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Very true. The scary part is that there are other designs in the works, some of which WERE meant for the o2s
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Very true. The scary part is that there are other designs in the works, some of which WERE meant for the o2s
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I know, I already spoke with Bill about the bigger power supply and increased voltage swing possible, among other upgrades possible.
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So they called up the winner, David somebody. He was at home. The JH girl told him "Congrats! You won a pair of Jerry Harvey JH13 IEMS!".
He says... "Cool! Uhhh... What are they?" ![]() |
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Although the $200-300k rigs were very impressive, only a few setups really left an impression on me. I'm glad it was dark in the Rethm room, because the Hummel concerto with Wynton Marsalis left me teary-eyed. I've never heard it sound so involving. I could have stayed there for hours, but for some reason felt the need to visit every room.
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So they called up the winner, David somebody. He was at home. The JH girl told him "Congrats! You won a pair of Jerry Harvey JH13 IEMS!". He says... "Cool! Uhhh... What are they?" ![]() |
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JH Audio was the hit of the event and like all things in life Jerry and company do things in a big way. His booth was amazing fitted with two couches and a balanced cdp (compliments of Electrocompaniet) and the Apache amp from RSA. This combo blew minds and as good as the JH13s are out of a DAP they scale mightily with top end sources and amps.
Jerry also came prepared to bring people to our HeadFi room with a street team of wonderful ladies that helped to convince old school audiophiles to give IEMs a chance. I don't know what the hit rate was but his Audiologist was a busy guy all weekend taking ear impressions for customs all day long. |

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I know it's less new and sexy, but one other standout at the show for me was Larry's LA7000. I had heard a stock D2000, owned a stock D5000, heard a Markl-modded D5000, and a stock D7000 earlier in the day, and this pair blew them away. I actually didn't really like the Markl-modded D5000 I had heard very much - it sounded really uninvolving to my ears relative to the stock version. But the LA7000 was a clear improvement on the stock version - much, much more balanced and incredibly musical - definitely is competitive in the top tier of dynamics, to my ear.
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I know it's less new and sexy, but one other standout at the show for me was Larry's LA7000. I had heard a stock D2000, owned a stock D5000, heard a Markl-modded D5000, and a stock D7000 earlier in the day, and this pair blew them away. I actually didn't really like the Markl-modded D5000 I had heard very much - it sounded really uninvolving to my ears relative to the stock version. But the LA7000 was a clear improvement on the stock version - much, much more balanced and incredibly musical - definitely is competitive in the top tier of dynamics, to my ear.
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Just a few audio thoughts now, The Woo table was awesome as ever I spent some time with the Woo 5 and the Audeze 2 headphones and it drove them wonderfully speed, tone and decay were strong suits. I did some listening to the WES and the WA22, the WES were driving the Stax O2s and the WA22 were driving the HD800s. In my short time with both I'd be hard pressed to say which I would choose as both were outstanding. Maybe I lean towards the WA22 driving the HD800s solely because I like dynamics punch slightly more. Both combos could be considered absolutely state of the art rigs with noting that I could point to as a short coming. ... Fe Fe had me try their new in ear monitor that I think is being targeted at the $200 range. To my ear they will likely outclass IEMs in that range as they sounded stellar but I was using them with the HIFiman 801. |