later i now own every single album and live album officially released by them.  and now i groan every time i hear "reaper" on the radio...

(cuz they're so much better than that one dang song!   )

   

post #14 of 18

Normal or not, I happy for you. Lots of great artists there... ^_^

post #15 of 18


 

Quote:
Originally Posted by Justin Uthadude View Post

Out of the piles of cd's I have I realize I don't have a single one by R.E.M. Where do you start?


Well, Eponymous is a good place to start, but I'll tell you…R.E.M. is another of those bands that made a bunch of albums that are worth your hard-earned dosh from start-to-finish. There career does break neatly into two parts, though, and I'm partial to the first half, which ended with Document, easily one of the finest rock albums of the '80s. (Place to start?) I don't share Ham Sandwich's fidelity issues with the early stuff, but probably 'cause I got on board when it was brand-spanking new and fresh. They didn't sound like anybody else, and uniqueness was what you were paying for…at least, that's what I was paying for.


Edited by tru blu - 6/13/10 at 7:51am
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