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Differences between Markl D2000 and Markl D5000 - Page 2

post #16 of 45
Thread Starter 
As much as I respect and trust you, I'm doing some experiments now and things are not exactly like you are describing them. I'm using Ety ER4P and my computer equalizer. I'm using Van Der Graaf Generator - Pawn Hearts, which has lots of sibilant "s" and "t". While lowering the 1kHz and 3kHZ doesn't sort any effect on these sibilance (neither alone, nor together), lowering the 6 kHz decreases the sibilant peaks.

As far as your graphs go, the whole area between 4.5 kHz and 8kHz (an beyond) is a mess with both grados, not only the 1-2 kHZ.

I'm going to do some other tests, but even a few weeks ago, with my Sennheiser, I came up to the same conclusion about the 6 kHz area.like
post #17 of 45
Thread Starter 
I don't know what to say, my friend. Testing Yes - Close to the edge (on a side note, one of my favourite albums) confirms what I wrote in the former post.

My computer EQ has the following bands:
100-200-400-600-1kHZ-3kHz-6kHz-12kHz-14kHz-16kHz
Moving the 6 kHz band (between -12dB and +12dB) makes all the difference in the world in regards of sibilance and shrillness. Moving 1kHz and 4kHz - not much.


P.S. Looking at the D5000 graph again, it seems the boosted region is 8 kHz. Per your statement, and leaving alone all the talk about 1kHz and 3kHz, sibilance should end at 5 kHz. Even if it stopped at 6 kHz, the stock D5000 shouldn't be that piercing on sibilance. We still don't have a frequency response of the MD5000, but things like are now leave good hopes for me.
post #18 of 45
Quote:
Originally Posted by antonyfirst View Post
As much as I respect and trust you, I'm doing some experiments now and things are not how you are describing. I'm using Ety ER4P and my computer equalizer. I'm using Van Der Graaf Generator - Pawn Hearts, which has lots of sibilant "s" and "t". While lowering the 1kHz and 3kHZ doesn't sort any effect on these sibilance (neither alone, nor together), lowering the 6 kHz decreases the sibilant peaks.

As far as your graphs go, the whole area between 4.5 kHz and 8kHz (an beyond) is a mess with both grados, not only the 1-2 kHZ.

I'm going to do some other tests, but even a few weeks ago, with my Sennheiser, I came up to the same conclusion about the 6 kHz area.
Well, I don't know why those specific recordings have the sibilance enhanced and why it improves by EQing at 6KHz. This doesn't mean that the energy of a naturally produced /s/ etc is centered at 6KHz, just that the enhancement those recordings have in that freq. is what annoys you, which is not the same.
Moreover you should know the bandwidth of the equalizer you're using. If it were a notch filter, then you'd know for sure the offending frequency, but considering that most software EQers are BS and that they have some default built-in frequency envelopes, it's quite likely that by lowering 6KHz you're also lowering the more critical 4.5-5.5 band.
To make things clearer, just look at the Etys response chart:



You'll see that they don't have any enhancement in the 6-8KHz area, so the defect is probably in the recording and can get worse for the Etys' 3000 and 5000 Hz peaks.

What make some sounds annoying are the peaks in the response very centered at one single frequency. The more "peaky", the worse. If you have something with an enhancement, but it's spread over a quite large frequency band, then it's way less annoying.
Anyway, FWIW I own the MD5000 and I can assure you that they're not "bright" or sibilant headphones -which in my opinion are the phones that make everything sounding sibiliant- but for sure they'll tell you if a certain recording is too hot in the sibilants area. If you are looking for HPs that obscure bad or hot recordings then look elsewhere. In fact you should consider not going for resolutive and tending to neutral cans, and going for cans that have a 5-8 dB dip in the 2-8KHz area.

Rgrds
post #19 of 45
Thread Starter 
While you were writing, I've done some edits to my second post.
Well anyway, those two albums showed sibilance like a metallic addition over "S", "T" and "SH". In fact, sibilance on all three sounds like it's abusing of the same frequency of charleston, which as far as I know are also centered on 6 kHz. It seems "S and friends" have not only components in the 1-3.5 kHz area, but also over there (6 kHz range), that in old recordings were boosted by poor quality microphones.
I'm saying that sibilance is not only related to the inner properties of "s", "sh" and "t".

Furthermore, in my experience, when a '70s singer is very close to the microphone, or is singing at low voice, sibilance is more "scratchy", or even painful.

It's not related to Etymotic alone, because I have been moving each bands in the range of +/- 12 dB, and ER4P have a deviation from "flat" that's around 4-5 dB, so not as dramatic like ER4S (whose graph you posted).
The ER4P have a lot flatter frequency response. But Headroom has removed the ER4P graph a while ago... I wonder if they aren't selling them anymore.

I can install a better equalizer (Electri-Q) for Winamp, which lets me monitor all the frequency and filtering with extreme precision. I'll install it tomorrow though, because I'm going out for the night right now (EDIT: corrections because my writing seems drunk-like).
post #20 of 45
Hi, I've just read your edits and we are to agree, the D5000 or MD5000 won't artificially enhance the sibilances for the plateau being at a higher frequency band than the sibilances range, and also it's not peaky.
At 6KHz there should be very little energy from sibilant consonants. Some cymbals have more energy there, but still it's not the center of their bands, just the upper tails.
It all depends on the bandwidth of the equalizer you're using and the slope. If it's 1 octave or 1/2 octave and the slope is just 3dB or 6dB by lowering 6KHz you're lowering 5 and 5.5KHz a lot too.

Rgrds
post #21 of 45
Thread Starter 
Quote:
Originally Posted by Cool_Torpedo View Post
Hi, I've just read your edits and we are to agree, the D5000 or MD5000 won't artificially enhance the sibilances for the plateau being at a higher frequency band than the sibilances range, and also it's not peaky.
At 6KHz there should be very little energy from sibilant consonants. Some cymbals have more energy there, but still it's not the center of their bands, just the upper tails.
Hehehe, now please read the edits in my last post (this damn need to rush ).
Yup, we pretty much agree on the stock Denons.

See you later.
post #22 of 45
Well, thinking carefully again about it, it's also very possible that we feel as painful and annoying different frequency bands.

In my case I know well that the most offending peaks to perceive "s and friends" as disturbing are in the 2.5-5KHz range. It's possible that excessive energy there is less disturbing to your ears/brain, but that having an artificial enhancement at 5.5-7 KHz is more disturbing than for me.

Obviously when something is wrong at 6KHz and above it's disgusting to me too, but in a different way.

Rgrds
post #23 of 45
I have both the D5000 and D2000 in stock version. Both have the same drivers. They are stamped in the back saying "Foster 439360" in both headphones. The plate where they are mounted is also the same (plastic) and not as mention before where the D5000 had a metal plate.

For what I see the only differences are the cups, dampening material in the plastic cups of the D2000 and the cable. The rest is the same.

In a few days I will received a pair of Amboyna Burl cups that I will install in the D2000. It is going to be interesting to listen if the sound change. After that I will probably send them to Alex for a recable and then put in Markl's mods.
post #24 of 45
musicman please do keep us up to date on your findings
post #25 of 45
Thread Starter 
Quote:
Originally Posted by Cool_Torpedo View Post
In my case I know well that the most offending peaks to perceive "s and friends" as disturbing are in the 2.5-5KHz range. It's possible that excessive energy there is less disturbing to your ears/brain, but that having an artificial enhancement at 5.5-7 KHz is more disturbing than for me.
The best explanation I have is the following:
"It seems "S and friends" have not only components in the 1-3.5 kHz area, but also over there (6 kHz range), that in old recordings were boosted by poor quality microphones."
My ears are sensitive, but it's not that I can't stand normal 6kHz frequencies.
post #26 of 45

Hmmm... Verrry... Interrresting....

Quote:
Originally Posted by musicman59 View Post
I have both the D5000 and D2000 in stock version. Both have the same drivers. They are stamped in the back saying "Foster 439360" in both headphones. The plate where they are mounted is also the same (plastic) and not as mention before where the D5000 had a metal plate.

For what I see the only differences are the cups, dampening material in the plastic cups of the D2000 and the cable. The rest is the same.

In a few days I will received a pair of Amboyna Burl cups that I will install in the D2000. It is going to be interesting to listen if the sound change. After that I will probably send them to Alex for a recable and then put in Markl's mods.
If your observations are accurate...

it is "verrry interrresting"... and... no doubt means... Denon is guilty of perpetrating a fraud on all us "chumps!" We've got the D2000s with the D5000s wood cups!!!

They introduce the D5000s in a better form... and... then "bait and switch" the "late adopters" into buying their "cheap D5000s" at the same price as their "bait."

This... no doubt explains... why so many "hear" different D5000s than the "early adopters."

Mine are going back for a full refund... or... I'm callin' the FTC Div of the US Attorney Generals office... who'll no doubt say... "YOU LOSE... CHUMP!" They "reserve the right to change the specs on their phones at any time!"

How many of you "chumps" have the D5000s with the plastic, rather than metal, frames holding the drivers?!?
post #27 of 45
Quote:
How many of you "chumps" have the D5000s with the plastic, rather than metal, frames holding the drivers?!?
Let me verify this with the next D5000 I receive. I may be wrong about the metal in there.
post #28 of 45
Actually, I have one here and it is plastic. I was working from memory when I wrote that part, I could have sworn the ones I had worked on before were metal, but I believe now they were plastic. This one, purchased recently, is plastic. If someone else with an early production model can see if the outer ring around the driver is metal that would be interesting, but for now, I'm sorry if my potentially faulty memory is responsible for any controversy.

I have edited that bit out of my earlier post.
post #29 of 45

Weren't Your's and Skylabs...

Quote:
Originally Posted by markl View Post
Actually, I have one here and it is plastic. I was working from memory when I wrote that part, I could have sworn the ones I had worked on before were metal, but I believe now they were plastic. This one, purchased recently, is plastic. If someone else with an early production model can see if the outer ring around the driver is metal that would be interesting, but for now, I'm sorry if my potentially faulty memory is responsible for any controversy.

I have edited that bit out of my earlier post.
Weren't your original set and Skylab's the earliest version - being "early adopters?"

So... your's and Skylab's phones must be the original "metal frames."

Can't you guys... just check and confirm?
post #30 of 45
I've sold the earliest pairs I had.
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