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I am a drummer, and when I listen to excellent percussionists through the Havana, I can hear the sticking so well that I can see, in my mind, the type of sticking that the drummer must be doing in the performance. I can't pick out the same timing and dynamic details when listening through the Benchmark. I think it is these details that allow me to easily get into the music and the groove when listening to the Havana. When listening via the Benchmark, I tend to focus on the sounds, but not get into the music.
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I stumbled around saying very nearly the same thing earlier today when a certain acquaintance of mine expressed curiosity regarding the difference between oversampling and non-oversampling DACS.
My words, comparing an oversampling DAC to my Paradisea+, were thus:
"Bottom line, I constantly found myself being wowed by the sound effects as opposed to the music. Like I was playing a video game instead of listening to my favorite band."

I'm a long time musician and studio recording guy myself and I'm now on the non-oversampling DAC team.
I want to hear music and my own MHDT Paradisea+ provides it quite richly.
...
Funny thing ...
I quite nearly groveled trying to get the MHDT folks to mail me a Havana to demo against my Paradisea+. Needless to say, they didn't bite ... but otherwise have been exceptional folks to deal with.
I remain utterly intrigued by what differences the Paradisea's OPAMP-free, bigger brother might render to my ear, though and once my bills are caught up, I'll most likely be trying to devise some means of getting on.
:-)
Thanks for your comments ...






























...In that case, there are no tricks that'd work. Just need to come clean of our addition and take the beating once in a while.