In spite of their size, those Duelunds are beautiful!
Looks like he has them epoxied into paper/phenolic tubes.
se
Looks like he has them epoxied into paper/phenolic tubes.
se
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What caps have you tried? Anyways, perhaps it's not the caps that sound bad, but the designs themselves? That's what I'd wager at least.
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It is more principle than practice. I have not tried an extensive range of output capacitors to be a good judge of their characteristics. In principle I believe that a cheap output cap to an incredible design will not sound as pleasant as a good cap to the same design. In that regard, I am looking to for a good output cap while working within the limitations of a few certain designs I've seen (such as the "fixed" SinglePower MPX3 I have).
This is certainly not to imply that the SinglePower MPX3 is a good design, once reverse-engineered, it looks simple and not very well done. I have tested a few different caps in the MPX3 such as the stock, Pansonic TS-UP, BG NH, bypassed by Auricap and Vitamin Q. I also tested the "Jeff Rossell" BOM of the Bijou and thought it was seriously lacking. Having also played with the Millett MAX (many versions of it), I noticed that the output caps play a very large role in the sound and this is where my view takes a stand. |

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In spite of their size, those Duelunds are beautiful!
Looks like he has them epoxied into paper/phenolic tubes. se |
but thats another story|
Originally Posted by Kevin Gilmore
I have some even bigger ones, 1000uf/1000v
teflon and probably copper foil... |
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Originally Posted by luvdunhill
right, but perhaps the issue is capacitor-coupled designs all together? If you've never found a great sounding cap to use as an output cap in a OTL amp, perhaps all OTL amps sound bad? Surely you see my point!
Me thinks it's think to get away from OTL and build a DC-coupled amp, or a transformer coupled amp |

