If you base the sound on those graphs, the lame mp3 should be better than ogg
post #31 of 48
3/15/08 at 12:41pm
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Maybe I have super ears, but the difference between an uncompressed WAV file and the highest possible 2 channel stereo bitrate MP3 (320), WMA (high 400s) and OGG (505) are so obvious to me it's not funny. That is not to say that the high bitrate compressed files sound bad - but they do sound different and are lacking accuracy, detail, tonal timbre and dynamics compared to the original. Apart from that, WMA adds a "sheen" to the extreme high end that is not there in the WAV file, the Fraunhofer softens the high end and LAME hardens it. So if for nothing else, they all have their own sound signatures at maximum birtates that make then easy to distinguish from the originals.
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PS: not at all interested in the advice about not attacking Bigshot. Would much rather be banned please. I can't stand know-it-alls who...umm...don't and who furthemore give idoitic and misleading advice to people who just suck it all up without using their own judgement.
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I knew that as well before you even wrote it and trust me, it saddens me. Why not disagree with someone in a respectful and friendly manner? I see such things a lot on the internet and it really makes me lose my faith in humanity as a whole. (the faith that's left that is)
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Lossy encoders are supposed to be lossy therefore you will lose data and the visuals should have losses compared to the original wav. It is up to the developer to choose which data to discard to get the best possible sound for the filesize targeted... After saying this though, Look at the pics... ogg does not look as good as the wav with all that purple crap around the line. AAC looks the best and mp3 lame is a close second if we were to base them on those graphs. What are you guys seeing that makes ogg look better???
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| Originally Posted by stevenkelby Does anyone here think that if a bitrate comparison/difference is inaudible to their ears with their system, it will therefore be inaudible to my ears with my system? |
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No! We don't have identical gear and certainly not identical ears. So our ability to hear audible differences vary...
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The graphs linked on the first post don't even have lame mp3 or aac
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Let alone losers who never bought an album in their entire life. Why do audiophiles still use lossy formats ? Nowadays an ipod can store up to 160 Gb of music and a 100 $ HD up to 750 Gb. Is their still a need for higher compressed formats ?
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| Yeah, I have one of those at home, and many CDs ripped to FLAC or WavPack stored on it. How exactly does that help me on a plane, in a hotel, in the car, on a train, or at the gym? Given how frequently I travel, those are the places that I do most of my listening, and given the fact that well-encoded lossy files are indistinguishable to my ears from the lossless files, there is no logical reason that I should substantially reduce my choices, waste space on my portable players, and take the battery life hit by using lossless files on my portable players. |
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Let alone losers who never bought an album in their entire life. Why do audiophiles still use lossy formats ? Nowadays an iPod can store up to 160 GB of music and a 100 $ HD up to 750 Gb. Is there still a need for higher compressed formats ?
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