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@ foo. I think you should really evaluate your stance on the k702's completely before thinking about getting rid of them. I know that when I got mine, it was a textbook case of any reason that anyone had ever turned them in..except for the part where I kept mine.
For me though, the thing it really came down to, was what I listened to. I realized that detail, separation, and soundstage were so critical now that I knew what the k70x standard was..that it would have been rough trying to go back. The k70x is not a jack of all trades. Nor do I really think it claims to be. My classical/jazz library is happier now than its ever been. This really, for me, is where I see alot of people getting angry at the 701/2's. It wasn't meant for rap. It wasn't really even meant to have a heavy low end. To expect this is sort of ludicrous. So, in your case, I would consider the bass you have now. If you really think that you'll need alot more to be happy, (even at the loss of detail, soundstage, etc.) Turn 'em back in. Just know what they do/excel at, and what they're made for.Oh and please. Please please. Burn the akg's in all the way. If you believe in burn in, and end up noticing a difference..you'll thank me later. ![]() |
I will admit right now, the plethora of negative reviews regarding the k701/702's bass, has greatly influenced my opinion, and given me the feeling of false hope and regret. I have not even given these headphones a proper chance, but they are burning-in as we speak. I don't know if I have the patience to wait a 100 hours; more or less 800 hours! I feel if I get rid of them sooner, then I can still make what I paid for them. I got the k702's brand new for $261 with 2 yr manufacturers warranty. I am not going to return to the seller because they charge an 18% restocking fee.
These headphones sound great, I can hear individual instruments spread across; and it is extremely clear, but I'm not getting that dancing/air guitar jamming feeling when I listen. If I was a musician or had a studio or listen to jazz/classical, I'd probably appreciate these a hell of a lot more. I get the purpose of these phones, and they do their job well with accuracy. I guess I'm getting cold feet. I'm considering spending a bit more and going with the HD650, or spending a bit less, and going with the d2000. But I'm afraid the d2000 will have too much bass.
I live in Orlando, FL, and I wish there was a place that carried all these high-end headphones (already burned-in) in which I could sample them before buying. That would be a blessing. But I have to resort to buying a product and seeing for myself. Again, I get it, I haven't given these headphones a chance; well, they arrived April 22nd (yesterday) so until I get 50 posts, so I can put them up for sale, and until someone says they're interested, then I will be using that time to burn them in, thus given me a few more days to evaluate.







For me though, the thing it really came down to, was what I listened to. I realized that detail, separation, and soundstage were so critical now that I knew what the k70x standard was..that it would have been rough trying to go back. The k70x is not a jack of all trades. Nor do I really think it claims to be. My classical/jazz library is happier now than its ever been. This really, for me, is where I see alot of people getting angry at the 701/2's. It wasn't meant for rap. It wasn't really even meant to have a heavy low end. To expect this is sort of ludicrous. So, in your case, I would consider the bass you have now. If you really think that you'll need alot more to be happy, (even at the loss of detail, soundstage, etc.) Turn 'em back in. Just know what they do/excel at, and what they're made for.



