This is exactly what is great about progressive rock and progressive metal. Most of it is recorded well, some of it very well. Progressive artists actually seem to care how their music sounds which is great for us audiophiles. I don't have to cringe listening to most of my favorites with resolving headphones like the Q701, and the GR01.
Porcupine Tree is recorded well, most of Opeth's stuff is recorded well too, it seems most of the little known bands (non-mainstream) seem to really care about production. Threshold's new album is good, both of Haken's albums are good, Headspace, Oddland, To-mera, Frequency Drift, Chimp Spanner, Andromeda, Riverside, Arch/Matheos, and OSI are all bands that have good production on their music. I'm listening to Oddland right now, and the clarity is great, especially the vocal mix.
Quote:
Originally Posted by
Navybsn 
I would have to agree that Porcupine Tree albums in general are of great quality. Actually, anything Steven Wilson touches sounds great (Opeth from Blackwater Park on, No-Man, Blackfield). I also like the sound Devin Townsend gets but I can't say I'm the biggest fan of all of his stuff.
As to the point of production for metal in general, it is so dependent on the particular recording. I want Rust in Peace to sound as clean as possible so I can hear every glorious shredding note. I want Anthems at the Welkin Dawn a little less clean, and Vulgar Display of Power to just be loud and brutal. Metal does indeed have different rules than any other genre.
Edited by jasonb - 11/12/12 at 5:49pm