The Chromas are VERY NICE. (I got a pair today.) They have light touch and there is no pain I am used to on older, poor CDs from digital glare (which tamed
very nicely) or loose, one-note bass (the bass is very tuneful and transparent). And comfort is first rate. I love that they are so light
and the foam is not rough. I am reminded of my former
Stax Omegas/007t system because of the speed and immediacy and lack of fatigue, but the vocals are smoother and the bass is far better.
While I am an admirer of the HD800s, Grado PS1000s and T1s, these are far more relaxing and I do not have to worry about wincing from
a painful note of some poorly recorded track.
Vs. the Grado PS1000s, which is what I mainly use with the RP010B amp,
the Chromas have a smaller, more delicate soundfield, while the Grados have a more dramatic, wall-of-sound, 7-foot-high
speaker sound with deep, strong (but not overdone bass). It's a totally different presentation, but just as musically valid.
The Chromas never go over the top. They kind of hold back and present each musical element in way that does not assault you,
but keeps you involved. The Senn 600/650s would also hold back, but there was also some essential musical detail missing,
and I always felt at a loss listening to them. So the Chromas do what the Senn 650s do but keep the music alive and are much more resolving.
The bass is very controlled and tight, and kind of like a first-rate speaker that goes down to 40hz with total truth.
The midrange is smooth and vocals are right-sized and have some density and a realistic and satisfying amount of texture.
Highs remind me of T1s with a tube amp, evident and well extended but very pretty and liquid and not brittle. The Chromas are superior to the T1s
using solid state amps, as the T1s highs can sting sometimes. The Chromas highs do not sting with solid state, and but do not sound suppressed either,
which I think is a classic tube affect.
I sat down with an old Time-Life 1974 CD (Joni Mitchell, Elton John, Steely Dan, Lynard Skynard, Bad Company, etc.)
that I've been hearing for 20 years and some things that always make my ears hurt with other phones (or needed tubes) just sounded
really pleasant an musical, like there was a healing effect (but without muffling things like with Senn 650s). Try listening to "The Bitch is Back"
on some systems, and try not to wince from the tipped-up sound. The Chromas deal with it by transforming it into something musical,
like turning interference into useful signal. The sibilance is there, but is softened just enough to sound musical. Joni's voice on "Help Me" is not
huge and rounded, just sized in proportion to the instruments and silky with a bit of natural hoarseness (her true voice, I think).
In short, this was just a quick test, but I couldn't get up and stop listening, and that's why the Chromas are keepers for my collection.
The soundstage is not huge, but I don't care, as the Chromas separate things just enough so the tone and identity of things come through.
They are just superb with the RP010B. I think Rudi should offer a package deal for the RP010B+Chromas.
The Chromas come with a 5-pin connector and both a single-ended and a balanced adapter cable.
The Chromas sound a bit warmer via the single-ended adapter but the bass is tighter and more detailed with the balanced adapters.
I definitely prefer the balanced, but both are splendid.
Thanks for reading.