I'm getting the impression that much of the issues that people are putting down to jitter are really other electrical problems instead. I think jitter has become a catch-all word for these things.
Featured Stories
Recent Reviews
-
The Creative Aurvana Live! solved a major problem for me—how to listen to good audio while walking the dog at night. I live near a commercial and bar district in Center City, Philadelphia and I'm...
-
Okay..well this is my first review..if you may call it so..hence any,,amatuerish mistakes be forgiven..here we go.. So i saved some money(i'm always short of it) for the Vsonic gr02 be..after...
-
I used to be sure that I am not a basshead. My favorite IEMs for the longest time were RE-0, my favorite headphones were (and still are) various variations of ATH "sweet treble" sound signature,...
-
It's exactly what it says it is. I've tried some pretty incredibly expensive DAPs - Honestly, in my opinion, a lot of them just add colouration, or EQ, or look pretty. Some of them do perform...
-
Jazz sounds real good on these. Classic music sounds pretty clear, like when the violin is playing and stuff. Vocals sound pretty good. 80's sound vibrant. dubstep/hardstyle, sounds...
My cable test enterprise - Page 28
- leeperry
- Trader Feedback: +25
- Galvanically isolated his brain
-
- offline
- 10,106 Posts. Joined 4/2004
- Select All Posts By This User
Indeed, a <50ps jitter means that the signal path is as short and clean as can be...I don't recall where I read it exactly, but a noisy ground/interferences are said to increase jitter drastically. I think I also read that there's an audiophile company licensing TC's "jetPLL" audio band jitter attenuation technology in their DAC.
You can find zillions raving reviews about TC's BMC-2/Konnekt 6 and they're using a pretty good DAC from AKM, the only problem is the cheapo opamps...NJM2068 isn't what I would call audiophile grade by any stretch of the imagination(try OPA827/OPA1641). Pro-audio gear does more than audiophile equipment for less, but they use nasty sounding SMPS PSU's and cheapo dual opamps...can't get it all I guess.
The audiophile market is too much of a niche for TC to bother, plus swappable opamps/PSU's mean more RMA in the end because of careless ppl plugging them the wrong way. And stubborn design engineers refuse to believe that every opamp adds its own coloration to the sound...a 2134/5532(and at best 4562) is all that's required in their opinion(look at the Benchmark DAC-1).
- Prog Rock Man
- Trader Feedback: 0
-
- offline
- 3,811 Posts. Joined 7/2009
- Location: Scotland
- Select All Posts By This User
It is one suggestion after another for supposed causes of audible differences, which few want to actually test using their ears alone, yet find the space to accuse others of being somehow deaf and unable to enjoy music.
Indeed, it is worth pointing out that this thread was about frequency testing of analogue cables, jitter has been trolled (which Currawong is something I know you do not like happening) into the thread to introduce another distraction to get away from having to answer the really difficult question
- is any of this actually audible?
- can we tell the differences with our ears alone?
The answer so far is unlikely and no.
- leeperry
- Trader Feedback: +25
- Galvanically isolated his brain
-
- offline
- 10,106 Posts. Joined 4/2004
- Select All Posts By This User
The very basic FR measurements that have been posted in this thread so far wouldn't allow to differentiate a rusty coat hanger from a solid UPOCC silver wire....and saying that both would sound the same is ludicrous, to say the least.
- nick_charles
- Trader Feedback: +1
-
- offline
- 2,675 Posts. Joined 2/2008
- Location: At the last minute
- Select All Posts By This User
Other people have done the coat hanger and deliberately bad cables tests already and they still show up as not audibly different when listening tested by humans who simply do not know which one they are listening to. That a massive obvious audible difference that reviewers and buyers alike will wax lyrical about cannot be verified by unsighted tests and cannot survive digitization ....earlier in this thread I sent one of the members a copy of a test file and a copy of the same file that had gone through a D---A----D process where I recorded the anlog output of a CD player playing the file. The recipient was unable to detect the extra A/D stage, just as Uncle Ivor back in the 80s..
- leeperry
- Trader Feedback: +25
- Galvanically isolated his brain
-
- offline
- 10,106 Posts. Joined 4/2004
- Select All Posts By This User
Yeah, this was a bait to the legendary "coat hanger Vs Monster cable" shootout, thank you for pointing it out. Most likely run in a non-acoustically corrected room, so the inoccent victims of this test were listening to the room more than to the cables. Also, it's rather clear that analytical headphones will always provide a much clearer and less distorted sound than the aforementioned test conditions.
So what we've learned is that anything that conducts electricity will always sound identical, oh my...what a breakthrough![[:e-te] [:e-te]](http://forum-images.hardware.fr/images/perso/e-te.gif)
skin effect = snake oil
intra-pair skew = snake oil
inter-pair skew = snake oil
Far End Crosstalk(FEXT) = snake oil
Shielding from EMI/RFI = who needs it?
Basically, it's been thorougly and empirically shown(and also double proofed, w/ hands tied in the back) that we could use the most impure iron alloy to transport audio...it doesn't matter *whatsoever*. I see a great business scheme here, someone shall start selling HDMI 1.4 cables made out of rusty recycled coat hangers...much like the ppl who turn antique phones into cell phone hands-free kits. The anti-technology approach has its charms, I'll give you that.
Seriously, we could make millions ![[:cisco1:1] [:cisco1:1]](http://forum-images.hardware.fr/images/perso/1/cisco1.gif)

earlier in this thread I sent one of the members a copy of a test file and a copy of the same file that had gone through a D---A----D process where I recorded the anlog output of a CD player playing the file. The recipient was unable to detect the extra A/D stage, just as Uncle Ivor back in the 80s..
OK, shoot! Just so you know, I passed this test successfully: http://www.head-fi.org/forum/thread/502889/so-who-can-abx-this-recording-from-the-source#post_6790330
- Shike
- Trader Feedback: +7
-
- offline
- 1,875 Posts. Joined 2/2005
- Location: Oklahoma City
- Select All Posts By This User

The audiophile market is too much of a niche for TC to bother, plus swappable opamps/PSU's mean more RMA in the end because of careless ppl plugging them the wrong way. And stubborn design engineers refuse to believe that every opamp adds its own coloration to the sound...a 2134/5532(and at best 4562) is all that's required in their opinion(look at the Benchmark DAC-1).
There isn't sufficient evidence to claim all opamps sound different. For the DAC-1 design the 5532 actually provided the best results based on the circuit implementation.
- Prog Rock Man
- Trader Feedback: 0
-
- offline
- 3,811 Posts. Joined 7/2009
- Location: Scotland
- Select All Posts By This User

Yeah, this was a bait to the legendary "coat hanger Vs Monster cable" shootout, thank you for pointing it out. Most likely run in a non-acoustically corrected room, so the inoccent victims of this test were listening to the room more than to the cables. Also, it's rather clear that analytical headphones will always provide a much clearer and less distorted sound than the aforementioned test conditions.
.......
Whether the room was acoustically treated or not is another of your distraction arguments. So long as the room was the same for all, there is no issue.
Your comment about only analytical headphones leans towards the 'buy high end kit and you will hear the difference' argument of buyer justification. However that fails because forget Monster vs Coat Hanger and consider Monster vs Opus MM ($33,000 worth of cable) which also was indistinguishable.
- Currawong
- Trader Feedback: +31
-
- offline
- 11,095 Posts. Joined 1/2008
- Location: An Australian living in Fukuoka, Japan.
- Select All Posts By This User
How about a coathanger-based interconnect vs. something else?
- nick_charles
- Trader Feedback: +1
-
- offline
- 2,675 Posts. Joined 2/2008
- Location: At the last minute
- Select All Posts By This User
Consolidated measuremnets into one post - also at beginning of thread --
See also http://www.head-fi.org/forum/thread/541818/some-cable-measurments-no-dbt-no-debate-just-measurements

So the first order of business was to see how flat the response of each cable was.
First I generated a 40 second clip of white noise , I saved this as a Wav file and ran it through a spectrum analyser,
this is the reference point.
Then I burned the sample to CD and tested each of my CD players by playing it back and recording the analog
output to find the one most like the reference in shape and overall level. I settled on a Denon DCD910 analog
output which had the lowest deviation from the reference from 20 - 20K using stock cables.
Now I set about more critically measuring the response for the 4 cables I bought plus my own 77c specials.
To do this I played back the white noise sample and recorded it to my PC. To cater for random variations
I did each recording with each cable **10** times.
Each resulting wav file (70 of them, I tested the AQ cables aligned by the arrows and unaligned to test for the claimed directionality) was clipped to exactly 24.003628 seconds, each file is precisely
4.03 MB (4,234,284 bytes) all white noise. Due to careful editting ( the same protocol used for each file)
no wav file can differ from any other wav file in alignment by more than 1/1000th of a second.
Each file was then run through a spectrium analyser with 1024 sample points. Each spectrum was exported as a text file.
Then I started up Excel and I loaded each set of ten trials into a separate worksheet. This allowed me to see the Min, Max and Average levels for any frequency. Also it allowed me to see how much variation there was in any set of trials.
For instance the biggest difference between any two trials for any frequency with the Stock cables was 0.056db, the average difference between the max and min value for all frequencies for stock cables was 0.032 db.
Tartan cable 0.032 and 0.014
BlueJeans 0.047 and 0.016
AQ G-Snake Not Aligned 0.061 and 0.016
AQ G-Snake Aligned 0.038 and 0.013
AQ Sidewinder Not 0.050 and 0.014
AQ Sidewinder Aligned 0.044 and 0.014

The way that the recording was set up meant that each recoding was always at a slightly lower absolute level than the reference. Thus the best cable by definition at any frequency would have the highest value or the lowest attenuation from the reference. This made life easy.
In no case did any cable boost any frequency above the reference level.
Each set of 10 trials for each cable was averaged and the results fed into the worksheet with the reference values.
The maximum difference found between any two cables at any frequency point was 0.029db. The average difference between the best and worst cable across all frequencies was 0.012db. Note that the identity of best and worst cable did differ between frequencies.

Two of the cables I purchased are supposed to be directional. I recorded samples using the Audioquest G-Snake and Audioquest Sidewinder both correctly aligned and incorrectly aligned. I recorded 10 samples with each of the 4 combinations.
The G-Snake correctly aligned was in fact measurably different from the G-Snake incorrectly aligned. When I fed the results into SPSS the result was significant.
Before anyone gets excited the maximum difference at any frequency was 0.022db and the average difference was 0.001db. For the Sidewinder the maximum difference was 0.011db and the average difference at all frequencies was 0.002db.

Do any of these cables roll off any more than any others. I tested the differences in level between 1K and 20K, 2K and 20K, 3K and 20K, 4K and 20K, 5K and 20K, 6K and 20K, 7K and 20K, 8K and 20K, 9K and 20K, 10K and 20K, 11K and 20K, 12K and 20K, 13K and 20K, 14K and 20K , 15K and 20K and finally between 16K and 20K.
The maximum difference in roll-offs between any two cables for any two frequencies was 0.016db

Stock(77c) vs Sidewinder ($60) , max diff 0.020db, ave difference 0.009 db
Stock(77c) vs G-Snake ($35) , max diff 0.013db, ave difference 0.003 db
Stock(77c) vs Blue Jeans($26.75), max diff 0.014db, ave difference 0.004 db
Stock(77c) vs Tartan ($5) , max diff 0.009db, ave difference 0.003 db
Tartan ($5) vs Sidewinder ($60) , max diff 0.014 , ave difference 0.006db
Tartan ($5) vs G-Snake ($35) , max diff 0.009 , ave difference 0.003db
Tartan ($5) vs BJC ($26.75) , max diff 0.007 , ave difference 0.002db
BJC($26.75) vs Sidewinder($60), max diff 0.011 , ave difference 0.005db
BJC($26.75) vs G-Snake ($35), max diff 0.012 , ave difference 0.004db
Sidewinder vs G-Snake max diff 0.018 , ave difference 0.009db

The differences are so small as to be utterly and totally meaningless.
Nevertheless in an absolute numerical sense, if you insist , the best cable was the Sidewinder ($60) which consistently had the lowest attenuation , and the worst cable was the G-Snake ($35) which consistently had the highest attenuation. But we are talking 100ths of a db here.
But all these cables behaved absolutely identically , none had anything which could even remotely be called a personality, none changed the signal more than any other in any material way.
Next step music recordings and listening tests...Spreadsheet available from
http://www.mediafire.com/download.php?nkmzxdnm2n3

I just loaded my dataset up into SPSS and ran a repeated measures ANOVA with cable type as a covariate and some ANOVAs between cables.
The results show that for these cables there was no significant effect on changing cable, no cable was significantly different from any other. Frequency also did not alter the result, no cable was significantly different at any frequency.
The other result was that there was much more variation between trials than between cables, this is entirely predictable as a cable is a passive device and and ADC is not, so my decision to average 10 trials was justified. Amusingly the repeated measures variation was significant. Remember this was a variation of no more than 0.056db between any two trials for any given cable at any frequency, but when you have 4600+ data points little differences become statistically significant.

I just tested the Sidewinder vs the stock cable using a cymbal crash with lots of harmonics and transients. To cut a long story short there were miniscule differences between the two cables as before , never more than 0.68db and averaging 0.046db from 20 - 20K. I have graphed the reference cymbal crash, and the two cables - differences are miniscule.


New test of Sidewinder vs Stock cable with cymbal crash
-------------------------------------------------------
Max difference 0.102340db average difference 0.003539db
Average overall signal
Stock------------ Sidey ------------ difference
-37.743888 ******-37.742651 ****-0.001237

This graph shows the stock cable with the sidewinder dropped by 20db so you can see the patterns

For the Anoraks - the distribution of differences against frequency

And finally difference vs signal level


These were done using a five second sample of digital silence and recorded back via the ADC. I ran the tests ( 10 trials) for both stocky and the Zu Oxyfuel.
Average Noise levels Stock -95.7975db.........Zu Oxyfuel -95.8598db
This is quite close to the theoretical noise levels for 16 bit systems

Low frequency noise pattern
---------------------------

I also did a few tests on my $2.11 Monoprice and the $60 Sidewinder. Interestingly each cable has a distinct noise pattern with specific low level spikes at different frequencies.
To place these noise figures in context, here is the noise juxtaposed against the cymbals crash.

In absolute terms the stock cable is the worst for noise with three low frequency spikes between -78 and -76db , how relevant this would be for normal music listening is arguable. Early tests suggest that the Monoprice is as good as the most expensive cables for noise, but I will need to run 10 trials.

This text is between a DH labs BL-1 Series II Silver Plated Copper cable and the solid copper Sidewinder with the cymbals sample.
Maximum difference is at 19488hz where the difference is -75.3254db to
-75.3695db i.e a difference of 0.0441db, average difference from 20 to 20K is 0.0014 db. See graph below


White Noise tests 20 - 20K
-------------------------
Maximum difference at any frequency = -0.00436 db , the Monoprice cable has less attenuation at all frequencies, the average difference = - 0.00266 db.
No graph posted, no point , impossible to see the deviations.

For these tests I made a slight change to my protocol I used a 16K FFT analysis which translates to 7K sample points. Since I have all the original wav files I may redo them with a smaller FFT later if it is a bust.
Noise differences ranged from
Freq (Hz)SilverCopperdiff
1418-101.0146-92.8366-8.1781
1421-100.8319-95.2206-5.6112
1416-100.7780-95.2324-5.5456
541-99.8670-96.9008-2.9662
15111-97.3906-95.1398-2.2508
538-99.8972-97.7621-2.1351
to
Freq (Hz)SilverCopperdiff
721-79.8842-95.098515.2143
301-80.4885-95.816915.3284
299-79.8153-95.577015.7617
719-79.4283-95.246215.8179
121-65.8202-82.408316.5881
600-79.7158-96.373216.6574
118-66.7071-83.371416.6642
363-80.7216-98.865118.1435
358-73.5922-99.016525.4243
361-70.9139-98.449627.5356
Silver Average Noise level = -97.8339 db
Copper Average Noise level = -99.5085 db
Average difference = 1.6746 db


Averages
silvercopperdiff
-35.1717-35.19860.0269
Range of differences from
Freq (Hz)silvercopperdiff
10864-31.2361-31.1511-0.0850
12037-34.3904-34.3113-0.0791
19598-64.2617-64.1956-0.0661
17821-60.0233-59.9590-0.0643
18050-53.2547-53.2003-0.0544
19668-64.8693-64.8172-0.0521
to
Freq (Hz) silvercopperdiff
17870-58.5000-58.59830.0983
12029-32.1039-32.20500.1011
19679-68.4469-68.55140.1045
19663-66.2487-66.38070.1321
121-53.2967-53.58550.2888
118-55.8897-56.20280.3131

Differences vs frequency


Average difference levels from 3hz to 20Khz
Silver copper diff
-12.2418-12.26050.0188
Range of differences
Freq(Hz)Silvercopperdiff
19237-12.7538-12.76280.0090
19902-13.4680-13.47800.0100
19862-13.2093-13.21950.0102
19657-13.5434-13.55390.0105
to
Freq(Hz)Silvercopperdiff
12880-12.7116-12.73470.0231
16422-13.0786-13.10170.0232
8454-12.6774-12.70070.0233
8064-11.8652-11.88850.0233
18594-13.4783-13.50170.0234
17286-13.2584-13.28180.0234
11666-13.2417-13.26540.0237
7580-11.4654-11.48910.0237
19113-13.3649-13.38870.0238
10933-12.7789-12.80300.0241
Differences vs frequency
-----------------------

Pattern of Frs against Frequency

This image does show that my ADC and /or CD player is not perfect at higher frequencies as it does roll off
- kwkarth
- Trader Feedback: 0
- Electronics guys... we have our plusses and minuses. With advent of digital everything, we're being phased out
-
- offline
- 10,452 Posts. Joined 9/2001
- Location: PDX (Portland, OR)
- Select All Posts By This User
What a colossal waste of bandwidth and space, not to mention time. IMHO 
- nick_charles
- Trader Feedback: +1
-
- offline
- 2,675 Posts. Joined 2/2008
- Location: At the last minute
- Select All Posts By This User
You are of course entitled to your opinion. Others might consider 303 posts dedicated to the "sound" of capacitors unverified by any real listening test to be a similar waste or the hundreds of posts elsewhere dedicated to the unverified sound of different RCA, digital and even USB cables a similar waste, you pays yer money and yer takes yer choice.
- kwkarth
- Trader Feedback: 0
- Electronics guys... we have our plusses and minuses. With advent of digital everything, we're being phased out
-
- offline
- 10,452 Posts. Joined 9/2001
- Location: PDX (Portland, OR)
- Select All Posts By This User

You are of course entitled to your opinion. Others might consider 303 posts dedicated to the "sound" of capacitors unverified by any real listening test to be a similar waste or the hundreds of posts elsewhere dedicated to the unverified sound of different RCA, digital and even USB cables a similar waste, you pays yer money and yer takes yer choice.
Yes, black holes disturb the space-time continuum. 
- BlackbeardBen
- Trader Feedback: +2
-
- offline
- 1,337 Posts. Joined 7/2010
- Location: Davison, Michigan, formerly Skövde, Sweden & Lansing/East...
- Select All Posts By This User
Thanks Nick, that's excellent. Now just type it up in LaTeX and publish it! 
- Yoga Flame
- Trader Feedback: +14
-
- offline
- 845 Posts. Joined 5/2010
- Location: Canada
- Select All Posts By This User
Quote:
That's a pretty inappropriate thing for an admin to say about the dedication and careful effort displayed in this thread from one of Head-Fi's better contributors. Not to mention the other members who provided feedback and volunteered their own cables for this. IMHO too, of course. I for one value the research that's been done here.
- My cable test enterprise
Head-Fi's Best Sellers
Recent Discussions
- › C&C BH Portable Headphone Amp (80 Hours from a Single Charge!)... 15 seconds ago
- › HiFiMAN HM-901 - a review in progress: Factory visit starting pg... 18 seconds ago
- › Multi-Custom In-Ear Monitor Review, Resource, Mfg List & Discussion... 55 seconds ago
- › Beyerdynamic DT990 600ohms 3 minutes ago
- › THE BEATLES ARE OVERRATED 4 minutes ago
- › JVC HA-FXT90 Appreciation Thread [User-Info/Buying Guide/Reviews on... 5 minutes ago
- › What's Better than the HD800s? 6 minutes ago
- › FiiO E12 Mont Blanc Review and Help Thread 6 minutes ago
- › Pictures of Your Portable Rig (part XVI) 6 minutes ago
- › Sennheiser IE800 IEM's 8 minutes ago
Recent Reviews
- › Creative Aurvana Live! Headphones by imagic
- › JBL J33 Premium In-Ear Headphones - Black by Aakash
- › Hisoundaudio Wooduo 2 by iern
- › Apple iPod classic 160 GB Silver (7th Generation) NEWEST MODEL by jensy
- › Sony MDR-V55/BR DJ style Headphones by dietcoke2am
- › Creative Sound Blaster Tactic 3D Sigma USB Gaming Headset by imagic
- › Sennheiser HD 700 Headphone by David Chavez
- › iBasso DX100 Reference DAP by Poetic
- › Razer Tiamat 7.1 by helmutssss
- › Sony Xperia S Black by TheBrutux168
New Articles
- › Syncing music and making playlists work with... by Currawong
- › Mac OS X Music Players - alternatives to iTunes by miceblue
- › STAX SR-007 (Omega II) ... A Review After 4... by Currawong
- › List of lossless and high-res music (FLAC,... by ffivaz
- › Beware of the following scams and people... by Currawong
- › Sennheiser 449 Mod Possibly 4 8 Mod by hernan604
- › 2012 Head-Fi Holiday Gift Guide (Computer Audio) by joe
- › 2012 Head-Fi Holiday Gift Guide (Portable... by joe
- › 2012 Head-Fi Holiday Gift Guide (Desktop Audio) by joe
- › 2012 Head-Fi Holiday Gift Guide (Headphone... by joe
About Head-Fi.org | Join the Community | Advertise
© 2013 Head-Fi.org is powered by Huddler Tech | FAQ | Support | Privacy/TOS | Site Map






















