They don't change the sound?
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RCA Attenuators - Any Thoughts? - Page 2
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post #17 of 27
11/26/08 at 4:25am
- ZephyrSapphire
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I'm surprised no one posted any recommendations for passive controllers.
Studio Monitoring SM PRO Audio Nano Patch - Audiolifestyle
I have never used it before though.
Studio Monitoring SM PRO Audio Nano Patch - Audiolifestyle
I have never used it before though.
post #18 of 27
11/26/08 at 12:14pm
- Pars
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I don't find schematics anywhere and I don't own one, so can't help much on how to do it. I would contact the manufacturer and see what they say. Using inline attenuators, etc. is just a band aid and doesn't address the core problem of too hot of an output. Of course it is easier... 
CD output is supposed to be standardized at 2 Vrms (IIRC, but I sometimes confuse Vp-p, etc.), but many manufacturers violate this.

CD output is supposed to be standardized at 2 Vrms (IIRC, but I sometimes confuse Vp-p, etc.), but many manufacturers violate this.
post #19 of 27
11/26/08 at 1:05pm
- nick_charles
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If you are looking for attenuators go for Goldenjacks. Much nicer then the Rothwells, less impact on the sound, and they sell for less. Plus you can get them in a variety of attenuations.
This is from someone who has used Rothwell, Goldenjacks, and Harrison Labs in his various systems. |
GOLDENJACKS LINE I/P ATTENUATORS for optimal CD sound on eBay, also, CD Players, Home Audio Hi Fi, Consumer Electronics (end time 10-Nov-08 01:07:26 GMT)
post #20 of 27
11/27/08 at 11:35pm
- vcoheda
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post #21 of 27
11/28/08 at 4:36pm
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If you are looking for attenuators go for Goldenjacks. Much nicer then the Rothwells, less impact on the sound, and they sell for less. Plus you can get them in a variety of attenuations.
This is from someone who has used Rothwell, Goldenjacks, and Harrison Labs in his various systems. |
Still, I agree with Duggeh that any attenuator is a compromise, though the Goldenjacks the least so. Whichever offers a money-back guarantee may be the way to go. I still have a set of the 14 db Goldenjacks here that you're welcome to demo and then send back if you want.
o
post #22 of 27
11/28/08 at 8:55pm
- ffrr
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a well implemented design should not cause any sort of degredation.
I have to look at these claims of "massive roll offs" and such with a bit of skepticism.
I have to look at these claims of "massive roll offs" and such with a bit of skepticism.
post #23 of 27
11/28/08 at 9:09pm
- Duggeh
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Your claim of "should not" is what I thought before I bought any. My claim of killed treble is what I found after plugging them in.
Whether its down to a dirtying of the signal path, the creation of a catastrophic impedance mismatch or magical goblins I do not know but the effect was not subtle and nor, for me, was it tolerable.
I've probably got one set still in a drawer somewhere. If I do then olblueyez can have them for the cost of postage.
Whether its down to a dirtying of the signal path, the creation of a catastrophic impedance mismatch or magical goblins I do not know but the effect was not subtle and nor, for me, was it tolerable.
I've probably got one set still in a drawer somewhere. If I do then olblueyez can have them for the cost of postage.
post #24 of 27
11/29/08 at 12:50am
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post #25 of 27
11/29/08 at 2:34pm
- nick_charles
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post #26 of 27
11/29/08 at 7:52pm
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I have used several different versions of Audio Diffmaker, it is pretty good but it is still a bit flaky. It can find differences between two identical files, especially at the start of files. It would be almost as easy to do two recordings, one attenuated and one not and compare the spectra by sight.
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post #27 of 27
11/29/08 at 8:17pm
- nick_charles
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flaky?,.. I have a blast with it. has really opened my eyes quite a bit.
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So when I am looking for concrete proof of small differences I am not sure I can trust it's reliability.
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