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PS1000s shipping - Page 5

post #61 of 644
Quote:
Let's be blunt. I'm hearing the best performance I've ever heard out of a headphone this new out of the box. With 8 hours on them they pretty much wipe the floor with everything I've got to throw at them. I can't help but wonder how they will sound after 100 hours or so.

Joe
Joe Grado?
Thanks for the impressions
post #62 of 644
Nice write-up Sanderman. Not that I felt as if I needed vindication but certainly I felt many perhaps thought that my enjoyment of Grados clouded my judgement on the PS-1000's. It's nice to read impressions from somebody else who hears the same things I did. I pretty much agree with everything you've written.

The PS-1000's are a special headphone and again, they seem to be the ultimate Grado combining at least my favoured aspects of previous Grados into one headphone.

Are they the best? They are the best headphone I've yet heard and I've heard pretty much what Sanderman has (though not while having the PS-1000's on hand).

I know many are waiting for the PS-1000 vs. HD800 shootout and those threads will be fun! One thing most other headphones have to work up to is what Sanderman described as an organic sounds. Many headphones are incredible in many ways but often I feel that they sound mecahnical...not organic, not like music. For those that lean heavily on the side of the fence of organics, this phone is going to be very tough to beat.
post #63 of 644
I'm really thinking about selling my GS1000 and buying the PS1000.
It seems like the PS1000= GS1000+ better mid?
How about the PS1000's comfort?

Thanks for nice pics.You make me want the PS1000 even more.
post #64 of 644
How do you find the GS-1000's comfort-wise? If you like how they feel, think of that but with some extra weight.
post #65 of 644
Quote:
Originally Posted by Sanderman View Post
OK, let's get this out of the way right up front - these are EXCEPTIONAL headphones.

Why do I say that? Well, in spite of limited burn-in they have quickly vaulted to best headphones in the house status. Before anyone accuses me of being a Grado fanboy, lets go through what the comment above really means. I own two pair of Grados - the original (typically called vintage) RS1s and a pair of GS1000s.

First the vs the RS1s - While I've owned the RS1s for what almost seems like forever, my relationship with them has been somewhat love/hate. I love their lively, organic nature but have always been frustrated by their "only sounds good with flats" nature. A limitation the PS1000s shred to pieces by making the RS1s sound downright closed in in comparison. It always seemed to me that to get the best timber out of the RS1 you have to use it with pads that collapse the soundstage severely. How severely, I didn't really appreciate until I put on the PS1000s immediately after listening to the RS1s. And while the RS1s could be a rollicking good euphonic ride, I'd never be tempted to accuse them of being particularly natural in terms of color or texture. Even with only 8 hours of burn in the PS1000 is wildly more natural in timber, tamber and texture. While still delivering the one charachteristic I've always liked about Grados - a non-mechanical, organic sound. The comparison between the two is quite literally a joke and I really doubt I'll be able to use the RS1s again.

Now compared to the GS1000s - I've owned the GS1000s for about a year now. I try to love them, I really do. And in one way I can. If I were to sum them up in one impression, they strike me as a cartridge designers homage to listening to British orchestral LPs from the 60s and 70s played back with a moving coil cartridge from the late 80s. A nice bass foundation for the hall and a shimmery tip to the top end that gives a sheen to strings on good old analog recordings, but a character that does nothing to flatter contemporary digital. Call it it midrange suck out. Call it boosted highs and lows. Call it it boom and tizz. But run 'em with tubes on old well mastered orchestral recordings and they can quite literally sing. It's just that I find they can't do much else. The PS1000s obliterate them. How? Mids. Texture. Mids. Warmth. Did I say mids? Just what the GS1000s lack.

So if i'm not the traditional Grado fanboy what else do I listen to? Denon 5000s and 7000s driven by A Moth Si2A3 with outboard power supply and dedicated heater trannies running RCA globe 45s, a Zana Deux, or a completely recapped ancient gold and chrome Cary CAD300sei runnning a mix of Tung Sols and Sylvaninas with WE 300Bs. Oh yeah - and electrostats. Stax 404s and a pair of 007A MK 2s driven by a Woo GES retubed with Sylvania black plate 5751s and Tung Sol 6S4s.

Compared to the Denons? - the Denons are fun cans. I love the 7000s, but dammit if the Ps1000s don't quite easily blow them away. How? Texture. Less hifi fun sounding and more like music. I really like the 7000s but they do just have a bit more emphasis on both the top and the bottom than the new Grados. And while I thought they were fairly revealing, the lie was given to that very quickly. The Grados simply unravel wildly more low level detail and spatial information. A bigger and more open soundstage almost goes without saying, but I'll say it anyway.

That brings us to the stats - I won't compare to the 404s as I have a really hard time taking them seriously, but compared to the 007s, things get more interesting. The big Stax phones have one enduring and endearing characteristic when coupled to the Woo GES. They simply sound natural. Timber, texture and lifelike color are the order of the day. It's almost like you are listening directly to things going on in your room. Their limitation? They have the dynamic contrast of an SET driving an 80dB sensitive speaker. Polite is the only kind way to put it. Dynamically starved is the harsh way. Now I'm not ready to say that the PS1000s match the 007As for low level effortless purity (yet), they sound more like them than any other headphone in the house in that regard. The new Grados, put huge amounts of low level info up for effortless display. Slap echo of the singers voice off the wall of a recording booth? Yep. Low level ambient decay in a concert hall? Sure. That peculiarly lifelike sense of of low level textural detail on voices you only thought stats did? Uh huh. Big difference though. They're dynamics and they can play LOUD. And they have a sense of weight and body on vocals I've never heard stats really be able to do. And all with absolutely no hyping of the highs. In a word? Impressive.

No doubt they still have long way to go, but a few things strike me about these phones right away. If you like the fun, rambunctious sort of undisciplined (though highly inaccurate) sound some Grados give you might be disappointed. These phones are far more accurate than the RS1s or GS1000s. But they retain the endearing Grado organic character (none of the synthetic Sennheiser 600 sound here). They really seem to benefit from the mass and rigidity of the aluminum driver housings - I think that must have something to do with the resolution of subtle low level ambient and textural information. Those traditional wooden Grado housings might resonate in fun ways but I suspect there is a price to pay in terms of not being a rigid springboard for low level detail. Voicing. These things are balanced with a warmth and body in the lower midrange that really lets voices bloom and sound natural. Combine that with an excellent sense of low level texture and vocals pretty mush reside in to die for territory.

Let's be blunt. I'm hearing the best performance I've ever heard out of a headphone this new out of the box. With 8 hours on them they pretty much wipe the floor with everything I've got to throw at them. I can't help but wonder how they will sound after 100 hours or so.

Joe

All impressions with lossless encodes off a Mac / Emperical Audio Off Ramp 3 / Audio Note DAC 2.1 Level C feeding the Moth Si2A3 via Siltech Compass Lake.
I have some of the same gear as you, so I can relate to some of the stuff you've written. I suspect after I get my HD800 that I may have to sacrifice my RS-1 and woodied re-cabled D2000 to pay towards some PS-1000. I'm also prepared to likely sell my Edition 9 as well.
post #66 of 644
Quote:
Originally Posted by xxxxxx View Post
wooden box


They could wrap it in duct tape, and stick peanuts on it, and throw a few twinkie bars in there, and as long as no filling got on the phones, I could care less.
post #67 of 644
Not quite acceptable, to me anyway. I just don't buy this story so far. My first point is the new cable. Why? I tried some re-cabled GS1000 and the clarity, detail, soundstage and speed was not from this world, but the so called warmth was not there. But also to shrill highs with poor records, however what do you expect anyway. So, suppose you use other kind of cable and here we go much fuller/warmer sig, which comes from mids/midbass, isn't. The low level resistance on wood is just talking to the birds, cos when I compared GS1000 vs PS1, PS1 lost hands down, with their closer, warmer sound, but also aluminium housing, which seems not to helping them at all here. So, what that means? Once again, better cable, yes, must be, and, just guessing, putting slightly, I mean just a little bit closer the drivers to your ears will make the huge difference. Why? Just push your GS1k while you are listen to them and you hear that quite well. So, all by all, twicking them like that doesn't make them USD 1700 worth, cos the feeling of new creation doesn't getting me yet. And aluminium housing, hmmm, seems to be just for the looks so far...


We need more reality up here, cos if you calling GS1000 lacking on naturalness and musicality, well, not sure what you are talking about at all...

Quote:
Originally Posted by Sanderman View Post
Now compared to the GS1000s - I've owned the GS1000s for about a year now. I try to love them, I really do. And in one way I can. If I were to sum them up in one impression, they strike me as a cartridge designers homage to listening to British orchestral LPs from the 60s and 70s played back with a moving coil cartridge from the late 80s. A nice bass foundation for the hall and a shimmery tip to the top end that gives a sheen to strings on good old analog recordings, but a character that does nothing to flatter contemporary digital. Call it it midrange suck out. Call it boosted highs and lows. Call it it boom and tizz. But run 'em with tubes on old well mastered orchestral recordings and they can quite literally sing. It's just that I find they can't do much else. The PS1000s obliterate them. How? Mids. Texture. Mids. Warmth. Did I say mids? Just what the GS1000s lack.

Joe

All impressions with lossless encodes off a Mac / Emperical Audio Off Ramp 3 / Audio Note DAC 2.1 Level C feeding the Moth Si2A3 via Siltech Compass Lake.
post #68 of 644
Quote:
Originally Posted by zotjen View Post
After seeing the pics I'm not crazy at all about the metal/wood combo. At least the wood is hidden by the pads. I see they have the same sloppy glue job as all other Grados. Hopefully the sound will make up for it.
x2; hopefully no problems with that later on down the line.

Quote:
Originally Posted by Grimspoon View Post
Those looks awesome!

only gripe I can think of based on these pics is the holes in the cans where the wires exit aren't chamfered. Those edges look sharp! I can only imagine what that's going to do to the insulation over time... o.0
Can anyone confirm? ^^^^

Quote:
Originally Posted by Mercuttio View Post
I'm pretty sure that someone with the cash to spend on a headphone this expensive is interested in audio first, and in a box to put it in distant third.

It's time to let this go.
True, true.

--bt--

Thanks for the update and impressions Sanderman!
post #69 of 644
Quote:
Originally Posted by Blackmore View Post
Not quite acceptable, to me anyway. I just don't buy this story so far. My first point is the new cable. Why? I tried some re-cabled GS1000 and the clarity, detail, soundstage and speed was not from this world, but the so called warmth was not there. But also to shrill highs with poor records, however what do you expect anyway. So, suppose you use other kind of cable and here we go much fuller/warmer sig, which comes from mids/midbass, isn't. The low level resistance on wood is just talking to the birds, cos when I compared GS1000 vs PS1, PS1 lost hands down, with their closer, warmer sound, but also aluminium housing, which seems not to helping them at all here. So, what that means? Once again, better cable, yes, must be, and, just guessing, putting slightly, I mean just a little bit closer the drivers to your ears will make the huge difference. Why? Just push your GS1k while you are listen to them and you hear that quite well. So, all by all, twicking them like that doesn't make them USD 1700 worth, cos the feeling of new creation doesn't getting me yet. And aluminium housing, hmmm, seems to be just for the looks so far...


We need more reality up here, cos if you calling GS1000 lacking on naturalness and musicality, well, not sure what you are talking about at all...
No offense here Blackmore, especially not since you are another dutch head-fi'er, but you keep commenting on it like a recabled DIY GS1000 with some metal strapped on it. Do you have any proof on how these are the same cans as the GS1000 whatsoever besides the outline shape?
post #70 of 644
Quote:
Originally Posted by Zuerst View Post
and i thought they're shipping with wooden boxes?
Yeah, you'd be wrong there....that wooden box is a 75.00 accessory if my facts are correct...oh, and I think if I received 1700.00 pair of Hps and they had nicks in them....they'd be headin' right back to the factory on Grado. Come to think of it, if I spent 1700.00 on a headphone and they came in that pizza cardboard box, then I took it out of the box and the item had nicks in it, I'd vomit....I'm just sayin'

All these statements should not be taken out of context...I love my GS1Ks...no treble spike to my ears and the RS-1s are amazing. Sure wish they had shipped these babies in the wooden box, though...this is amazing to me.
post #71 of 644
WOW...looks like my beloved D-7000 just got suplexed and tapped out! My wallet was last seen screaming and running for the back door...that little **** ! Get back here!
post #72 of 644
Ooooh this thread is very interesting to me, i thought i was done with full-size cans. Although the grado customer support and quality control worries me as well as the price of these of course.
Looking forward to the hd800 vs ps1000 threads!
Greetings, Anouk,
post #73 of 644
I don't need juicy story's, but critical comparison, which I can not see so far. You just re-read his GS1k vs PS1k impressions and tell me what's up there that make PS1k so different, based on it I mean. Its says, better texture, mids, warmth. Well, I have enough records that can give you same result with GS1k. I did own 4 different GS1000 so far, one of them, stock, was very warm sounding compare to my own. I was very surprised about that fact, but didn't keep them after all. I guess they were over 1000 hours brake in time and maybe been used quite heavy, while my weren't, even now they are not overheat. To me, RS1 was already a joke to compare with GS1k, even PS1 didn't keep up their place. But now we seem to get something "new", which to me, reading this, are not.
Simple example, I tried HD650 with upgrade RAL cable and Rudi RPX100. The results were like to metallic for my taste. On the other hand use them with Zana Deux and you get whole different sound from the same headphones, way more natural and musical. I am not even talking about their stock wire, cos its just poor, so, the re-cabling is one proof, if you mean that. Another is just twicking the driver slightly or even not that, just putting in differ position would make a huge difference, imo, been discused o lot up here to.
I don't want to repeat myself here, so, I need criticism and not soapy brain wash...

Quote:
Originally Posted by vvanrij View Post
No offense here Blackmore, especially not since you are another dutch head-fi'er, but you keep commenting on it like a recabled DIY GS1000 with some metal strapped on it. Do you have any proof on how these are the same cans as the GS1000 whatsoever besides the outline shape?
post #74 of 644
Quote:
Originally Posted by Drumonron View Post
Yeah, you'd be wrong there....that wooden box is a 75.00 accessory if my facts are correct...oh, and I think if I received 1700.00 pair of Hps and they had nicks in them....they'd be headin' right back to the factory on Grado. Come to think of it, if I spent 1700.00 on a headphone and they came in that pizza cardboard box, then I took it out of the box and the item had nicks in it, I'd vomit....I'm just sayin'

All these statements should not be taken out of context...I love my GS1Ks...no treble spike to my ears and the RS-1s are amazing. Sure wish they had shipped these babies in the wooden box, though...this is amazing to me.



I have to agree on this. Ofc the main task of an headphone is to sound awesome, look and package come in second plan. Some will argue that it's actually a wise idea from Grado not to charge everyone for a box some wouldn't need.
They could have silently increased the price to 1800$ and included the box...personally, my attitude would have been different although at the end of the day I still would have paid for it. Getting a 1700$ headphone in such a package is giving me a somewhat bad feeling.


The review sounds promising and it seems that the PS1000 may have adressed the main issues I had with he GS1000. But considering the so-so experience I had with the GS1000, I find it hard to stick to Grado again tbh. The apparently lack of innovation one gets looking at them isn't helping for sure (that's the impression one gets looking at them, listening is another thing ofc). Comparisons with he HD800 will prove me wrong maybe, who knows. Still leaning towards that headphone...
post #75 of 644
Gorgeous, subscribed

I can't wait to see some more shots and get more impressions as burn in takes place.
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