Quote:
Originally Posted by philodox 
I've been strongly considering these for a while, but am pretty broke at the moment. What amp do you use jrosenth? I find that my amp usually does better with higher impedance headphones and was thinking of getting the 200ohm version, but everyone seems to say that the 25ohm is the best one of the lot. Have you heard the K340's on a decent amp? How do they compare? The level of detail you have been describing definatley makes me think of them along with full on electrostats.
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I haven't heard the 340 on a good amp. That would really be an interesting comparison.
I've been using the DT 48 with a maxxed PPA, a modded Heed, a dynalo and a Pico. (A modded Onix 99 CDP, a shek non-os dac and the pico as sources).
It's been relatively pleasing with all of those, but you do very clearly hear each amps signature much more so than with other cans I've tried. Same thing for source.
I loved the non-OS dac with them the most and the maxxed PPA was voiced darker and for low impedance cans so that's probably been my favorite with the DT 48.
I actually got the DT 48 when I needed closed cans and so it was more of a functional requirement and curiosity - but I keep using them simply for the sound.
I do have a suspicion these will indeed be love / hate cans for most people. I imagine that most will love, or at least like to have them in their stable, but I can imagine how some might be disconcerted hearing these, especially with a poor system/synergy - I know everybody always says that about almost every can, but honestly these guys are reflective/dependent to a much higher degree than any other can I've heard (also in terms of the information they are presenting and they way in which they do it, it's a different experience than with the standard line up of cans and that can be a bit disconcerting at first).
Honestly they very much remind me of the RS-1 in that regard. I dearly love the RS-1 and sometime think about having it as my only can, and then other times I simply can't stand them. On the whole though, if I had 3-5 cans I'd probably want to keep an RS-1 and DT 48 floating around.
I went through a phase with the DT 48 where I simply didn't listen to any other can for about 4 months, partially because I tend to listen to the same music and whenever I switched to something else I was aware of the information I was missing. Then I flipped back over to the Grados and embraced them as fun instruments unto themselves. (I had been meaning to write a review of the DT 48s for a while and wanted to do so before my fickle nature turned to something else
