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I guess you didn't read a couple of posts up from yours, (apparently, you're not reading my posts at all) so there's no point in me rehashing everything again. Suffice it to say that you've severely misrepresented what I said.
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I understand the self-convincing power of the brain utilized when making records such that the brain would not be able to tell the difference. I also got distracted and failed to point the point I was concerned over that PeterPinna has made:
We are still listening to records made for stereo setups...or often 5.1, but really: assuming that we are using equipment for reproducing a record played in the studio, we are striving for something that bizkid put down: tonality similar to that of a speaker rig tuned to be flat in a well-treated room. He made his point very nicely and cleanly - and how this thread derailed into being or not being able to reproduce an acoustic performance using holophonic record techniques (wtf, we are not concerned over those records 99% of the time) - is beyond me.
















