Wow, fast growing thread!
I don't have much time and can't keep up with the thread but will answer what I can quickly.
First, a bit a bit about the way I try to judge things like this, whether food, cars, or tools, such as headphones. I start with a perfect score, trying to guess what perfection would be as much as I can, then I knock of points for every flaw I find. This way is not enjoyable, as I am not looking for anything good, only the bad, but it does help me get through a review in a more methodical way than the alternatives. If I find things that are above my previous benchmark, I award bonus points.

I didn't get time to get to know the HD800, they were not driven by sufficient amps in my opinion, and there was a lot of background noise. Saying that I think I did a fair job running through my known material. I should probably have taken notes if I thought about posting, but was just testing them for myself.
In summary, from my impressions they are right up there with the best I’ve ever heard and only the question of appropriate power remains to be answered for me. These are definitely not just an improved HD650.
I have read a little of another thread where John (whom I like, and feel is often misunderstood/misinterpreted) complains about the plastic.
From what I can tell the point of his argument is not that they are made from plastic, the fact that they are made from plastic is 100% fine if that is the best material for the job (and I think it probably is in this instance). The problem he has, and I do agree, is when plastic is used, but is pretending to be metal, when it's painted/colored to look like metal. The problem is when companies try to fool people into thinking that something is metal, when it is not. Its a credibility issue, we are being fooled (unsuccessfully in most cases).
It's the attempted deception that I hate.
I do not believe Senn is trying to fool anyone, I don't think the plastic used is attempting to imitate metal in this case, but I agree with David that it should be acceptable for any manufacturer to be proud of plastic! Show it off, give it one of the countless finishes that look wonderful, and that only plastic can give!
The HD800 are
just the right side of plastic-as-metal in my estimation, so they can pull it off, so to speak... They don't look fake, cheap or incongruous, I like their build and materials. I think they probably did actually choose very good materials, there is no obvious sign of the costs which all manufacturers strip out of anything between prototype and production. That ring driver was surely expensive to create, and probably not cheap to manufacture.
Regarding fooling people, my final comments on the Freq. response. I applaud Senn for giving a range with a tolerance, but am still extremely skeptical that the HD800 will achieve these frequencies when they are on a human head, and I guarantee that they will not do so with most amplifiers, I heard it myself

Saying that, I don’t think Senn are doing anything misleading at all, they are doing more than most manufacturers in that regard, and those specs I’m sure are what they measured in their lab, somehow.
I am not 100% sure and am open to alternatives but I think the issue is that if the HD800 present too much of a load to the amp, the amp may not be giving the HD800 the signal they require to play 14Hz at only 3db down relative to, say, 1kHz. Does that make sense?
And for measurement, b0dhi knows his stuff, read his posts!
There is no way the HD800 were flat within +/- 3db(A) from 20Hz to 20kHz, nevermind 14Hz to 44.1 kHz. At least not that pair, on my head with my amp, in a sine sweep that comes out my imods caps as flat. I know how my ears respond to a flat sweep, and that was not it.
They are still extremely flat though, very, very good. Just not perfect, if that’s what people are expecting after reading the specs. Marketing is marketing and you’d be a fool to believe it. Advertising and misrepresenting are generally synonymous in my opinion. Senns figures are hardly a peer reviewed study, accurate as they may be in Senn’s lab.
From:
Sennheiser HD800 Headphones HD 800 Audiophile Headphone
• HD800 Frequency Response: 6-51,000 Hz (-10 dB), 13-44,100 Hz (-3 dB)
Sennheiser USA - HD800 - Product Specs
Frequency Response
14 - 44,100 Hz (- 3 dB) (Not 13-44,100)
Sennheiser Electronic - HD 800
14 – 44,100 Hz (- 3 dB) again.
OK it's only a single Hz! But what are the tolerances on their measurements?
Is it 14 – 44,100 Hz (- 3 dB) +/- 1Hz, 2Hz, 100Hz?
Marketing.
Sidenote re credibility, Headroom (surely to be the worlds largest retailer of HD800?) advertise them as 8Hz to 50kHz, no mention of a tolerance. Not 6Hz to 51kHz either. Most people will see that spec, whatever Senn intended. Just an observation.
Sennheiser HD 800 @ HeadRoom - Right Between Your Ears
Who’s “trustworthy figures” are the real truth?
The answer is “Who cares!” It doesn’t matter! The HD800 are very flat, will almost certainly do very deep bass when driven by an arc welder of an amp and sound great, that’s enough.
Senn need to provide figures, dare I say it, bogus/optimistic/unrepeatable at home figures, in order to market the HD800. It's a pity but that's life.
Quote:
Originally Posted by nor_spoon 
Stevenkelby: Could you say a little about the soundstage, and their "openness" and transparency compared to the HD650?Thanks!
|
Quote:
Originally Posted by Quaddy 
x2
steve, be interested in this also when you get a minute, appreciate your opinions as always.
|
Hi Guys

Sure, I can say that heard no flaws in the soundstage.

They do a very good job, not up on the stage like Grado and not in the back row like some cans. Accurate and precise placement, all good.
Quote:
Originally Posted by Andrew_WOT 
Would you say that it sounds closer to K701/702 than HD650?
|
No, more like neither. I do like K701 but HD800 have better bass and are in another league elsewhere, not just to K701/2 but to HD650 as well. They do have good air like the AKG but with more presence and solidity.
Quote:
Originally Posted by blessingx 
Thanks for the valued impressions stevenkelby.
|
Thanks
Quote:
Originally Posted by robm321 
We should probably be comparing the HD800 with the K-1000/R10, O2, Qualia, GS-1000, Denon. I don't think the HD650 is really on the same level at all. I know it would have to be in generalities since only the HD650 was in the booth, but it would probably help to put things into perspective.
|
True. HD650 were there to really show how much better HD800 were. There is much stiffer competition out there. Looking forward to closer comparisons with them.
[QUOTE=robm321;5358953] I think it may be a case of where it is more like the K701, where it is all there but just isn't felt.? The GS-1000 simulates the impact and rumble that you usually get from speakers. The PS-1s give a thick round thump kind of impact, so I guess it's a matter of preference which one you like, but I doubt amplification will change the weight or extension of the bass significantly. It sounds like the bottom end is rolled off.
I'm mostly happy about the fact that it seems to be very fast and that the timbre is accurate to the level of the K-1000.
My worries are that the highs may not be accurate if they have smooth edges. That's the one thing I didn't like about the PS-1. It sounds very liquid and extended in the highs but long term the artificialness of the treble bothered me. It was too smooth even when the recordings shouldn't have been.
It sounds like the HD800 may not be the headphone to take over the top tier but just another variety. I was surprised that he said $1K would be where they would fit. That brings the FOTM down a notch since Steve's tastes seem dead on with mine.
QUOTE]
Thanks Rob, just to clear up a few things IMO though, K701, K1000 and GS1000 definitely do not go all the way down without rolling off, under any circumstances. The HD800 might, and I suspect they will, given how well they responded to a better amp than DAC1. No one here has heard them from a monster amp AFAIK yet. When they do, I think they will be impressed and satisfied with the bass depth and impact. These things are really power hungry, the LISA couldn’t keep them happy.
I think that the amp will make a massive difference.
At this stage though, I have heard more impressive bottom end performance from other cans, for what that’s worth…
Smooth edges on the highs. I didn’t explain that very well, the treble was not rolled or smoothed off at all in the treble ranges, I was just trying to explain how they handle sibilance, and I did a bad job. Only in sibilance did I notice something different to other cans, and I’d like to hear more to dissect them more thoroughly. They do better than S-1 in the highs, much better with cymbals and very high soprano sax etc.
Quote:
| I was surprised that he said $1K would be where they would fit. ... |
I really meant that in the sense that based on what I heard that is where I personally would place them in my personal decision to buy them at this time, I didn’t mean it as a measure of their worth at all, it was just a personal comment on my own sense of their value to me at the time. You shouldn’t take it to mean that that’s where they rightfully fit in the market, as I can’t answer that generally, and definitely not specifically, as there are a few absolutely fantastic headphones available out there to compete with.
Quote:
Originally Posted by Zoide 
I gotta say that Steve's description of the HD 800 is not very encouraging to me... I *love* the way the Edition 9's portray bass. Call me a basshead if you want, but I think they go down to subwoofer levels in a way I haven't seen with many other headphones. I'd sure miss that if the HD 800s are as he described them.
Then again, what we need are head-to-head comparisons in quiet settings... Time will tell...
Thanks for your impressions Steve!
|
I also really, truly loved the ED9 bass when I had them, I’m sure if you search for posts containing ED9 by stevenkelby you’ll find me saying so back then! Truth is, the ED9 bass is artificial. The fact that they are huge fun and very enjoyable, and I regretted selling mine sometimes, is beside the point. For some people though, they may love the bass and the specific bass tone/timbre (importantly) of the ED9 enough that nothing else will do.
I installed competition car stereos for a year or so and I do understand the difference between 1. Muddy, boomy, massive, wins db drag races and is fun-for-2-minutes-then-just-gives-you-a-headache bass, 2. Freaking awesome, powerful, tooth rattling, tuneful, rich, impressively punchy bass that everybody loves, and… 3. Accurate Bass.
I’ve moved on to the latter in my systems now. I don’t like to but I’ve gotta say ED9 are closer to number 2.
Quote:
Originally Posted by John Willett 
Steve did say it could have been the amp., though.
|
99.999% certainly.
Quote:
Originally Posted by John Willett 
It could also have been that the bass was not in the original recording.
Most directional mics start rolling of the low end at about 50Hz - an omni mic. will go much lower, though.
And some equipment manufacturers use psychoacoustics. I had a long discussion with a loudspeaker designer friend of mine a while ago - having a 1dB change in level (I think at around 100Hz or so) so that the bass end is just 1dB higher can fool the brain into thinking that the bass is more extended than it really is. Nothing particularly wrong in this, just one of the engineering things that can be done.
|
100% certainly not

20Hz went into the amp at the same level as 1000Hz.
Quote:
Originally Posted by John Willett 
Just be patient, and give the headphones a good listen for yourself and make up your own mind to see if they give you what you want from headphones. After all, in the end it's your personal choice.
|
100% agree. Bring a big amp to the demo though
Quote:
Originally Posted by Quaddy 
"The other technical innovation of the HD 800 is that it produces spatial listening. In effect the cans of the case are spacious and the sound is directed into the ear at a 45-degree angle. This mimics the experience of listening via speakers angled towards you, rather than conventional earphones that drive sound horizontally into the ear. This is also coupled with a split-second time lapse that gives the phenomenon of spatial listening. In effect the sound appears to be coming from a distance. " link containing above portion
interesting - active delay circuitry???? how are they implementing that - any ideas .gif)
|
Adam, I think all that they mean is that the driver is angled so much that the sound waves leaving the doughnut arrive at the front parts of your ear before they reach the back parts of your ear. Just like in real life from loudspeakers etc. The delay produced by virtue of this angle in the HD800 is enough for your ears to notice the difference and be fooled into thinking the sound is coming more from in front that the sides, as with most cans.
I must admit, I buy that and think it works.
Quote:
Originally Posted by Tom Henderson 
One thing is sure for a $1400.00 headphone to live it will have to avail it's self of a reputation of being head and shoulders above all other 'phones.
Just being another flavor of the HD600-650 class will only get it sold to a select few of a already small group of people. There are those audiophiles who will pay huge amounts for barely perceptable performance gains and I salute them. I will pay it but the 'phone will have to perform the way we believe it will.
|
People will buy it at $1400 just to try it. People spend more than that on TVs. How often does a TV give you chills down your spine, make you cry or completely and convincingly take you away to a live performance in your imagination? Lots of phones do those things, and it makes us passionate.
The collapse of capitalism won’t help, but there will still be plenty of takers. For every dollar you lose from your share portfolio, someone has that dollar, it doesn’t disappear. The Great Depression created the wealth of the Vanderbilt’s, Rothschild’s, Rockefellers etc. The modern day equivalents will all want headphones

Quote:
Originally Posted by dallan 
So if this is correct and you assume that some people haven't preordered who may, some will want to buy them over the next year and be held until the following year and more may want to buy during that year, it goes to reason that production may catch up with demand in say two years or two and a half. Then production has to surpass demand and become overstocked, three years+ then maybe the price could start to come down a little depending on continued demand. I don't know but it doesn't look good with that type of production rate-hand made ya know. 
|
Kind of BS. Production capacity is not an issue. At $1400 each they’ll build another factory if they have to. If they are handmade they’ll employ and train more hands. There is no part that can’t be produced very quickly and cheaply now, and they will do so if the demand is there. This artificial restriction nonsense is a marketing ploy. No wait, scam is a more accurate word. They will do all the can to create consumers desperate, grateful and willing to pay full price to get their hands on the “rare and exclusive” HD800. It will probably work, but there will be no 2 year waits. All the big money is already spent on the r&d now they will capitalize as much as they can.
Production is cheap and easy.
Ultrasone tried the same thing either ED9. Worked too at 1st, but discounting spoiled it. HD800 will of course ultimately be discounted too but not as quickly as ED9 were.
Sennheiser isn’t Headamp or Xin, they can and will increase production if the demand is there, which it might be, who knows? No one will have to wait a year for these though, guaranteed. Remind me of this in a year if I’m wrong and I’ll eat my words

On the driver, I suspect that the ring driver is indeed all it’s hyped up to be. Don’t be surprised to see ring drivers coming soon to a loudspeaker near you. It works.
I almost certainly wont read or reply for at least a few days now, sorry, but I will try when I get time. I’m just too busy now and really shouldn’t be writing this!
Steve.