You just saved me $500 as I was thinking of getting an exotic speaker cable that costs around $500 per pair.
post #181 of 1713
11/13/09 at 2:20pm
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Hi erin,
Most of the usb cables I own are between 1.5m and 2m and yet I can hear differences between them, so I guess that what you heard is not only due to the difference in lenght but also to other factors (shielding, conductor material, dielectric, ...), in my opinion. I tried many usb cables before buying the Wireworld Ultraviolet USB among which different versions of Belkin (Gold series, regular, ...), Monster Cable and Real Cable USB (a french brand). They all sounded different with strengths and weaknesses. It was until I bought the Ultraviolet usb that I stopped looking for a new usb cable, its sound was cleaner, faster, more spacious and less "digital" than any other usb cable I had tried. However, since I haven't compared the Wireworld ultraviolet usb cable to similarly priced or higher cables (Kimber, Locus Design, ...), I don't know if it is a great value cable (or not). All I can say is that the improvement it brought to my system was worth the asking price (£48). In fact, I spent even more than that trying different cheaper usb cables (monster, belkin gold, ...) which brought only sideway improvements (different sounding to each other but no clear winner). |
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slim.a
Why would you use the usb cable when you can hook directly to your pc through hiface? also, little off topic here, but what's special about foobar 0.8.3 over 0.9.6.9? |
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Cool. I guess I will have to give a try myself before making preconceived judgement. ;-)
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I hope that wakes up other people who are thinking of getting an exotic cables w/o knowing full details of what they are getting into.
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For some actual sense about cables try..
PSW Recording Forums: Dan Lavry => cables - facts and fiction |
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Indeed, electrons are entirely indifferent to the cost of the cable. However it is possible to make speaker cables that *might* make an audible difference thru extreme and highly dodgy design see....
Speaker Cable Face Off 1 - Measurements — Reviews and News from Audioholics My take on this is, if I want a tone control I can use the bass/treble controls on my amp or buy an EQ ![]() |
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nick_charles,
Those are interesting measurements but they were made by people trying to prove that cables do not matter. So it is easier to choose which parameteres to measure and then find out (what a surprise) that capacitance, resistance, ... do not change the sound in an noticeable manner. |
| Focusing on those few parameters to measure is like focuse on thd and SNR alone to review a DAC. If those two parameteres were the only important parameters in a DAC, the EMU 0404 usb should trash 99% of audiophile DACs. I have the EMU 0404 usb at home and listening to violins through it make them sound like synthetized computer sound compared to the audio-gd dac-19mk3 which doesn't measure as good. |
| Those articles you linked tell that the direction of cable should not matter. Yet some people (say they) hear differences in using the cable in different directions even in digital cables. Are they crazy ? Not really. |
| You can find here an old test done by stereophile on digital cables. They found out this : "The overall RMS jitter was 4050ps with the Wonder Link connected in one direction, and 2700ps with the cable reversed. ". So what some people seem to hear (before even knowing there was a measurement to prove it) has indeed a "measurable" proof. |
| I am sorry for the digression, but I just wanted to remind that showing that x parameters tell that there is no measurable diffrence between different cables does not necesseraly mean that there aren't other parameters (maybe yet to be identified) that prove the opposite. |
| Here is a link to some tests done by empirical audio on there cables. If you look at figure 8 for example, you see that a cable that measures flat to 100khz (well above human hearing range) actually rounds off the leading edge of a square signal. So maybe we spend to much time analyzing frequency bandwith in a static manner and less time analyzing the signal in a dynamic matter (attack, decay, multiple signals, ...). |
| From this result you can see that the 11 AWG barely stays linear through the audio range, falling off dramatically after 20KHz |
| The superimposed waveforms of Figure 2 show clearly that the leading edges of the squarewave are being rounded with the 11 AWG ZIP-cord, but the fast leading-edge is preserved in the Clarity7 waveform |
| By the way I am no engineer but I find that it is unfortunate that many engineers (or so called engineers) tend to analyze what is easy to do (static measurements) and they don't try to think about the music we are listening to as a dynamic signal that needs probably new ways to measure (other than what is necessary for industrial applications). |
| If we applied the same rules to musical instruments, we should not give that much importance to Stradivarius violins or Steinway pianos since they probably measure the same as much cheaper and avalaible instruments. |

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nick_charles,
I am well aware that there are tons of articles and arguments to prove your point. However, all of them make assumptions about what is supposed to be audible or not. |






