If I may,
I have heard two b22, one balanced, and will state, unequivocably, that the balanced Bijou gives the b22 a run for it's money in detail, intended or not, but it is superior in mid band tonal reproduction, especially on voice and strings. The Bijou's sound staging absolutely whips the b22 without any question.
We will put this all to the test in January, as the balanced b22, balanced Bijou, and Pete Millet's 307a (SE) will be in attendance (along with some others, like maybe a Zana Deux, and some Singlepowers) in Dallas, with some really seasoned listeners / MOTs, where I think this all ultimately comes down to personal taste, and what the user wants to hear.
It would also be an honor to have the designer come hear it for himself, as well as the other offerings - the chance to chinwag with Pete is worth the price of admission.
Tempering expectations is one thing, but the Bijou can be built to perform within a few % of the top amps available in the market, and Super Bijou may well place it at even par.
Do not shrink the design accomplishment. It speaks for itself, and can be mentioned in the conversation with any amp. No question it can stand against any other all tube amp, at least from what I have heard. And, after owning 20 amps or so, my experience is that all amps have strengths and weakness - finding the right tradeoff is the goal of the quest, and, no one amp can do everything (hence why I have 3, and am building a fourth).
SS may be technical, but tubes are magic - and we can all use a bit of magic these days.
Who says there ain't no Santa Claus?
PS: I have built a few of Ti's designs, and he IS a truly talented designer - this is in NO WAY reflective of the relative designers - and, in fact, wish 'the designers' collaborated a bit more than they do now. Competition is a driving force, but sharing ideas is a far more powerful tool.
I have heard two b22, one balanced, and will state, unequivocably, that the balanced Bijou gives the b22 a run for it's money in detail, intended or not, but it is superior in mid band tonal reproduction, especially on voice and strings. The Bijou's sound staging absolutely whips the b22 without any question.
We will put this all to the test in January, as the balanced b22, balanced Bijou, and Pete Millet's 307a (SE) will be in attendance (along with some others, like maybe a Zana Deux, and some Singlepowers) in Dallas, with some really seasoned listeners / MOTs, where I think this all ultimately comes down to personal taste, and what the user wants to hear.
It would also be an honor to have the designer come hear it for himself, as well as the other offerings - the chance to chinwag with Pete is worth the price of admission.
Tempering expectations is one thing, but the Bijou can be built to perform within a few % of the top amps available in the market, and Super Bijou may well place it at even par.
Do not shrink the design accomplishment. It speaks for itself, and can be mentioned in the conversation with any amp. No question it can stand against any other all tube amp, at least from what I have heard. And, after owning 20 amps or so, my experience is that all amps have strengths and weakness - finding the right tradeoff is the goal of the quest, and, no one amp can do everything (hence why I have 3, and am building a fourth).
SS may be technical, but tubes are magic - and we can all use a bit of magic these days.
Who says there ain't no Santa Claus?

PS: I have built a few of Ti's designs, and he IS a truly talented designer - this is in NO WAY reflective of the relative designers - and, in fact, wish 'the designers' collaborated a bit more than they do now. Competition is a driving force, but sharing ideas is a far more powerful tool.













