Ran across the following recently . . .
"Honor Roll of Dynamic Recordings"
http://www.digido.com/honor-roll.html
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The recordings towards the bottom are "louder"?
from the list . . .
Aenima - Tool
Mastered by Bob Ludwig. Engineered by David Bottrill. An example of a progressive metal CD for the 90’s that is not smashed to the wall. The squashing is for artistic effect rather than intrinsic loudness or mastering volume. A very large dynamic range makes it very attractive. Can be harsh when loud, but that is the sound.
Pieces of the Sun - Tony Levin
Mastered by Trevor Sadler. Engineered by Kevin Killen. This is a very heavy progressive jazz-rock with synthesis and heavy bass. It’s a compressed sound but an interesting one at that. Spacious with considerable dynamic range (reminiscent of the Tool album). Sharp, strong, and compressed when loud, but not brick walled and at the next moment soft and delicate. Easy to listen to despite the hard rock moments. It is fat and not particularly clean, but that is the sound. Narada, 72438-11626-2-0, ©2002.
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"In general where is the loudness trend moving, in your experience?"
Kevin Killen: "I guess art is imitating life then after all..."
http://www.gearslutz.com/board/q-kevin-killen/109483-loudness-you.html
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Edited by JohnFerrier - 5/21/10 at 7:28pm