Quote:
Originally Posted by haloxt 
Can someone explain why spikes are worse than normal flat circular feet? Also metals aren't really vibration dampening material anyway, so why don't people use a base like a bed comforter folded 10 times? Anyone want to test it? Patrick?
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The grip of the component on the base affects the sound too. I made vibration isolation experiments with multiple steps. Adding Feet of Silence on top of Magix gave the sound signature of the Feet of Silence because they were under the component. Feet of Silence stops the vibrations but it makes the component very loose with no grip anywhere, the low-level detail is cut off which gives the illusion of a blacker background. Changing the stiffness of the rubber bands changed the sound signature.
I found the best setup to be Feet of Silence under Magix, it gave a blacker background than Magix on its own, but this could have been because the Magix weren't properly balanced under the component.
Spikes make the sound better in one way, but worse in another. I think it depends on how much the component moves, bigger vibration of the component needs better grip on the floor.
The best setup is the one which has the best grip for the component but no vibration of the base. Imagine putting your audio rig on the surface on the moon, it will have bad grip so you need to press it down. I tried with my Magix, it is like a little moon, Magix on their own is like having your audio rig floating in space, putting more mass into the component gives a blacker background and more low-level detail.
I have not tried applying equal pressure from all sides, maybe it gives even better sound. I got an idea of putting the audio system inside the core of a dedicated planet, it has as much mass as possible and is also levitating in space.