Head-Fi.org › Forums › Equipment Forums › Headphones (full-size) › Burn-in myth
New Posts  All Forums:Forum Nav:

Burn-in myth - Page 8  

post #106 of 118
Why do we take the bait repeatedly on this topic when its pretty clear that all it does is reduce the conversation to grade school level (at best ..) ? Believe, dont believe, wear a tinfoil hat - whatever, but dont feed these trolls people.
post #107 of 118
Yes, we should all listen to random ****heads on the Internet rather than people who have spent their whole lives studying, designing and evaluating speakers and other transducers.

Quote:
The other thing that is common throughout your experiences is you and your ears. It your ears that are being 'broken-in' (burned-in), or to say that in a more friendly way, your ears are acclimatising to the new sound.

So what is actually going-on inside your brain during this acclimatisation process with other speakers? Simple: your subconscious mind is hearing various acoustic problems which your conscious mind is suppressing. To draw a comparison which also illustrates the way we are programed by evolution - you start to date a pretty girl. For several dates everything is great but slowly your subconscious mind starts to identify characteristics of her nature or personality which your conscious mind has been deliberately suppressing. She is so pretty that you are carried along on a little fluffy cloud of admiration. But inevitably, at some stage in the relationship as you say maybe hundreds of hours later, either your conscious mind wins through and you live happily ever after or your subconscious mind finally takes dominance, casts the deciding vote and you split with the girl. The subconscious mind is far stronger than the conscious one, but it moves slowly. The subconscious works on the conscious mind like woodworm in oak; it always wins given enough time.

The "burn-in process" does not exist in any real technical sense as I've said here before. It is a marketing man's way of countering your subconscious mind whispering "there is something wrong with these speakers". Those 'something wrong' signatures may be directly measurable - too bright, too hard, too much bass etc. or they may be more subtle colourations that are invisible in the basic acoustic measurements. In any event, this conscious/subconscious battle has to run its course; it can not be accelerated. The best solution is not to waste time fighting speakers with latent problems.

__________________
Alan A. Shaw
Designer, owner
Harbeth Audio UK
Quote:
I have explained the reality of the so-called burn-in issue. As far as loudspeakers that I know of are concerned, the issue is 100% in the mind. It is entirely about acclimatisation. I am so sure of this that I am willing to eat any Harbeth speaker that you or anyone else can demonstrate changes its character after a so-called burn in.

This is one of those wretched non-issues that has been hijacked by marketeers as a cover for poor speaker design. They've cunningly switched the responsibility from the designer to the consumer saying 'if you, the consumer can't hear how wonderful these speakers are then you, the consumer are in the wrong'. In fact, the design is wrong.

Speaking as a designer, it is 100% my responsibility - my duty, my job to design you a speaker that you will enjoy from the moment you open the carton. It is not your responsibility to have to endure some half-baked, ill-conceived excuse for a quality speaker for hundreds of hours until you are so ground down by the experience that you can't tell right from wrong. Sorry, but that's the reality - poor design covered-up by marketing BS: that's the top and bottom of the 'burn-in' fantasy!

=============================

P.S. I've been thinking through my own listening experiences over many years. It's occurred to me that mine are the completely opposite of the burn-in brigade that you mention. The BIB you say is often seduced over a long period of acclimatisation (or maybe not) - that is, the more they listen the less faults they hear; the less pimples, spots and blemishes they notice on their new speaker girlfriends. However, during either my own product design and development phase (or evaluating other speakers) my personal experience is the exact opposite of the BIB's. Initially I am under my new design's mesmeric spell, because I've created this beautiful baby and it charms me ... but the more I listen the less the spell binds me, the more issues I can hear. Sometimes it takes hours, sometimes days and in the case of a complex speaker months for them to bubble up from my subconscious. Then one has to roll up ones sleeves and resolve those subtle and concealed problems until finally the design is truly ready to go to market. Unresolved issues irritate me. They're unprofessional. But I have the huge luxury of being my own judge, juror and executioner. I never invite anyone to listen at any time during the design phase over perhaps a year or more. How could a brief exposure to a well intentioned visitor contribute meaningfully to the design cycle when it's taken me innumerable hours to identify issues? But that's not the way anyone else I know works - they have pressure form other departments and hence the outcome is a speaker designed by committee with latent technical issues that nobody takes ownership of. And those are the ones that you need to acclimatise to. Not a Harbeth.
__________________
Alan A. Shaw
Designer, owner
Harbeth Audio UK
post #108 of 118
I am one of the believers. I defenitely heard changes in the HD650 and the D5000 in the first 100-200 hours, but after that the changes were subtle if any at all...not sure.
anyway,it could be all in my head...can't prove it so it is a valid possibility.
I have no knowledge in order to get into a scientiffic debate,but the fact that mechanical parts in headphones can move and by that changing the sound a little bit sound logical to me.

in my RS1 I didn't catch any changes at all during burn-in.
post #109 of 118
I think it's possible that some headphones may change a little in a short space of time. Some of the hours quoted on here is people deluding themselves.

It's always the same ones that come up: HD650/K701 and a few other hard to drive, need lots of power phones, so the similarity with full size speakers needing bedding in come into play. And the probably slight differences are magnified by audio dweebs banging on about the dash of this, and the smidge of that, as if they were as revelatory and eye popping as the second coming of Jesus.

All my phones are fairly easy to drive, and I think it's a crock. My RS2 don't sound as bright as when I first got them, but I'm pretty sure that's me getting used to he brightness. After all, if you like stuff loud, then after a while, loud isn't very loud, is it?
post #110 of 118
Its like with any child who is throwing a tantrum, just ignore them and they will eventually stop. Those who have reacted emotionally to this subject in either side of the issue are just as guilty. The subject is fine, worthy of debate, as is the video. And, there are always going to be people who get offended or emotional and so on. Just ignore them. Otherwise you are feeding the flame and further diluting the enjoyment possible in the debate.

IOW, just chill hunny bunny. All of you
post #111 of 118


I never used to be really bothered about burn in, never noticed much of a change before but I got my JVC RX700's on a friday, listened for about an hour and though yea they aight nothing special like everyone saying. Plugged them into my computer, pink noised them for the whole weekend whilst I was away (so obv. I didn't listen to them), came back and instantly noticible better sound..quicker more detailed bigger soundstage and its a huge change not a small impercebtable change or one of 'oh I've burned it in so they must sound better'

this picture sums it up nicely

post #112 of 118
I have a question- has anyone ever bothered to contact one of the engineers who designs headphones and asked THEM? It would seem that there is no better expert than the person who actually created the cans and had to take into consideration this "loosening" of the drivers. If it does exist, I'm sure that the engineers account for it when designing.
post #113 of 118
Quote:
Originally Posted by keezzzz View Post
Burn In is a myth, something between the ears.
When parts of a driver/speaker will loosen, then he is broken.
srsly?
Did you read the post linked above?
you have nothing but faith that a demonstratable occurance does not exist. I have faith that if you cross a busy street you wont get hit.
Quote:
Originally Posted by bangraman View Post
Gradual degradation of drivers by environmental and wearer effects (sweat, etc) affecting the sound is not a myth.
Did you look at the link either?
Who in their right mind touches speaker drivers?
Quote:
In terms of long-term ownership, it could be argued that you should use a phone (on-head will have far more effect that an off-head continuous playback for reasons which should be obvious) to get the true flavour of it's long-term-use character.
Indeed, I agree. "first kiss" impressions of even "burnt in" (or well used, if you want to take faith in the nonexistance of burnin)

Quote:
As we know with some low-cost dynamic in-ear drivers, some give an accelerated example of this by degrading quite alarmingly with regular use, mainly through moisture absorption. The same, but to a lesser extent, happens with most headphones.
can you post a reliable source for this?
Most low cost headphone drivers I know of are mylar or other plastics: materials not known for being particularly sensitive to water absorption.

Quote:
Originally Posted by murfy View Post
If burn in is due to a mechanical change why don't people find the sound continues to change due to any suspension plastic deformation? Wouldn't the changes continue after the 'burn in' period? They surely can't just suddenly stop?
Quote:
Originally Posted by aimlink View Post
I don't think anyone would propose that they stop. More that it's less than it is as when the material is brand new. So much less, that it's inaudible or of much less significance.
NO!
There are physical reasons that the "softening" stops after a certain point.

Think of a leather shoe. you get it and its very stiff. you wear it for a day or 2 and they begin to soften up a touch, a few more days and they soften some more. After a certain ammount of wear the shoe no longer gets any softer. You continue to wear your comfy leather shoes until the soles wear out. Have you ever worn out the LEATHER? The part that softens as you wear them.... maybe once out of 20 pr of shoes? Perhaps if the leather was exceptionally thin as on certain sporting equiptment. but how often really...

The thing everyone has experienced from the above example is work softening. Unless the work softening causes the material to be weakened excessively (which can be designed around if you have half of the knowledge necessary to design a shoe or headphone driver) The process of work softening continues to a certain point, after which it levels off and is farly constant for the life of the piece.

Work softening of plastics and rubber is similar to work softening leather in the regard that the material softens to a certain point and then more or less levels off, as can be seen in the data posted on the previous page.

The foam surrounds on speakers do not "wear out" from usage: speakers that are treated kindly (not tested for Xmax on a regular basis, such as may happen in a dance club...) last until the foam suronds rot out due to the natural degredation of the material. Guess what kiddies? It takes roughly the same ammount of time for foam surround on the shelf to crumble to dust as one in a speaker which is in constant use (within respectful limits)!
Quote:
Originally Posted by Seamaster View Post
After 5176 posts, you have not figured the wohle thing out yet? I suguest you should stop so much talking and start doing.
Doing what? I lack the means to scientifically measure a headphone in any repeatable way, and generally stay out of these discussions. I got into it for the express purpose of mocking you. I do believe in burnin as it is supported by measurements where non-burnin is not.

As it applies to headphones it should be farly easy to test, but nobody will listen to you. thats about where you are now, so I'd get to it.
Get 2 pr of identical NEW headphones.

Measure them both on a test jig fresh out of the box. Verify that FR graphs are within accepotable tollerances. Perhaps take 3 measurements alternating and average. Headphone measurements are subject to error based on placement on the test instruments after all.

put one back in the box as the control sample

run the other for 48 hours with white noise at ~72db.

repeat FR test

repeat for several weeks.

Publish your findings.

I am fairly confident that the test headphone (the one being burnt in) will change FR for a bunch of time but towards the end level off and clearly stabilize at its final FR.

What I am not sure about is whether the effect will be observable on all headphones.

One of the oft cited issues with burn in is that if the MFR burns the speakers (headphones) in for you he can easily state that the way a speaker sounds on day 1 is the way it sounds. For his product that is true, for anyone else's not so. It is a strong competitive advantage to a builder to have this under his belt.
Quote:
Originally Posted by Dustin The Wind View Post
I have a question- has anyone ever bothered to contact one of the engineers who designs headphones and asked THEM? It would seem that there is no better expert than the person who actually created the cans and had to take into consideration this "loosening" of the drivers. If it does exist, I'm sure that the engineers account for it when designing.
people have. It depends on the headphones.
Senn claims there is no burnin.
Well respected individuals have commented on the necessity of burn in for AKG's
John Grado burns his personal headphones in by hooking them up to a speaker amp and rocking them.
post #114 of 118
Quote:
Originally Posted by nikongod View Post
...........people have. It depends on the headphones.
Senn claims there is no burnin.
Well respected individuals have commented on the necessity of burn in for AKG's
John Grado burns his personal headphones in by hooking them up to a speaker amp and rocking them.
So if the manufacturers/experts cannot agree, what hope is there for the rest of us?!
post #115 of 118
You people can graph all day long. I will let my ears make the call.
post #116 of 118
Quote:
Originally Posted by Seamaster View Post
You people can graph all day long. I will let my ears make the call.
While a fine sentiment, absolutely no basis for any worthwhile discussion. (So is bad graphing, but that's something else)
post #117 of 118
Like cable talk...perhaps this one needs to get buried somewhere...again.
post #118 of 118
I think each side has made their case.
New Posts  All Forums:Forum Nav:
  Return Home
  Back to Forum: Headphones (full-size)
This thread is locked  
Head-Fi.org › Forums › Equipment Forums › Headphones (full-size) › Burn-in myth