While if what my eyes tell me is true, that these players are very close to being largely the same (the digital boards are NOT identical, but close enough and probably from a different Pioneer model), it's clearly an incredibly disappointing thing to see.
OTOH, what some folks don't seem to acknowledge is that there are but a hand full of makers of CD transports in the world, and only a few that make "high-end" models. Unless you are buying an Esoteric, no strictly high-end boutique manufacturer of any CD player is making their own transport from scratch. They are all sourced from Far Eastern companies. Some (apparently including the Goldmund in question) at least tweak these transports to improve upon them. Still, the ability to actually make them is well beyond the scope of 10-man operations that are most boutique labels, so they are outsourced. Same thing with building remotes. Since the remote works the transport and display you're already OEM-ing, why not just re-badge the existing remote that goes with the off-the-shelf transport? And besides, what would a "high-end" remote do that a cheap one doesn't?

We all also know that none of these boutique brands are manufacturing their own DAC chipsets, they too are also sourced from a small group of manufacturers. Of course, not all of them are just transplanting the entire digital board lock stock and barrel from another player

, but they are still going to be constrained in the number of unique and different ways they can implement any chipset.
So that leaves the power supply and the analog output section for the boutique builders to really distinguish themselves. Goldmund added a toroid to the power supply, but seems to have done nothing to analog output.
Knowing all this, what we see may not be quite as shocking in the end as it seems at first (well, until we see the sticker price of $12K

). One would certainly expect some very nice analog output section, especially at that price.
All that said, the things that nag at me from some posts in this thread from the usual anti-audiophile suspects is that they seem to be complaining that the transport is largely the same in both players. Yet, in general, these types are also the very same people who will insist that all transports are the same. So why would they care or be outraged at the inclusion of cheap transport vs. an expensive one? The sound will be the same, and the buyer is no more ripped off for buying a unit with a cheap vs. expensive transport.
These same folks also tend to argue that better quality components also make no difference, and yet still complain that they are not present in the Goldmund.
I find these contradictions amusing and revealing.
