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post #76 of 113
Thread Starter 
Linn Records - specialists in Classical, Jazz and Celtic music
HDtracks

I compiled a list of legally downloadable music (with Norwegian headings) here:

Poeten.no - Her laster du ned musikk (lovlig)

First heading: Download for free
Second heading: Pay to download
Third heading: Streaming (duh!)
Fourth heading: Unsorted

I am still a bit undecided as to what will make the biggest difference to my listening experience if I can't afford the full package right away (the Duet is a given):

Duet >> Amp >> my old Grado 325i
Duet >> New and ridiculously expensive cans like GS-100
Duet >> Budget amp >> sideways step i cans for broadening of experience, like AKG701, BT990 ...
post #77 of 113
Quote:
Originally Posted by Solan View Post
I saw that W5000 sells for less than the W2000 on amazon.com.



It all depends on the music, and also the gear you use. MP3 is essentially a Fourier transform of the sound wave. That is, instead of representing the pressure in the sound wave at successive points in time, it breaks that sound apart into frequencies. If the music had been recorded that way, you should in principle get better sound per byte that way. Unfortunately, that is not precisely what MP3 is. It's coded over from the recorded sound wave function (which means it can't get better than that), AND (very importantly) many frequencies have been removed or lumped together for the sake of compression.

So back to the music:

I like old German electronica, like Tangerine Dream. Their music is to a large extent synthesized from just a few sine waves or simple waveforms that are reducible to a superposition of not overly many sine waves. MP3 handles that kind of music extremely well, since even the lowest rate MP3 can handle sine waves to perfection - lossless! I often can't tell 128kbit MP3 and FLAC apart for such music.

At the other end of the scale is music with lots of complexity in the higher frequencies. Cymbals are particularly revealing and sound "jingly" with MP3, and I frankly think even CDs lack for this kind of music; the Shannon sampling theorem does as far as I know only apply to pure sine waves.

But whether I can tell depends on the particular piece of music. But don't listen with just your "ears". Listen with your space sense. The highest frequencies are not really audible per se, in the sense of being felt like sound, but are more present in the form of a feeling of "space". That's part of why Dolby NR on the old cassette tapes felt like you were being choked by a pillow. Not because it didn't do its job, but because it did it too well: Some of that white noise it filtered out translated to a feeling of that space.

A test: Can you hear the difference? Bitrate test! - abi>>forums (I failed on one of them; the reason might simply be that I disliked the music, though. Or it might be that the white noise on Ghosts helped me identify the least compressed version.)

But I keep all my music in FLAC, ragardless. It would be a shame if I woke up one day and recognized the difference --either due to better equipment, because of getting to know that particular music better, or because of the "listening fatigue" you get from music of lesser reproduced quality even if you don't hear it directly-- and what is the cost of making sure? 20 cents! (OK, so I know people with 2TB "collections" of music on MP3. But really! It doesn't matter what format that music is in, because 2TB is enough for several years of non-stop listening without repeat. Good music is music you play over and over again to the exclusion of all other music for days on end. Just say no to MP3: It leads you into useless collecting habits and leads you away from good music.)


Hi Solan!

sorry for this late answer, but lots of work...


yes I usually know 128Kbps, but it's quite hard to decide above 192Kbps. I'll do the test you suggested! I'm curious! And I agree with you. Despite my 200GB music collection, there is only about 8GB I listen all the time. Of course, there's also the 100GB classical collection I love to listen, but that's a different story.

So I see you love the Mozart's Requiem, it's a superb masterpiece, isnt it? do you know Verdi's? (bet you do, the question would be, do you like it as well)
post #78 of 113
Quote:
Originally Posted by Solan View Post
I'm torn between the desire to explore new and expensiver HPs and a tube amp (Glow1? Woo3+ or 6?). My wife thinks I should buy new shirts ...


I think you will be pleased with that kind of match... then mind the HP for the tubes you want!


(mine thinks I need trousers... )
post #79 of 113
Quote:
Originally Posted by Solan View Post
Both of those amps look good. I am considering Woo6 for now. As for complimentary pairs of cans, the more I look at the two high-end Grados, the more I covet them. RS-1. GS-1000. But some reviews indicate that PS-1 is the ultimate in the Grado department. But why make only a limited edition of your best if there's a market?

I went to the local hi-fi yesterday to compare my 325i with Denon's 2000s. Maybe it was the set-up, but the 325i won hands down for all music I tried. Not hands down in a super-superior way, but hands-down in the sense that the Denons were very good, but the 325i were none the less better sounding by a margin. The owner said he had compared the Denons to Senn HD650, and that he found the Denons superior; they brought the music more to life. I had listened to the HD650 in that shop before, and though the sound was fine, they clamped. But from how he described how Denons >> HD650, and how I found 325i >> Denons in much the same way, I think that if I compared 325i with HD650 for my ears, the outcome would probably be 325i >> HD650 for all kinds of music. I like detail and rawness.

So what might remain (aside from those Grados higher up the chain to drool at)? I had Beyerdynamics before, and their wearing comfort was just awesome! BT880 or 990 might be a good choice for complimentary cans? Or the touted AKG k701. But k701 supposedly needs a good amplifier (as do the beyers), so an extra pair of cans presuppose that I buy an amplifier. Frequency-wise, those two would at least be alternatives:



So ... and I am not too sure my wife can be convinced of this ... this summer might see the following new members of the family:

Duet >> Woo6 >> K701 ... and Cowon D2

If anything must go, I will probably drop the Cowon first, the K701 next, and if I must cut to the bones I will still insist on getting the Duet. Alternative options ...

Duet >> RS-1

or

Duet >> GS-1000

but I am not sure how that would sound, since I hear the GS1k are very demanding of good amplification. It's hard to be an audiophile! I just want to listen to the music, really, and forget the links between me and the musicians ...

PS: I am really curious about those Audio Technica cans. The W5000 looks stunningly beautiful!


- I prefer the DT880 to the DT990, and I think they are very good HP
- The K701 are supert HP for you then:

Quote:
Originally Posted by Solan
I like detail and rawness.



I have to say Grados are very good HP, but IMO for Rock! so, unless you really listen to a lot of Rock, I personally wouldnt spend so much money into Grado and not buying anyone more, but that's only my opinion, because I listen to a lot of different music styles

And you're right! my mistake! I meant the PS1, not the HP1! the PS1 are the best Grados ever.

and please! if you use your mac as a source, do not consider the option of not buying some DAC!... it's really a great improvement!

(the W5000 looks great though... )
post #80 of 113
oh!... and the Woo6 is just superb! you should try Lacrimosa with tubes... ...
post #81 of 113
Quote:
Originally Posted by Solan View Post
Duet >> Amp >> my old Grado 325i
Duet >> New and ridiculously expensive cans like GS-100
Duet >> Budget amp >> sideways step i cans for broadening of experience, like AKG701, BT990 ...


I would go to the last option, but maybe I would add there a tube amp in the middle...
post #82 of 113
I'd do duet -> well powered m3 -> 225s
post #83 of 113
Thread Starter 
ricmat: That would need to be a tube amp a bit ore on the budget'y side. But if I went for that route, I'd need to figure out which cans complement the 325i musically. For my own sake, I think they do pretty much everything well, but with my current set-up I miss power in the deep bass (might well depend on the amp, though, and maybe even the Duet alone fixes that issue), but a controlled and strong deep bass. As for highs, they have room to go down some, but not to disappear.

Grawk: Given that I already have 325i, the 225 will be superfluous, but which amp is the m3 again? Rockhopper Mini^3 is the one that shows up when I search for m3. $125? That's budget end, so ... hmmmm ... But you prefer these over others mentioned, like Woo and Glow and all those?
post #84 of 113
no the M^3, not the mini^3. They're around $300.

325 is a huge step down from the 225. Epic fail step down.
post #85 of 113
Thread Starter 
Who is the M^3 manufacturer? Or do you have any direct links to M^3 threads? (If I were to buy 225, I would rather go for an RS, which supposedly has a similar sound profile, but is more upstream.)
post #86 of 113
The M³ Stereo Headphone Amplifier

I wouldn't buy an rs1 instead of a 225. I think the 225 is the best deal going in headphones. The RS1 needs a much nicer amp to shine than the 225 does.
post #87 of 113
Thread Starter 
That part actually doesn't worry me. Grados are 2.5 times as expensive in Norway, and US sellers aren't allowed to ship internationally. A nice amp, on the other hand, is within reach in 1 year, so I have time to wait to make, say, RS-1 shine. Or GS-1000 for that matter.

I did say that what I am looking at in this thread is what I should buy when I visit the US this summer, didn't I? So getting a $$ bargain compared to domestic prices matters a whole lot. So the Duet, which trades for twice the price at home, is into the bag. If I had chosen another one which might have cost about the same, or which shipped internationally, I might have dropped DAC and went for Amp+Cans instead. And so on ...
post #88 of 113
Quote:
Originally Posted by grawk View Post
The M³ Stereo Headphone Amplifier

I wouldn't buy an rs1 instead of a 225. I think the 225 is the best deal going in headphones. The RS1 needs a much nicer amp to shine than the 225 does.
Well, I sure am liking my RS-1, even directly out of the Apogee mini-dac, but with the TTVJ portable millet hybrid tube amp they really shine

Can't wait till my maxed Woo 6 is fully burned in and loaded with good tubes...
post #89 of 113
Thread Starter 
Quote:
Originally Posted by HeadphoneAddict View Post
Well, I sure am liking my RS-1, even directly out of the Apogee mini-dac, but with the TTVJ portable millet hybrid tube amp they really shine

Can't wait till my maxed Woo 6 is fully burned in and loaded with good tubes...
I haven't read about the TTVJ ... price? ... and is Woo6 a step up?

I had a thread about trying out RS-1 and GS-1000 in NYC, and it seems to be a pretty hard job. Probably none available. But they are less than half the home price, so I am considering buying one of them without having heard it first. A calculated risk. BTW: I see a used RS-1 is selling for slightly in excess of 500 at the forums here. Is that a good price for a used unit? Ah ... sold
post #90 of 113
I wasn't telling you what you should do, I was just giving my preferences. You definitely can't go wrong getting rs1s and a duet.
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