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The swing of things… - Page 2

post #16 of 193
Quote:
Originally Posted by mbd2884 View Post
I saw Pat Metheny at the Jazz festival in Montreal. For all the hype, and spotlight treatment he received I was disappointed. But happily, I thought the band who was with him were fantastic. That was a fun festival, so much free live shows and the variety of music is incredibly. They do a good job of show casing an international music festival. And the pay to see shows were only about $20, just a lot of fun.
Yeah, I can't agree that I liked all of his works in the past but I thought the Trio's last one "Day Trip" was brilliant and it had me listen to their stuff for awhile again. For $20 though, that wouldn't have felt that bad. I just wish we had such a festival here in new england so I can check out some new bands/artists that I never heard about.
post #17 of 193
Quote:
Originally Posted by tru blu View Post
Geez, I guess I missed the fireworks. I tend not to get worked up when folks who admittedly don't know much about jazz say odd things about it. Can't remember if it was Louis Armstrong or Sidney Bechet who said, "You gotta be in the sun to feel the sun," but that's kinda how I come at it. Jazz ropes in people all the time who were indifferent to it at first—lots of them.
Yes, you did miss the fireworks. But I'll give you a recap that is probably going to ruffle a few feathers. I really don't care anymore. It takes all kinds and people come to music from all walks of life. I get that. I also get that there are people who don't much care for jazz. Nothing new there just like there are people who don't much care for other genres of music. It is also no shock to me that jazz is not particularly popular on Head-Fi, as the endless stream of Pink Floyd, Radiohead, etc. etc. threads and polls illustrate. I am fine with that too. If people want to talk about Pink Floyd then they should be allowed to do so in peace without thread crappers disrupting the topic. I vaguely recall there being a rule on this forum about that. Not that it really means much since thread crapping is practically an institution on this board.

But my real issue is that as a contributing member here at Head-Fi I take exception to the fact that it is the non jazz fan that is deciding for everyone else what kind of jazz discussions we can have on this forum. They do this by constantly invading jazz topics with their endless prattle about how unpopluar jazz is or how they can't really get into the music. If they really wanted to talk about jazz in general and explore the reasons why the music doesn't reach them then their interests would be better served by starting their own thread. Instead, they prefer to crap on threads that are largely intended to appeal to serious listeners. And when they are kindly asked to start a new thread and it is politely explained to them why, as I did earlier, people just blow you off and continue to derail what was once a promising topic. So, with very few exceptions most jazz threads end up being about jazz for beginners and people who really don't like jazz. I absolutely think that these folks need a venue to discuss their curiosity about and blossoming interest in jazz. Ironically, it is these same people who are undermining any meaningful discussion about the music because they invariably make every jazz thread about themselves and their casual or passing interest in jazz. They cannot seem to find some basic civility within them to allow those who care deeply about this music to engage in some stimulating discussion. I don't require deep and meaningful conversation all the time, but when I can't find any at all then that is a signal to me that the kind of discussion that I want is not really welcome on this forum. Borrowing a line from the movie Blind Date, real jazz fans more often than not only get bullsh*t menu French here.

Frankly, if the people who are constantly sending jazz topics off into the weeds spent more time reading these threads and less time posting in them, they might actually learn something about the music from the people who have a passion for it. Who knows, they might even get to the point where they can make some relevant and interesting contributions, ask good, intelligent questions, or even share their own insights about new music they are into. But perhaps that is simply too much to hope for.

Quote:
Anyway, I'm currently getting waayyyy into the new solo piano disc by French-Algerian pianist Martial Solal, Live at the Village Vanguard: I Can't Give You Anything But Love. The guy's amazing…no one deconstructs a melody while keeping you in the loop quite the way Solal does...'cept maybe Sonny Rollins. If you've ever seen the French film Breathless, the one directed by Jean-Luc Godard, you've heard Solal before; he did the score.
That's awesome. I have several new Tim Berne CDs that I mentioned earlier but deleted that post after it became obvious to me where this thread was headed. A couple of weeks ago I thought about starting my own topic about Tim Berne's music but could not persuade myself that the couple of hours it would take to write it up was a worthwhile use of my time.

--Jerome
post #18 of 193
Thread Starter 
Well, the saddest part about this to me is that it reinforces the idea that this community is only comfortable with some music tastes, not others. By contrast, at this point I have no trouble coming on here and expressing my utter disbelief at how seriously some folks take Pink Floyd, and I'd like to think that when doing so it's obvious I'm not being willfully malicious or anything. I also like the idea of injecting more obscure music into these discussions—partly because of my feeling that many folks are curious but easily fall back into what's already familiar or what's fed to them. That's true with much jazz recommended here, too, as evidenced by the umpteenth Miles Davis thread that'll probably go up tomorrow. (Note to Head-fiers: That doesn't mean that if you just discovered Miles Davis, you're not welcome here. Post away.)

Anyway, my hope is that everyone would just post what they're into (new or old, live show, whatever), discuss it and keep steppin'. The threads are much better for it. Jerome's Tim Berne plug made me think of a record by Julius Hemphill, Berne's key influence. A couple of weeks ago, Hemphill's duet with cellist Abdul Wadud, Live In New York, would not leave my CD player. And the Chris Potter recommendation made me look for a record I seem to have misplaced: his Concord duo with pianist Kenny Werner. Good luck finding either of those discs, but let me tell you that if you do it'll certainly be worth it.
post #19 of 193
I am listening to David Torn's Prezens album. Features David Berne, Craig Taborn, and Tim Rainey. I'm enjoying this whereas I'm not a huge fan of Herbie Hancock. I love anything from Vince Guaraldi on the other hand. George Winston's Tribute to Vince Guaraldi among my favorite albums in my music collection, but I think it's just I'm not a fan of all jazz, just a few. It may have to do with I lose interest with Trumpet/Saxophone or really any brass featured music.
post #20 of 193
I'm a big jazz fan of most all types but I don't pretend to be an expert. I enjoy reading jazz threads because most likely I get to read about an artist that is new to me. I can then try to find samples to listen to and possibly find more CD's to buy. I currently have around 3,200 jazz tracks ripped to mp3 for my iPod...these are my favorites from I guess over 400 CD's. I hit shuffle and enjoy.

post #21 of 193
Here's a few I've been appreciating recently :

Beautiful tunes like Festival Minor, with all the musicians in top form.



Chet is no new album to jazz fans, but listening to it got me interested to check out more from other baritone players, esp. Pepper Adams featured on this album.



Pepper Adams - The Cool sound of Pepper Adams




Neufeld-Occhipinti Jazz Orchestra

Really nice jazz group from Canada. Quite a mixture on this album, from cool jazz sounds of the above albums to more "funk" arrangement, all with a big band feel. Terrific sounding trumpet, trombone and sax playing, well worth giving a listen.

post #22 of 193
I always thought jazz was THE Head-fi genre.

?

Sorry for polluting the topic.
post #23 of 193
No doubt that jazz threads are not that popular on Head-Fi but I think one reason they don't progress is that there are so few modern suggestions.
Some excellent more recent stuff I have been listening to;

Christian Scott, "Rewind That"
Roy Hargrove, "Earfood"
Michael Brecker, "Pilgimage"
Pat Metheny Trio, "Daytrip - Live From Japan"
Bruce Hornsby, "Camp Meeting"
Antonio Sanchez, "Migration"
Al Dimeola, "Consequences of Chaos"
Caribbean Jazz Project, "Here and Now-Live"
post #24 of 193
Thread Starter 
Quote:
Originally Posted by Spyro View Post
…but I think one reason they don't progress is that there are so few modern suggestions.
I'd like to believe that, but as Jerome has pointed out, that doesn't really explain why, say, Pink Floyd, the Beach Boys or Mozart threads turn into marathons.

Big up! to musicmind for namechecking Pepper Adams. I have a really nice box of the Blue Note stuff he recorded with trumpeter Donald Byrd. Seems like everybody is on it somewhere: Wynton Kelly, Jackie McLean, Herbie Hancock, Billy Higgins, Walter Davis, Art Taylor, Sam Jones, Miroslav Vitous, etc, etc.
post #25 of 193
tru blu - Good point but then again the FM dial is oversaturated with classic rock stations while jazz gets virtually no airplay. (snooze jazz stations don't count)
post #26 of 193
Quote:
Originally Posted by tru blu View Post
...
Anyway, I'm currently getting waayyyy into the new solo piano disc by French-Algerian pianist Martial Solal, Live at the Village Vanguard: I Can't Give You Anything But Love. The guy's amazing…no one deconstructs a melody while keeping you in the loop quite the way Solal does...'cept maybe Sonny Rollins. If you've ever seen the French film Breathless, the one directed by Jean-Luc Godard, you've heard Solal before; he did the score.
I remember once being on a plane with a young French jazz pianist, and he was going on about Bill Evans (no blame for that). But when I mentioned Solal, he went sort of blank from not being familiar with him. I hope he followed up on him.

- Ed
post #27 of 193
I won't even go into how irrelevant radio has been to jazz for the past 25+ years. I think the more these threads stay focused on the music the better they turn out. No one, especially me, wants to read about how unpopular jazz is, how tough it is to get into the music, etc., etc., ad nauseum. It's like a 100 mile death march and just brings people down, giving them a reason to move on to more engaging topics. If you want people to pay attention to these threads and contribute then be upbeat and talk about your passion.

Here are a couple of Music Matters Blue Note 45RPM vinyl reissues, remastered by Kevin Gray and Steve Hoffman, that came to my door today. These are very pricey at $50 each, but I have a number of them and I really think they are worth it. Why couldn't the RVG Remasters on CD sound this good? Anyway, if you love Blue Note hard bop it just doesn't get any better than this. I will be wrapping up work shortly and can't wait to queue these up on my turntable.



--Jerome
post #28 of 193
Quote:
Originally Posted by tru blu View Post
I'd like to believe that, but as Jerome has pointed out, that doesn't really explain why, say, Pink Floyd, the Beach Boys or Mozart threads turn into marathons.

Big up! to musicmind for namechecking Pepper Adams. I have a really nice box of the Blue Note stuff he recorded with trumpeter Donald Byrd. Seems like everybody is on it somewhere: Wynton Kelly, Jackie McLean, Herbie Hancock, Billy Higgins, Walter Davis, Art Taylor, Sam Jones, Miroslav Vitous, etc, etc.
Thanks tru blu. I've just been checking out this album, quite an all-star ensemble with Burrell, Byrd, Chambers and Flanagan along with Adams and they swingin' pretty hard:

Motor City Scene




And two more recent recordings to enjoy :

Adam Rogers - Time and the Infinite

A very nice guitar album, nice mix of tunes and Adam is like an avantgarde version of Pat Martino, sheets of music.




Alex Skolnick Trio - Goodbye to Romance : Standards for a New Generation

Jazz arrangements of hard rock and metal tunes from Sabbath and Scorpions and others, with Skolnick formerly of Testament, leading the way on guitar.

post #29 of 193
You don't have to throw down a small fortune for audiophile quality sound. Last week I grabed these HDAD (Hybrid DVD Audio Disc) from Classic Records. On one side you get 24/96 that will play on any DVD player, and on the other side you get 24/192 that will only play on DVD-Audio players.





The mastering job on both is first rate and you aren't going to find a better sounding release of these two on any digital format. To me they were certainly worth it at $24 each, and they are still available.

--Jerome
post #30 of 193
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