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THE WONDERFUL WORLD Part I  

post #1 of 6
Thread Starter 
THE WONDERFUL WORLD
OF
BINAURAL RECORDINGS


http://cache.gizmodo.com/assets/reso...inauralmic.jpg

Part One: Binaural: What it is and how its done.

Binaural literally means “relating to two ears”. However, when used as a recording term, binaural recording is a method of recording audio which uses a special microphone arrangement which usually replicates what a human would hear if he were in the location where the sound or sounds are being recorded.

The term was often misused as a name for stereo but binaural recording is very different from stereo recording. STEREO uses simple "left-right" information gained from relative level differences and time arrival differences of the sound entering each microphone. When done properly, a good stereo recording can present the listener with vast amounts of information including soundstage and music instrument placement. BINAURAL uses the concept of STEREO but also attempts to imprint frequency-dependent distortions of phase and amplitude that change when sound reaches the eardrums. These distortion effects vary with the direction of the sound source as well as the human body (most importantly the human head and ear).

Binaural recordings seek to replicate the to imprint frequency-dependent distortions of phase and amplitude by using what is commonly called a Dummy Head. Professional heads vary in size, quality, build, cost and most importantly, recording approach.

In most cases, the recordings done with Dummy Heads reproduce sound in such a way as to produce a three-dimensional effect which gives the listener the impression of being in the Dummy Heads place. In other words, it’s the ultimate ‘you are there – LIVE” effect. However, this effect is only able to be reproduced when the listener is using headphones. When used with loud speakers however, the realism is lost. However, a good binaural recording will sound very similar to good purist-miked stereo recordings (but without the three dimensional realism).

In the world of today, with technologies like Dolby Digital EX and DTS-ES, one would think that binaural recording is just another new trick for recording music. This is far from the truth.

Binaural was first used in transmission of opera from the stage of the Paris Opera House in 1881. Inventor Clement Ader used pairs of carbon telephone transmitters across the stage, mixed down to two separate telephone lines going to the homes of subscribers. They had to have two telephones and put the receivers from each one to their ears producing the binaural effect.

Modern day recordings are much more HI-FI and usually utilize special “dummy heads” which seek to replicate a human head and ear as closely as possible in order to achieve the best recording possible. The picture at the top of this article is just one type of dummy head.

OTHER DUMMIES

http://i26.photobucket.com/albums/c1...D99-Harry1.jpg

http://i26.photobucket.com/albums/c134/salleno/KU80.jpg

As you can see, the dummies all look different but the recording approach is similar in general.

Most dummy heads place the microphones inside the head where the eardrum would be located and apply a special EQ preset which compensates and corrects for the sound traveling through your ear canal. (SEE BELOW) That way, when you listen to the recordings, it doesn’t have to go through the ear canal twice.

http://i26.photobucket.com/albums/c1...tion-dummy.jpg

This results in the most accurate recording possible while providing 3D realism.

There are other ways to achieve binaural recordings. The second most popular method is using what is called a Jecklin Disc or Jecklin Baffle.

The idea of using an absorptive baffle between two omni directional mics was first proposed by Alan Blumlein, but was later refined and perfected by Juerg Jecklin (I think it is the same guy who makes those fugly electrostatic headphones).

Anyway, Jecklin's baffle was 300mm in diameter, made of 3/8" plywood covered with about 1" of foam and sheepskin on each side. However, the precise thickness of the baffle doesn't appear to be critical. I have tried baffles of about ½ an inch to 4 inches thick and it made little difference. The important thing to focus on with a Jecklin disc is the 165 mm (8 inch) distance between the two omni directional microphone capsules. This places each microphone to about….you guessed it, the distance of the human ears.

THE JECKLIN DISC

http://i26.photobucket.com/albums/c1...no/jecklin.jpg

http://i26.photobucket.com/albums/c1...leno/jdisk.jpg


The third way to achieve a good binaural recording is to use yourself. That’s right, use your own head. The easiest way to do this is to place one omni-directional microphone near each one of your two ears and record the sound.

So, how do you do this yourself?

Well, I’ll tell you.

1)Buy a dummy head (you will need A LOT of $$$$$$)

2)Wait for part two of this article……
post #2 of 6
Is any commercial music recorded in this manner?
post #3 of 6

Thank for the link to here you posted on my 3D question... did Part II ever make it to the forum? I see the first was written in 2008! I would like to know what this 'special EQ preset' is to avoid the sound entering the ear canal twice?

post #4 of 6
Thread Starter 
Quote:
Originally Posted by awordinyourear View Post

Thank for the link to here you posted on my 3D question... did Part II ever make it to the forum? I see the first was written in 2008! I would like to know what this 'special EQ preset' is to avoid the sound entering the ear canal twice?



Sure...happy to have helped. I did post a part II and it should be here in my blog. I never got around to part three though....

 

The special EQ preset is actually built into the dummy heads.

 

EDIT: Here is part 2

 

http://www.head-fi.org/forum/thread/490088/using-your-head


Edited by LFF - 5/3/11 at 8:50pm
post #5 of 6

Hey, thanks :)

 

  I'm currently trying to make recordings using my own head, not a dummy head (though the difference is debatable!) so do you have any tips on the special EQ settings?

 

  Also, could you recommend anything specific in the way of 'omnidirectional microphones' small enough for the ears please? I have been googling this and all I can find are either large microphones or just diagrams. Not sure what I should be looking for. At the moment I have two silver bullet Karma condenser mics but of course they are not omnidirectional and face one way only. But, I can't find microphones to fit in the ear and don't know the name for them.

 

Any help appreciated, thanks.

post #6 of 6
Thread Starter 
Quote:
Originally Posted by awordinyourear View Post

Hey, thanks :)

 

  I'm currently trying to make recordings using my own head, not a dummy head (though the difference is debatable!) so do you have any tips on the special EQ settings?

 

  Also, could you recommend anything specific in the way of 'omnidirectional microphones' small enough for the ears please? I have been googling this and all I can find are either large microphones or just diagrams. Not sure what I should be looking for. At the moment I have two silver bullet Karma condenser mics but of course they are not omnidirectional and face one way only. But, I can't find microphones to fit in the ear and don't know the name for them.

 

Any help appreciated, thanks.

 

You only need the special EQ settings if you are using a full on dummy head with ear canals and outer ears. If you are placing the microphones near your ears or on your head, you don't need to EQ anything. The special EQ's are briefly talked about here:

 


http://www.head-acoustics.de/downloads/eng/application_notes/Equalization_brochure.pdf

 

If you are looking for good quality and ready to use binaural mics, try the soundprofessionals.

 

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