Quote:
Originally Posted by screwglue 
Do you mind listing some? 
Anyways I'll hit up my local pawn-camera shop and see what they have.
So my two choices so far:
Hasselblad 500
Bronica Gs-1
okay. one more question. does anyone have a description or a link that describes the different types of films and what the picture turns out as color and forgiveness wise?
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All the makers mentioned above have professional builds, supported with great glass, but have been used and abused by the professional that is dumping his gear for digital. The first thing to go are the seals, then fungus grows in the lens, the shutter get sticky, you end up with a $200 paper weight.
To see different films go to Flickr and search the groups. There seems to be a group for every film imaginable. Try; Kodachrome, Tmax, Portra, E-6, C-41, HP5, Neopan, Velvia, Provia, Astia...
Quote:
Originally Posted by smashing 
Medium format films are commonly known as 120 or 220 film.
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Warning: 220 film is becoming quite rare so do not buy a camera with a 220 "Back."
Quote:
Originally Posted by smashing 
The wonderful thing about medium format is that every single one of the format is fun, be it 6 x 4.5, 6 x 6, 6 x 7 or anything above 6 x 7. Every single one is kind of different from the typical dimension from the 35mm or digital (which emulate the 35mm dimensions in every possible way).
I loved how the 645 forced you to think in the portrait format most of the time; how 6 x 6 forced you into a very uncomfortable composition; how comfortable it is to frame a 6 x 7 (being rectangular without being a normal 4:3 form); and how the 6 x 12 and 6 x 15 give a spectacular panoramic view.
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The Mamiya RB-67 can change formats by changing the back.
For inquiring minds go to
APUG.