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Photos, I need constructve criticism - Page 2

post #16 of 23
Blue Mountain Snow is my favorite. Thanks for making it huge; now it is my wallpaper! (Unless you would prefer it not be my wallpaper for some reason, then shoot me a pm and I'll take it down. )
post #17 of 23
Pauly: If you are going to be doing macro work, I would suggest getting a tripod if you haven't already. Even one of those pocket ones can be useful. Macro shots (on the s30 certainly...I have one, so I know) require a steady hand, which may be why some of your photos were slightly out of focus. Do you have other camera's besides the s30? If so, you might want to get a macro lens and light...it will make things much easier, because it is really hard to take good macro shots without proper lighting, as flash doesn't really work...they do cost some dough though....I am still looking for an old ML-2 so that I could do it with my t-90, but I doubt I will find it any time soon...
Anyway, here is a cheater's hint for more dramatic macro photography of plants and spiderwebs....bring a mister. If you have a sunny day and a plant mister, you can get great glistening drops of dew hanging from the web if you just give a little dusting with the mister.
post #18 of 23
Thread Starter 
Quote:
Originally posted by ServinginEcuador
Hey, I was just going to write some comments on those photos. Where'd they go PD? I really liked that second one if I remember correctly, but can't remember. Put them back up and I'll take a look and post some thoughts if you'd like.
Here they are, I was feeling pissy, sorry I didn't think anybody looked at them.


post #19 of 23
I like 101_0132 (three train's fronts/backs in a row)..

Would you happen to have some kind of a train fetish or something?
post #20 of 23
Quote:
Originally posted by springofdark
These would have to me my favorites.



What makes this photo interesting is how the lights on the train contrast with the darkness all around. Yet, by keeping your distance, you have made the train even more of a focus. All in all, this is a very good study of light, especially how you captured the light shimmer of the tracks. In addition, your focal point is strong.



You have good angles in this photo which clearly define a focal point. The details of the train aren't all revealed because of the darkness and this adds to the solitary feeling evoked by the concentration of artificial light. The photo grabs you and makes you want to explore further down the walkway.



The shimmer of light on the tracks and the inclusion of the sky help give this photo a very soothing feeling. Here, only the tracks are presented as the inclusion of man-made objects. They provide a starck, focused contrast to the overall nature scene, yet tell a story of the day's end, when all is calm. When studying the photo more, I realize you made a smart choice in not centering the tracks in the composition. Keeping things a little off center aways seems to keep the eyes from darting right to the center (and not seeing the rest of the compostion).

Overall, you have a strong gasp of light, and how you can use it to your advantage in a composition. A possible next step might be to study focus and depth, much like you did in your closeup photo of the tracks. Shadows can also be quite interesting, but are always difficult to capture.

Good work!
I'd look closer at that first pic if I were you!

Train? .... Boat!
post #21 of 23
Quote:
Originally posted by Mr.PD
Here they are, I was feeling pissy, sorry I didn't think anybody looked at them.
I figured as much. Thanks for popping them back up for us. Now as to the photos:

I love your use of vanishing points with your subjects. The tracks in one, trains in others, the rock in the one photo.

The first and second train at night photos are very well done. Just beware of the foreground clutter that can detract from the photo. They both look like you needed to lean out a little more before taking the photos. The railing in one shot detracts from the beautiful photo slightly, but not greatly. The train at the station that is all lit up has one a small wooden corner and something sticking up detracting a little bit, but other wise well done. Maybe shrinking down the amount of the train in that shot and eliminating the bottom row of tracks would have brought more attention to the train and would have left the top set of tracks as a lead-out line and vanishing point perspective also.

The blue mountain snow shot only lacks proper use of the horizon line to make it hugely interesting. Maybe take the camera and point it slightly more down or up to emphasize either the land or sky more would have made it go from great to incredible.

For some sick reason I can't put my thumb on that photo of the rock and mud appeals to me. Maybe the contrast between the two main items adds to it. The two lesser subjects of the moss and grass at almost perfectly spaced intervals from the center are pretty nice. The grass on the right seems to be reaching up toward the rock and over toward the moss to it's left. I would say experiment with a little perspective change on that one and either get a bit lower to emphasize the moss and grass as the things coming out of the muck; or raise your perspective some to reduce it and show more of the rock as being out of the muck.

The other photo of the rock using it as a vanishing point with a nice brown leaf to break things up is well done. The shadows and darkness in the background really draw one's eyes and attention right to the leaf and the rock. The leaf is very well placed at a rule-of-thirds intersection to make it less stagnant and tends to also draw one to it first, the over to the left and up to see what is in the shadows.
post #22 of 23
Thread Starter 
You guys are being a lot of help, thank you.
Let me explain a couple of shots.
The rock and leaf shot has been cropped. This was a very small leaf on a cliff. The surrounding area, was a bit fuzzy as usual with that camera and macro. So I trimmed it out. I tried a lot of variations before setteling on that one. Same with the moss and mud shot.
That shot of the locomotives, with the tower thing in the background was one of the first pictures I ever took with that camera. Yes, the shovel handle in the foregound sucks. I tried to get some close ups of the overhead crane thing while it was working but they didn't come out. That is a locomotive service area, not trains or boats I got that same shot yesterday morning with the morning light in the sky and that shovel was not there to foul things up! I will see how those came out in a while.(it's 4 am and I just got home)
I can see where it looks like I have a thing for trains. I don't, I ride them for a living and sometimes there isn't time to go out and take pictures when I'm not at work. All these pictures were taken while I was at work.

Oh, one more thing. That photo of the train at night loco #4609, that was such a cool shot, because of the other train going by and that blur effect. I didn't notice that crap at the bottom of the photo until later, it was the box I set the camera on. If I cut that part from the picture, it will also cut off the bottom of the snow plow, I felt this would look odd. Do you agree?
post #23 of 23
Thread Starter 
Quote:
Originally posted by JiPi
I like 101_0132 (three train's fronts/backs in a row)..

Would you happen to have some kind of a train fetish or something?
That picture was an experiment at using a different perspecitve. I forgot that I put that picture in there.

I should explain that these rail yard photos are at my away from home terminal. This photo is taken in the part of the yard where they build some of the trains I ride back to my home terminal. The locomotive in the foreground is the one I rode home on that day.
I get a lot of opportunities to take pictures of trains at seldom seen angles. I just have a hard time thinking of any.
Those bug and moss/leaf pictures were taken at times my train was stopped waiting for opposing traffic. Sometimes I have an hour to wait and others just a few minutes. I just take what I get time for. There are several shots from moving trains also. Blue Mountain Snow is from a moving train.
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