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another take on DRM....

post #1 of 5
Thread Starter 
This article argues that the value add is the delivery method/model which I had never seriously considered but he may have a point.

In fact the whole internet may be headed for a consumption/subscription model as "free" or ad based seems to be hitting some practical obstacles.

Content is free. Formats are not | The Open Road - CNET News
post #2 of 5
That's not a bad sketch, but I think he isn't really being sincere at the end when he says "Perhaps it's always been that way, but the physicality of the delivery mechanisms confused us: we were buying the paper but thought we were buying the news." Of course we were buying the news, but it is quite reasonable to assume that we were also paying for the convenience of having it portable and to be read at our leisure, rather than having to stand around listening to the town cryer.

I would pay a reasonable monthly fee to be able to stream ANY album I want to ANY time I want to, with an extra fee for lossless. I think the idea that everyone must be an archivist of their own digital library, in the age of the internet, is starting to get sillier and sillier.

Ultimately it would be ideal to have streaming content of any type available for download anywhere, anytime. Perhaps a digital publishing clearinghouse can amalgamate all news content into a single portal source, and you can subscribe to that service and have access to all major publications in one click.
post #3 of 5
Quote:
Originally Posted by Jeff Guidry View Post
I think the idea that everyone must be an archivist of their own digital library, in the age of the internet, is starting to get sillier and sillier.
I know deep down that you are kind of right. But I FEEL the need to have my own digital library. Its doesn't feel all too different than collecting physical albums, only its all on the computer. And I enjoy managing my library, searching for new music and adding to it, etc... I don't think I could live in a world that relies solely on corporations and a fee based structure to store and stream all knowledge and 'art'. Oh wait...I think I just described the internet.
post #4 of 5
A U.S. Circuit Court Judge just ruled that, if we own the physical install disk, we own an individual copy of the software. Autodesk did not succeed in defending its claim that older install packages of Autocad could not be resold because the install disk merely delivered the benefits of a limited license.

Link.
post #5 of 5
Quote:
Originally Posted by acolyte289 View Post
I know deep down that you are kind of right. But I FEEL the need to have my own digital library. Its doesn't feel all too different than collecting physical albums, only its all on the computer. And I enjoy managing my library, searching for new music and adding to it, etc... I don't think I could live in a world that relies solely on corporations and a fee based structure to store and stream all knowledge and 'art'. Oh wait...I think I just described the internet.
The problem I have with digital distribution, at least so far, is that content is usually inferior in quality to its physical counterpart, in order to save on bandwidth. I know there are some stores that do, but none of the big music sellers (iTunes, Amazon, Rhapsody) offer lossless downloads, and movies aren't as good either. The exception is videogames, which by their very nature would be difficult to condense. Oh, and text, I suppose. But, until the quality catches up, I'm not interested in paying for compressed music and movies (I do use things like YouTube and Hulu, and occasionally NetFlix streaming since it's essentially free with discs by mail).

This may improve with faster speeds, but maybe not. After all, ISPs are implementing usage caps, and now offer multiple tiers of service. Many people won't opt for the fastest speed that would make 25-50GB downloads of BD-quality movies reasonable. We'll see if quality improves, and how much they'll charge for it.

BTW, I think he's kidding himself if he really thinks that most people who used Napster and Kazaa just wanted instant gratification rather than free music.
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