I yet to hear anything more "exploding" than SE530 (E500), and RE252 is not an exception. But I do not like this SE530 feature, it was one of the reasons I sold it, along with inconvenient shells and cables. I was tired to control the volume frequently, classical symphonies interlacing silent flute solos with crescendos were unbearable.
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RE252 takes the best from ER-4S and RE0 - Page 5
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post #62 of 72
4/14/10 at 2:57pm
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I yet to hear anything more "exploding" than SE530 (E500), and RE252 is not an exception. But I do not like this SE530 feature, it was one of the reasons I sold it, along with inconvenient shells and cables. I was tired to control the volume frequently, classical symphonies interlacing silent flute solos with crescendos were unbearable.
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post #63 of 72
4/14/10 at 3:06pm
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I felt the SE530 lacked note thickness to present the dynamic range in a meaningful manner. It was kind of the same problem with the PFE. I view both kind of similar in how they handle the note and dynamic range. Dyanmics seem almost bottomless with a high amount of energy and no perceivable limit. Poor sound quality and glitches of some of my old mp3 files where quite annoying with either earphone because a little glitch/scratch would pretty much bite your head off.
Yet at the same time the note was so short and light, there was never much force behind the volume. It ends up sounding loud but not feeling loud. The trait makes the listening experience slightly annoying because you generally listen to the same music a little louder then you might with another earphone, and the dynamics end up being a little more aggressive.
I have considered some earphones more robust because of better pronounced, weighted notes. For example, I will generally describe the UM3X as being more dynamic than the SE530 because the UM3X carries more body and visceral authority despite not actually having the pure dynamic emphasis. Still the UM3X is more engaging and visceral because of the more pronounced note.
To me, the SE530 was simply too light on note. It had a lot of realism of sound but it also lost some believability lacking articulation/texture of notes. They were just too short and crisp. Heft and some in between details gets lost. A great comparison is the ER4S, a MUCH more mild earphone dynamically but one with a much thicker and more textured note(a little too much so). It conveys a ton of in between information that develops a high sense of realism. Another earphone that does this well is Denon's C751. Again, it offers thicker notes, a lot of articulation and texture to the notes, and it ends up sounding very life-like and realistic because of it.
Relating back to the RE252, the RE252 is slightly in the direction of the SE530, slightly short on note, missing some in between information. Comparing to a similarly capable, similarly priced earphone like the CK10, one will see more articulation of note with the CK10 and the addition of those little micro details in between that add to the realism and believability of a sound. The CK10 sounds more life-like than the RE252 because of it. I've still preferred the RE252 a little as a total package though, but after demoing a pair for a few weeks, I may still grab a CK10 one day.
Yet at the same time the note was so short and light, there was never much force behind the volume. It ends up sounding loud but not feeling loud. The trait makes the listening experience slightly annoying because you generally listen to the same music a little louder then you might with another earphone, and the dynamics end up being a little more aggressive.
I have considered some earphones more robust because of better pronounced, weighted notes. For example, I will generally describe the UM3X as being more dynamic than the SE530 because the UM3X carries more body and visceral authority despite not actually having the pure dynamic emphasis. Still the UM3X is more engaging and visceral because of the more pronounced note.
To me, the SE530 was simply too light on note. It had a lot of realism of sound but it also lost some believability lacking articulation/texture of notes. They were just too short and crisp. Heft and some in between details gets lost. A great comparison is the ER4S, a MUCH more mild earphone dynamically but one with a much thicker and more textured note(a little too much so). It conveys a ton of in between information that develops a high sense of realism. Another earphone that does this well is Denon's C751. Again, it offers thicker notes, a lot of articulation and texture to the notes, and it ends up sounding very life-like and realistic because of it.
Relating back to the RE252, the RE252 is slightly in the direction of the SE530, slightly short on note, missing some in between information. Comparing to a similarly capable, similarly priced earphone like the CK10, one will see more articulation of note with the CK10 and the addition of those little micro details in between that add to the realism and believability of a sound. The CK10 sounds more life-like than the RE252 because of it. I've still preferred the RE252 a little as a total package though, but after demoing a pair for a few weeks, I may still grab a CK10 one day.
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That's interesting. But I think h-fi cans like DT880 and HD650 also have similar or even better dynamic range compared to SE530. Although I haven't compared SE530 to them directly so can't say for sure. Maybe your problem with the SE530s were some spikes in the frequency response. Because I don't think it is possible for the dynamic range to be too large. What do you think?
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post #65 of 72
4/14/10 at 3:22pm
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I felt the SE530 lacked note thickness to present the dynamic range in a meaningful manner. It was kind of the same problem with the PFE. I view both kind of similar in how they handle the note and dynamic range. Dyanmics seem almost bottomless with a high amount of energy and no perceivable limit. Poor sound quality and glitches of some of my old mp3 files where quite annoying with either earphone because a little glitch/scratch would pretty much bite your head off. Yet at the same time the note was so short and light, there was never much force behind the volume. It ends up sounding loud but not feeling loud. The trait makes the listening experience slightly annoying because you generally listen to the same music a little louder then you might with another earphone, and the dynamics end up being a little more aggressive.
|
Quote:
|
Relating back to the RE252, the RE252 is slightly in the direction of the SE530, slightly short on note, missing some in between information. Comparing to a similarly capable, similarly priced earphone like the CK10, one will see more articulation of note with the CK10 and the addition of those little micro details in between that add to the realism and believability of a sound. The CK10 sounds more life-like than the RE252 because of it. I've still preferred the RE252 a little as a total package though, but after demoing a pair for a few weeks, I may still grab a CK10 one day.
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post #66 of 72
4/14/10 at 4:26pm
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Lol, I didn't say the SE530 and the PFE were on the same level. I'm simply saying they have the same type of presentation. Both have very high dynamics and a short, clean, spaced note. They incur a similar type of downside from this with a lack of heft to notes and a lack of texture.
As for the RE252, yes, they are highly detailed. They have a great dynamic range including the ability to create subtlety and convey quiet information (very few do this well). However, yes, they lack some texture/articulation of note and subsequently lose some in between information. No, it's not something you readily notice. It's something you notice when you start comparing directly against other earphones that actually do articulate better, like the CK10 or my OK1 bud. You simply don't just hear the lacking. It's not bad, so you won't notice it blindly. You really have to do side-by-side comparisons to realize what's not there. I'm a big fan of running a group of earphones at one one because of this. Other earphones and back to back listening will point out what a particular earphone does so well and what it comes up short on.
As for the RE252, yes, they are highly detailed. They have a great dynamic range including the ability to create subtlety and convey quiet information (very few do this well). However, yes, they lack some texture/articulation of note and subsequently lose some in between information. No, it's not something you readily notice. It's something you notice when you start comparing directly against other earphones that actually do articulate better, like the CK10 or my OK1 bud. You simply don't just hear the lacking. It's not bad, so you won't notice it blindly. You really have to do side-by-side comparisons to realize what's not there. I'm a big fan of running a group of earphones at one one because of this. Other earphones and back to back listening will point out what a particular earphone does so well and what it comes up short on.
post #67 of 72
4/14/10 at 5:58pm
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The MTPC is not on par with stock RE-252. The only thing it does better is balance, otherwise, the 252 walks all over it in every other aspect. (I'm ignoring fit and looks however. 252 fits me perfectly, but it does not for some people, then the Monsters are blingy in looks whereas 252 is just bizarre, lol.)
I do highly recommend the Monster gel Supertips for RE-252, though. |
post #68 of 72
4/14/10 at 9:44pm
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wow, the MTPC is my most engaging and favorite iem I have at the moment. I'm loving the bassy impact. so how bout the seperation on the 252's? any shrill highs on it? oh and how does the bass compare to the MTPC?
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post #69 of 72
4/18/10 at 2:52am
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wow, the MTPC is my most engaging and favorite iem I have at the moment. I'm loving the bassy impact. so how bout the seperation on the 252's? any shrill highs on it? oh and how does the bass compare to the MTPC?
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Turbines are much more fun whereas the 252s are more analytical.
Hey kostalex, would it be possible for me to mod my 252 to sound more like your 252km without reshelling it? I really love the gummy shell and it fits me like a glove together with the supertips. I have never been ecstatic about its forward, rounded mids though (slightly exaggerated by the soft highs and flat bass). I don't mind forwardness, but on the 252 it is slightly more than I would like.
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Try other tips, this affects very much. Better seal will give you more bass, wider tube will open highs, narrower tube will tame them.
Try to put some foams into the nozzle to increase the bass. Unfortunately, this will tame the highs.
Try inline resistor, like those Etymotic sells for converting ER-4P to Er-4S. I described the results somewhere above.
Try to put some foams into the nozzle to increase the bass. Unfortunately, this will tame the highs.
Try inline resistor, like those Etymotic sells for converting ER-4P to Er-4S. I described the results somewhere above.
post #71 of 72
4/18/10 at 3:59am
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I don't have anything that compares to the supertips. Everything is better with them. They are not the cause of the mid-forwardness either. It feels like the other tips I've got tame everything now that I try them, lol.
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Welcome read my new review on Head-direct IEMs - RE-Zero vs RE0 - SS vs tubes.
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