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Any open-cans that sounds like the ATH-M50 and HD650 got married and had a kid?

post #1 of 43
Thread Starter 
I'm now looking to see if there are any open-back headphones out there that has this combination of qualities:

1) Relatively neutral/accurate frequency response of the M50 and HD650 (to my ears, they are neutral enough yet not fatiguing).
2) The nice soundstage, lushness, and smoothness of the HD650.
3) The M50's ability to portray that solid and punchy low-end impact full of visceral oomph (but never hyped or bloated or muddy).
4) Very comfortable to wear. For reference, I think the HD6XX/5XX series is very comfortable. I also don't like pleather because they get sweaty.

To get an idea of how I feel about other headphones I have own(ed), you can check out this post that summarized my opinion about all of them:
http://www.head-fi.org/forums/f4/ver...ml#post6233935

Please only reply if you know the sonic signatures of the HD6XX/5XX series and the M50. If you are not familiar with either, then please don't make suggestions because I won't be able to identify with your points of reference.

Gear mentioned in this thread:

post #2 of 43
If you like what you hear from the HD650 and , then going balance with it seems like a logical step up as it offers refinement in all areas.
post #3 of 43
Thread Starter 
Quote:
Originally Posted by moonboy403 View Post
If you like what you hear from the HD650 and , then going balance with it seems like a logical step up as it offers refinement in all areas.
I'm a skeptic when it comes to diminishing returns on the more extreme audiophile craziness (such as $300 balanced cables). Until I one day get to hear somebody's balanced version and can tell just how much better it is compared to the stock cables, I'm not going to throw money away on something I haven't tested myself.
post #4 of 43

Try pumping up your 10-60Hz settings on your EQ by generally what the graph shows. You might be surprised by your results and you spend... NOTHING!
post #5 of 43
If the HD650 got married, it would have to stop listening to itself
post #6 of 43
Thread Starter 
Quote:
Originally Posted by TStewart422 View Post
Try pumping up your 10-60Hz settings on your EQ by generally what the graph shows. You might be surprised by your results and you spend... NOTHING!
I was actually just doing that earlier and it actually worked, and I come here and see you suggesting the same thing.

I wish there was an EQ app that goes on the main outputs of your computer, so that you only have to set it once and not have to think about it again. Perhaps I should get a hardware EQ.
post #7 of 43
Quote:
Originally Posted by Lunatique View Post
I was actually just doing that earlier and it actually worked, and I come here and see you suggesting the same thing.

I wish there was an EQ app that goes on the main outputs of your computer, so that you only have to set it once and not have to think about it again. Perhaps I should get a hardware EQ.
If you're using iTunes, you can save a preset.

If not, there are plenty of free EQ programs out there that do more or less what you're looking for. Some are better than others, obviously...

I will occasionally pump mine up to AH-D5000-level bass when I REALLY want to feel Mike Portnoy's double-kicks!
post #8 of 43
Thread Starter 
I don't know any EQ software that actually sits on the main outputs of your computer's audio chain (so that any sound that passes through your computer's audio outputs will be affected)--they usually only come as plugins for specific media players or DAW hosts. My Audiotrak Prodigy 7.1 soundcard has a control center software that has EQ, but my Line 6 Toneport UX2 doesn't. My TC Electronic Konnekt Live has onboard DSP and an EQ on the outputs, but I only use it when I'm working on audio, not for leisure listening.
post #9 of 43
Thread Starter 
Ha, I just found one:
Audio equalizer, Graphic equalizer, Audio amplifiers, Sound equalizer, Music equalizer, Sound enhancement

Anyone know other EQ's like that (standalone without having to plug into a media player, and anything you play using any media player will pass through it, without having to load up a .wav or .mp3 file).
post #10 of 43
post #11 of 43

Lunatique, would you say the bass of HD650 is quite similar to the m50 after the EQ tweak? What setup are you using to power these headphones? I'm actually returning my m50 because of abnormal static noise and I was wondering if instead of getting m50 replacement, I should just get the hd650, which I know will require dac and an amp to drive them fully.

post #12 of 43

Oh wow I just noticed this thread is a year old...I hope someone can still answer my question...No one seem to compare m50 with the hd650 so I don't know...

post #13 of 43
Thread Starter 
Quote:
Originally Posted by juman231 View Post

Lunatique, would you say the bass of HD650 is quite similar to the m50 after the EQ tweak? What setup are you using to power these headphones? I'm actually returning my m50 because of abnormal static noise and I was wondering if instead of getting m50 replacement, I should just get the hd650, which I know will require dac and an amp to drive them fully.

Overall, I'd trust the HD650 more than the M50, and by adding a bit more sub-bass, the HD650 does fill out better, and overall with the EQ'ing, it's more accurate than the M50. You don't want the HD650's bass to be totally identical to the M50 because the M50's bass prominence is a bit exaggerated. The M50's mids are also slightly too lush, and its treble a bit etched/metallic. HD650 doesn't have those those problems.

 

I power my headphones with just plain vanilla pro audio gear that costs a fraction of the boutique audiophile amps, and they sound totally pristine and have been very reliable. Don't buy into the diminishing returns hype--it's the dumbest way to poke a hole in your bank account. Today's DAC in even typical consumer audio devices are already far superior to professional DAC's from a decade or so ago, yet people are still bitching and moaning and spending hundreds and thousands of dollars on dedicated DAC units. How many people can say that they hears a "dramatic" difference between the DAC's of a $200 audio interface and a $1,000 standalone DAC unit--the kind of difference that justifies the extra spending? It you are not a serious audio professional doing critical mixing/mastering work, it really is overkill. Seriously, to most people on head-fi, music, audio, headphones...etc is just a hobby, and for hobbyist listening, you'd be surprised by how little money you have to spend to get enormous satisfaction. The tiny little differences and improvements are meaningless in that context because as soon as you stop doing rigorous A/B testing and straining so damn hard just to hear that tiny bit of improvement/difference, and simply enjoy the music, movies, and video games, your ears are perfectly happy. But if you are financially well off and have money to burn, then the sky's the limit and you can get whatever you want and don't need any justification.

 

 

post #14 of 43
Quote:
Originally Posted by Lunatique View Post

Overall, I'd trust the HD650 more than the M50, and by adding a bit more sub-bass, the HD650 does fill out better, and overall with the EQ'ing, it's more accurate than the M50. You don't want the HD650's bass to be totally identical to the M50 because the M50's bass prominence is a bit exaggerated. The M50's mids are also slightly too lush, and its treble a bit etched/metallic. HD650 doesn't have those those problems.

 

I power my headphones with just plain vanilla pro audio gear that costs a fraction of the boutique audiophile amps, and they sound totally pristine and have been very reliable. Don't buy into the diminishing returns hype--it's the dumbest way to poke a hole in your bank account. Today's DAC in even typical consumer audio devices are already far superior to professional DAC's from a decade or so ago, yet people are still bitching and moaning and spending hundreds and thousands of dollars on dedicated DAC units. How many people can say that they hears a "dramatic" difference between the DAC's of a $200 audio interface and a $1,000 standalone DAC unit--the kind of difference that justifies the extra spending? It you are not a serious audio professional doing critical mixing/mastering work, it really is overkill. Seriously, to most people on head-fi, music, audio, headphones...etc is just a hobby, and for hobbyist listening, you'd be surprised by how little money you have to spend to get enormous satisfaction. The tiny little differences and improvements are meaningless in that context because as soon as you stop doing rigorous A/B testing and straining so damn hard just to hear that tiny bit of improvement/difference, and simply enjoy the music, movies, and video games, your ears are perfectly happy. But if you are financially well off and have money to burn, then the sky's the limit and you can get whatever you want and don't need any justification.

 


Great post Lunatique. Compared to most here, I've only sunk loose change into amps and dacs. At present though I feel entirely content with my modest setup and I'm confident I've dodged the slippery descent into the maddening realm of diminishing returns.

 

I've locked horns with some who have mistakenly pegged me as a shill for expensive gear, but I've always maintained the value found in some "entry level" components. I feel it's good to inform people of the pitfalls of this hobby but I also think it would be a disservice to not mention the improvement that can be found in improving one's chain. This is particularly relevant for the HD650, which is quiet a revealing headphone that will not flatter any bottlenecks in a setup. To me this explains the often baffling claims that the HD650 is slow, veiled or boring. These are things that can be addressed even without spending the big bucks on gear.

 

It's all about finding the right synergy. I've found it in my setup and I haven't broken the bank in doing so. My ears are perfectly happy and so is my wallet.

post #15 of 43

I agree. Actually, as just a college student, I don't think I'll ever be able to justify (at least in the near future) spending several hundred dollars on audio gear. More and more I read in head-fi forums, I'm convinced that this hobby is quite expensive, although with some doubt with comments like such set up is "night and day difference," which seem to be a justified enough reason for many to spend so much (IMO) money into their headphone gears (which is at least a graspable concept to me until it goes onto cables that cost several hundred dollars. However, no offense intended for readers who believe otherwise and can hear the difference.)

 

I definitely do not want to go into spending a lot of money for little improvement in sound quality. If I decide to buy the hd650, I am thinking about just buying the fiio e7/e9 combo, as it is a fact that hd650 has to be amped with enough power. I don't have any DAC and headphone amp yet, and many agree that it's a great bang for the buck type of a deal just like the ath-m50 biggrin.gif

 

I actually have a question! Sorry if I'm a little too straight-forward, but I can't understand spending over a thousand dollars on headphones either! Lunatique, as a critic of overly dramatized hype on audiophile gears, do you still think there's a good enough reason to spend the money to buy high-end headphones you have? Perhaps because I'm still a financially bound college student, but thousand dollar headphone is just as a diffficult concept for me as a couple hundred dollars spent on buying aftermarket cables...

 

 

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